Sentences with phrase «twentieth century art movements»

Key works of Modern Art, from Giorgio Morandi to Frank Stella, and twentieth century art movements like minimal art, pop art and CoBrA have been brought together in a so - called «White Cube».

Still others work in styles related to twentieth century art movements like Cubism and Surrealism.

Inspired by personal experiences growing up in the south as well as distinct events in American history like the migration of African - Americans from south to north and the Watts uprising of 1965, Outterbridge's works are as rooted in folk and African art as they are in dialogue with twentieth century art movements such as Dada, assemblage, and the readymade.

Not exact matches

French artist Caroline Achaintre's visually striking, witty ceramic sculptures and hand - tufted wall hangings bring together a whole host of references such as catwalk fashion, carnival, and death - metal iconography, as well as Primitivism and Expressionism — early twentieth - century Western art movements that borrowed heavily from non-Western and prehistoric imagery to find new ways of representing the modern world.

AT THE HEIGHT of the Abstract Expressionist movement, which has been referred to as the «Triumph of American Painting,» 1 a somewhat younger generation of painters, while interested in and often respectful of their predecessors, formed the conviction that an art based on the depiction of the natural world could make a serious and ambitious statement in the latter part of the Twentieth Century.

Kusama's work has transcended some of the most important art movements of the second half of the twentieth century, including Pop art and Minimalism.

Endlessly talented and celebrity driven, Andy Warhol is one of the most important artists of the twentieth century and Pop Art movement.

Divided into seven chronological chapters, from early twentieth century avant - garde movements such as the Harlem Renaissance to current debates around «Post-Black» art, this exhibition opens up an alternative transatlantic reading of Modernism and its impact on contemporary culture for a new generation.

Reintroducing Zao's work to a North American audience, the authors make a substantial contribution to scholarship on transnational art movements in the twentieth and twenty - first centuries.

The collection begins with Ashcan School painting and follows the major movements of the twentieth century in America, with strengths in Modernism and Social Realism, Precisionism, Abstract Expressionism, Pop Art, Minimalism, Postminimalism, art centered on identity and politics that came to the fore in the 1980s and 1990s, and contemporary woArt, Minimalism, Postminimalism, art centered on identity and politics that came to the fore in the 1980s and 1990s, and contemporary woart centered on identity and politics that came to the fore in the 1980s and 1990s, and contemporary work.

Locks Gallery is pleased to present Pop Réal, a group exhibition that examines the intersection of two influential art movements of the twentieth century: Pop Art in America and Nouveau Réalisme in Euroart movements of the twentieth century: Pop Art in America and Nouveau Réalisme in EuroArt in America and Nouveau Réalisme in Europe.

At once paradoxical and coalescent, the Colour Charts highlight an important moment in the artist's career and are situated across multiple leading art movements of the twentieth century.

Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: pop art and minimalism.

A French - American painter, sculptor, chess player and writer whose work has been associated with Dadaism and many other avant - garde movements, Marcel Duchamp is commonly considered as one of the artists who helped define the revolutionary developments in plastic arts in the begining of the twentieth century.

Known as the mother of American modernism, Georgia O'Keeffe played a pivotal role in the development of American contemporary art and its relationship with European movements of the early twentieth century.

The diverse works on view include rare early pictures, major examples of the Pictorialist art movement by figures such as Peter Henry Emerson and George Seeley, and a broad range of twentieth - century art and vernacular photographs.

Terry Fenton, Abstraction West: Emma Lake and After (1976) and «Western Canada and the Emma Lake Workshops» in Modern Painting in Canada: A Survey of Major Movements in Twentieth Century Canadian Art (1978); John O'Brian, ed, The Flat Side of the Landscape, The Emma Lake Artists» Workshops (1989).

Trained in twentieth - century Modernist avant - garde movements, she has continued her investigations of subcultures, outsider artists, and emerging art movements with such original work as the essay «A Partial and Incomplete Oral History of the Mission School» in the BAMPFA catalog Barry McGee; the exhibition catalog Energy That Is All Around; and the introduction to Bruce Conner: The Afternoon Interviews.

His work helped shape the aesthetics of French art at the turn of the twentieth century and formed the cornerstone of the international Art Nouveau movemeart at the turn of the twentieth century and formed the cornerstone of the international Art Nouveau movemeArt Nouveau movement.

Within the past few months there have been significant gallery and museum exhibitions devoted to artists linked with what is probably the most influential movement in twentieth - century American art.

Georgia O'Keeffe, also known as the mother of American modernism, played an extremely important role in the development of American contemporary art and its relationship with European movements of the early twentieth century.

Gordon Matta - Clark (1943 - 1978) is one of the great heroes of late twentieth - century art, a cult figure as much in the contemporary art world as on the architecture scene, whose work is independent from any movement or school.

Canonized as an American development, Pop is among the most expansive phenomenon of postwar art, at once the most recognized «movement» of the second half of the twentieth century and strikingly nomadic spreading not only through Britain and the United Sates but also Japan, Latin America, and eastern as well as western Europe.

In 2010, the San Francisco Museum of Modern Art canonized these high - octane, formerly underground artists in a wall text which stated that the Mission school was «the most significant art movement to emerge out of San Francisco in the late twentieth century.&raqArt canonized these high - octane, formerly underground artists in a wall text which stated that the Mission school was «the most significant art movement to emerge out of San Francisco in the late twentieth century.&raqart movement to emerge out of San Francisco in the late twentieth century.»

Villareal's works reinterpret fundamental components of such twentieth - century art movements as pop, minimalism, conceptual, and post-painterly abstraction while responding to the ingenuity and imagination that defines technology in the twenty - first century.

In 1968, a 23 - year - old Piacentino walked out on the then nascent Arte Povera movement, a group of Turin - based artists who were soon to be written large in the annals of twentieth century art.

So begins Alice Goldfarb Marquis» lively, informative and entertaining account of one of the twentieth century's most flamboyant and influential art movements.

Pop Art was quicker than any other art movement of the twentieth century to gain entrance to art markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the UArt was quicker than any other art movement of the twentieth century to gain entrance to art markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the Uart movement of the twentieth century to gain entrance to art markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the Uart markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the USA.

Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism.

The core of modern art in the Colección Patricia Phelps de Cisneros [CPPC] consists of works by Latin American artists of the twentieth century, particularly the major figures of geometric abstraction movements in countries such as Argentina, Brazil, Uruguay and Venezuela.

His fonts are influenced by the classic movements of the twentieth century — Modernism, Constructivism, the Bauhaus and Art Deco — yet he aims to create timeless designs, valid now and in the future.

Through these juxtapositions, I revisit the twentieth - century art of H. C. Westerman and Marcel Duchamp and the movements of Assemblage, Surrealism and Arte Povera.

Movements in the mid twentieth century such as Pattern & Decoration (P&D), Op - art, and the local Criss Cross movement played a role in the creation of many of the works in the exhibition.

David Hockney is considered one of the most influential British artists of the twentieth century, and was a key member of the Pop art movement of the 1960s.

Created by the influential art dealer Ileana Sonnabend, the Sonnabend Collection is considered one of the most important collections of American and European art of the second half of the twentieth century, representing some of the most influential western art movements of our time.

By the 1960s and 1970s, his well - known images of the Twentieth Century Fox logo, gas stations, and other icons of American culture — as well as his association with the renowned Ferus Gallery group — had established him a leader in the West Coast Pop art movement.

Pablo Picasso's re-working of classical composition inspired in part by African masks, Frank Stella's creation of non-rectangular shaped canvases, and Dan Flavin's experimentation with neon light are all important milestones in the history of modernism — an art movement that has origins in Western Europe in the early twentieth century and took hold in America in the 50s and 60s.

Hershman rediscovered the footage in 2004 en decided to forge the material into something that would document one of the most important art movements of the twentieth century: the Feminist Art Movemeart movements of the twentieth century: the Feminist Art MovemeArt Movement.

Whether it's Andy Warhol, Roy Lichtenstein, or Robert Rauschenberg, no other conceptual movement in modern twentieth - century art history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop Aart history has been such a crucial influence on our ideas of aesthetics, design, and the American way of life as Pop ArtArt.

Spanning movements from Impressionism to Cubism and Surrealism, Sotheby's Impressionist & Modern Art Evening Sale (Nov 14) will offer remarkable paintings, works on paper and sculptures by the leading artists of the nineteenth and twentieth century.

Levin and South are the two art historians most responsible for attracting scholarly and public attention to Synchromism, a movement that has often occupied a minor place in twentieth - century art - history textbooks.

Visual creativity in the twentieth century could be said to have been a series of — isms and art movements dominated by the great, self - promoting names of the age (Picasso, Dalí, Warhol).

The Museu Coleção Berardo presents the most significant artistic movements from the twentieth century to the present day, establishing its position as the main museum for modern and contemporary art in Portugal.

The invention of photography in the nineteenth century had three effects on art: portrait and scenic artists were deemed inferior to the photograph and many turned to photography as careers; within nineteenth - and twentieth - century art movements it is well documented that artists used the photograph as source material and as an aid — however, they went to great lengths to deny the fact fearing that their work would be misunderstood as imitations; [8] and through the photograph's invention artists were open to a great deal of new experimentation.

Although the Soviet Union eventually rejected Constructivism, embracing instead Socialist Realism as its preferred art form, the movement was heavily influential to modernist movements and visual culture in the twentieth century.

An expansive investigation of 60 years of Hockney's work as a printmaker; a look at Ben and Winifred Nicholson, leading figures of the Modern British movement; and the first major exhibition in the UK dedicated to the work of Canadian artist Emily Carr, the dominant figure of British Columbian art in the first half of the twentieth century.

Switching to a career in fine art from his dream of becoming a commercial artist, Ed Ruscha first came into prominence in the early 60s with his large word paintings and paintings of commercial icons, such as Twentieth Century Fox and Standard Station, that related in manner and style to the nascent Pop art movement.

Degas to Picasso: Creating Modernism in France November 4, 2017 — January 28, 2018 Degas to Picasso: Creating Modernism in France tells the story of modern art as it evolved during the nineteenth and twentieth centuries, through 150 works representing transformative movements such as Impressionism and Cubism.

[Clare Rojas] is often placed within the context of what is considered the most definable art movement to emerge out of the Bay Area in the late twentieth century: the «San Francisco Mission School.»

As a major contributor to the British Pop Art movement of the 1960s, Hockney is considered one of the most influential artists of the twentieth century.