Sentences with phrase «twentieth century installation»

In the tradition of late twentieth century installation art, the works in this exhibition are produced through the remains of action.

Not exact matches

Fast - forward to the twentieth century and this year's installation at New York's Center for Italian Modern Art.

At Paul Kasmin Gallery at New York City, The Noguchi Museum creates a special installation in the rear gallery of an exhibition devoted to the Parisian alley called l'impasse Ronsin, where numerous twentieth - century artists had their studios.

Including major installations and rarely seen works on paper and archival materials, the exhibition is a long - overdue exploration of Le Parc's central role in twentieth - century art history.

Through the concept of the line in space the artist's works expand the boundaries of the medium of drawing and his installation Double O (2008) was recently exhibited in MoMA's show On Line: Drawing Through the Twentieth Century (2010).

Fully illustrated in colour, including previously unseen material from The Henry Moore Foundation archive and specially commissioned photographs of the installation of Moore's works at Hatfield, this book is a fascinating record of an exhibition of one of Britain's most important artists of the twentieth century.

In this conversation, Curatorial Assistant Ali Demorotski will discuss the new installations in our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie Driggs.

Her work includes installation and performance in which she investigates constructions of identity in western nineteenth and twentieth century, and their outcomes and parallels in the present day.

Drew recently gave a Gallery Talk and completed an installation, titled 184T (2017), on the north side of the Early - Twentieth Century Gallery.

My mission was to accompany one of our amazing paintings by the twentieth - century Italian artist Amedeo Modigliani, ensuring its safe travel and installation using appropriate security measures in the National Art Center in Tokyo.

Vintage black and white photographs evocative of Twentieth Century American ideals find their home under the same roof as cutting - edge video installations and suspended sculptures by contemporary artists.

It is a particularly exciting time for McElheny, with three museum exhibitions displaying the diversity of subjects with which he is involved: currently on view through July 20 at Whitechapel Gallery, London is a year - long installation The Past is a Mirage I'd Left Far Behind, in part a meditation on abstraction in film throughout the twentieth century.

Members enjoy an exclusive preview of American Legends: From Calder to O'Keeffe, a new installation of the permanent collection featuring works from the first half of the twentieth century by eighteen iconic American artists.

Opening and Artist Talk: Adam Cvijanovic Friday, May 15, 5:00 — 7:00 p.m. cash bar, 6:00 p.m. artist talk Brooklyn - based artist Adam Cvijanovic discusses nineteenth - and twentieth - century visual art, architecture, and cinematic themes present in his paintings and installations.

M WOODS is pleased to announce Andy Warhol: Contact, an exhibition of groundbreaking film, photography, and interactive installations by one of the twentieth century's most influential artists.

Through her performances, films, and installations, Sharon Hayes examines the intersection of history, politics, and speech, with a particular focus on the language of twentieth - century protest groups.

Spotlight, meanwhile, dedicates space to underrepresented twentieth - century work, whether lesser - known moments in the careers of recognized artists (such as Mary Kelly's mid-1980s installations, or Jo Baer's early gouaches); artists coming into or returning to critical attention (such as Robert Filliou and Alan Shields); or artists working from a non-Western perspective (such as Zahoor ul Akhlaq, Abraham Palatnik, and SH Raza.)

The first of the installations shows signs of the constructive elements connected with the artistic traditions of the early twentieth century.

Ray recapitulated many of the developments in twentieth - century sculpture in his first show in 1971 with an installation entitled One - Stop Gallery.

In the now - derelict, early twentieth - century poured - concrete church of Dilston Grove, artists Ben Burgis, Stuart Middleton and Richard Sides have created their own version of the Mechanical Garden, curated by Naomi Pearce, an installation sketched out but not realised by late British avant - garde artist Stephen Cripps (1952 — 82).

Spotlight meanwhile, dedicates space to underrepresented twentieth - century work, whether lesser - known moments in the careers of recognized artists (such as Mary Kelly's mid 1980s installations, or Jo Baer's early gouaches); artists coming into or returning to critical attention (such as Robert Filliou and Alan Shields); or artists working from a non-Western perspective (such as Zahoor ul Akhlaq, Abraham Palatnik, and SH Raza.)

Nancy Holt, the American artist who made some of the most important land art works of the twentieth century, and whose practice also entailed video and installation works, has died.

PEM's presentation of Samuel F. B. Morse's Gallery of the Louvre and the Art of Invention is accompanied by an installation of over sixty - five works drawn from PEM's collection of nineteenth - and twentieth - century American, Asian, and maritime photography.

PEM's presentation ofSamuel F. B. Morse's Gallery of the Louvre and the Art of Invention is accompanied by an installation of over sixty - five works drawn from PEM's collection of nineteenth - and twentieth - century American, Asian, and maritime photography.

Majerus's installations of tiled canvases, painted in heterogeneous modes, allude to an American late - twentieth century artistic canon: Andy Warhol's silkscreened skulls, or Christopher Wool's text paintings (one painting consists of the phrase COOL / WOOL, a parody / homage to Wool's formalistic treatment of block capitals).

History of the Twentieth Century, Installation View, 2010, Andrew Edlin Gallery, New York.

A three - channel video installation allows audiences to observe creatures in various biomes and seasons, and a single - channel video introduces recordings of twentieth - century psychologists and behaviorists, including B.F. Skinner, Harry Harlow, sexual educators, and news broadcasters.

This type of art reformats iconic examples of twentieth - century architecture and design into other mediums (painting, sculpture, photography, video, slide shows, archival installations, etc).

Das Pop, Donna Beam Gallery, The University of Nevada, Las Vegas, Nevada Evocative Objects, Arlington Museum of Art, Arlington, Texas Gallery Artists Installation, Barry Whistler Gallery, Dallas, Texas Joseph Havel and Lisa Ludwig: Material Differences, Galveston Arts Center, Galveston, Texas Joseph Havel / George Stoll / Meg Webster, Devin Borden Hiram Butler Gallery, Houston, Texas Twentieth - Century American Sculpture at the White House, The First Lady's Garden, Washington D.C. Genesis in Fire: Works form Green Mountain Foundry, The Glassell School of Art, The Museum Of Fine Arts, Houston, Texas

The installation approximates the dramatic viewing experience enjoyed by visitors to the art gallery in Charles and Emma Frye's Seattle home in the first decades of the twentieth century.

Robert Rauschenberg is revered as one of the most influential artists of the twentieth century and is recognized for his fusion of painting, installation, photography, printmaking and performance art.

Both artists with an interdisciplinary and research - based practice, they work towards re-contextualizing desire and privilege in the United States, currently developing installations inspired by the lost histories of Bengali sailors who passed as Black in the early twentieth century.

, Matthew Marks Gallery, New York 2013 The Living, Kunstverein München e.V., Munich 2012 Galerie Max Hetzler, Berlin Museum Dhondt - Dhaenens, Ghent, Belgium 2011 Come Helga, This Is No Place For Us II, Maureen Paley, London 2010 The Renaissance Society at the University of Chicago Art Institute of Chicago 2009 Feelings, Matthew Marks Gallery, New York Serpentine Gallery, London (catalogue) 2007 Large Concretised Monument to the Twentieth Century, Chiswick Business Park, London (Permanent installation) Come Helga, This Is No Place For Us, Galerie Max Hetzler, Berlin Matthew Marks Gallery, New York 2005 Zoo Story: An exhibition of animals in art — for the young and young at heart, Fisher Landau Center for Art, New York Pas de Deux, Matthew Marks Gallery, New York Galerie Daniel Buchholz, Cologne 2004 Dark Passage, Kunsthalle Zürich (catalogue) Family Badge, Antiquariat Buchholz, Galerie Buchholz, Cologne 2003 Donald Young Gallery, Chicago The Boiler Room, The Saatchi Gallery, London SHE, Maureen Paley, London 2002 Fleischvater, Modern Art, London 2000 The Agony and the Ecstasy, Maureen Paley, London 1995 Manliness without Ostentation..., the Agency, London 1993 I Have Every Vice in the World, Dolphin Gallery, Oxford Selected Group Exhibitions: 2018 Anna Fasshauer Michail Pirgelis Rebecca Warren, Kunstverein Reutlingen, Germany Virginia Woolf: An Exhibition Inspired by her Writings, Tate St Ives, UK.

A combination of works, including painting, photography, drawing, print, video installation, sculpture and publications are brought together spanning the second half of the twentieth century to the present.

This extensive exhibition explores the versatility of light as a sculptural medium through 20 installations from international artists working throughout the second half of the twentieth century to the present day, as well as site - specific works re-created specially for the exhibition.

SJMA's permanent collection of more than 2,000 twentieth - and twenty - first - century works of art, including paintings, sculpture, installation, new media, photography, drawings, prints, and artist books, has a special focus on West Coast art, seen in an national and international context.

Emerging in the later twentieth century, new art forms — including performance, sound, and installation art — have brought art «viewing» into closer alignment with the multisensory and participatory nature of everyday life.

In Vancouver, he also realized From shangri - la to shangri - la, a temporary installation based on huts that were erected on the Maplewood mudflats in North Vancouver during the second half of the twentieth century.

From Berlin to Broadway is the Kurt Weill - inspired title of an installation of 43 early - twentieth - century German and Austrian works on paper that the Morgan Library & Museum received in 2005 as a bequest from Broadway lyricist Fred Ebb (1928 — 2004).

His command of a diversity of disciplines and mediums — from drawing, painting, sculpture, performance, film, and installation, to theatre and theoretical writings — produced an oeuvre that effectively connects the enduring traumas of the twentieth century to today.

Featuring seminal pieces at the forefront of institutional and social critique, the show gathers over 200 works, primarily from the 60s and 70s, tracing Broodthaers» ever - poetic texts, objects, and installations as cemented within a twentieth century context.

Louise Nevelson (b. 1899, Kiev; d. 1988, New York), a leading sculptor of the twentieth century, pioneered site - specific and installation art.