Sentences with phrase «twentieth century marks»
The last decade of the twentieth century marked a brief, significant moment of intense, rapid sociopolitical, economic and cultural transformation, particularly for women, a group historically marginalized and overlooked.
https://www.ocma.net/ Not exact matches
If sexuality seems to be marking the twentieth century with its stamp, it is certainly not that man has changed but simply that he has a different consciousness of sex, and has given it a place of its own in his scale of values.1
Mark De Wolf Howe and William McLoughlin have argued that there was a de facto Protestant establishment in the early years of the Republic, that this establishment was broadened to include Catholics late in the nineteenth century and that only in the twentieth has America transcended the notion that it is a Christian nation.
As Boodin has said, the new intellectual renaissance into which physics has led us in the twentieth century is marked, not only by the emancipation from mechanism, but «the discovery of form or structure as fundamental in reality.
As the bills for the sexual revolution pile up, it looks as if the late nineteenth and early twentieth century feminists were closer to the mark.
But the late 1940s turned out to be the high - water mark of twentieth - century solidarity, both economic and social.
In his foreword, Josef Cardinal Ratzinger calls von Hildebrand «a man whose life and work have left an indelible mark on the history of the Church in the twentieth century.»
Sergius Bulgakov, widely regarded as the greatest Orthodox theologian of the twentieth century (calling him the von Balthasar of the East would not be wide of the mark), was the kind of religious thinker only that century could produce.
These four marks of the Fascist spirit» nationalism and racism, a love of violence and war, irrationalism, and revolutionary presumption» though not exhaustive, help us to understand its appeal during the first half of the twentieth century, particularly where democratic institutions were feckless and resentments bred by World War I festered.
Evan Davis, BBC Economics Editor Free Trade Nation is history at its best: far - reaching and authoritative, its story of the rise and fall of free trade as a widely - held belief marked by justice, fairness and peace provocatively refashions the history of early - twentieth - century Britain, reminds us of an age when popular politics exerted real power, and forces us to rethink our contemporary views of consumers, markets and morality.
BEST FIGHT ¬ ∑ Beyonc √ © Knowles vs. Ali Larter «Äì Obsessed (Screen Gems / Sony Pictures) ¬ ∑ Hugh Jackman and Liev Schreiber vs. Ryan Reynolds «Äì X-Men Origins: Wolverine (Twentieth Century Fox) ¬ ∑ Logan Lerman vs. Jake Abel «Äì Percy Jackson and the Olympians: The Lightning Thief (Twentieth Century Fox) ¬ ∑ Robert Downey Jr. vs. Mark Strong «Äì Sherlock Holmes (Warner Bros..
Marking an expanded commitment to some of its most important franchises, Twentieth Century Fox has brought on comics superstar Mark Millar to serve as a creative consultant on the studio's upcoming projects based on Marvel Comics properties.
Thanks to a recommendation by director Joe Carnahan, who at the time was pitching a reboot of Daredevil, Twentieth Century Fox hired Mark Millar as a creative consultant on their Marvel properties.
Mark Strong attends the launch of the «Kingsman» shop on St James's Street in partnership with MR PORTER, MARV & Twentieth Century Fox in celebration of «Kingsman: The Golden Circle», releasing September 22, on September 7, 2017 in... More
In a history of humankind, the twentieth century will be marked as a century of violence: the two world wars and hundreds of local and regional conflicts occurred in it, with dramatic change in a profile of those who suffer in wars, which shifted from military to prevalent civilian victims (in some statistics, it is more than 80 % of civilians), beside to enormous level of individual violence happen daily all over the world.
Since around the middle of the twentieth century, society has witnessed a marked decline in spiritual and moral values throughout the Western World, including a distinct weakening of traditional sexual mores.
The composition is dominated by a large expanse of wood painted with the artist's iconic cadmium red, resulting in an area that resonates and reverberates with an intensity of color that is unrivalled in twentieth century art, except perhaps by the forces of color created by Mark Rothko on his large - scale canvases.
Including more than 300 paintings, sculptures and drawings by nearly 140 artists of international renown, such as Jackson Pollock, Alberto Giacometti, Richard Diebenkorn and Mark Rothko, Celebrating Modern Art provides an exciting and diverse overview of a century of artistic achievement and features five areas of focus: the New York School, art in California, contemporary art, modern sculpture and twentieth century drawings.
All of us have a sense of rhythm takes the 1940s as a decade marked by significant shifts in rhythmic perception both in Africa and the West and traces the integration of African rhythms in twentieth century artistic practices.
Where it overlaps, of course, is the role of British artists in the twentieth century, and the mark that international artists have made on British art in the time they've spent here.
So we jumped at the chance to co-sponsor, with the Denver Art Museum, the exhibition Modern Masters: Twentieth Century Icons from the Albright - Knox Art Gallery, which featured the greatest artists from the twentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and ClyffoTwentieth Century Icons from the Albright - Knox Art Gallery, which featured the greatest artists from the twentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and ClyffordCentury Icons from the Albright - Knox Art Gallery, which featured the greatest artists from the twentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and Clyffotwentieth century, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and Clyffordcentury, including (among many others) Pablo Picasso, Frida Kahlo, Jackson Pollock, Mark Rothko, Willem de Kooning, and Clyfford Still.
And he closes with an appreciation of «the greatest American painter of the twentieth century» who was «intimately concerned with the bleakness of our spirituality in the absence of God» namely, Mark Rothko.
Artists returned to emotional content conveyed through instinctual mark - making, subjective color, and distorted forms, as found in early twentieth century Expressionist movements, such as Fauvism, Die Brücke and Der Blaue Reiter, and in abstract forms in mid-twentieth-century Abstract Expressionism.
Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time.
Whereas parts of twentieth century abstraction (i.e. Mark Rothko, Morris Louis, and Jackson Pollock) may be said to evoke a transcendental signified, Smalley and Ratte's works conjure the transcendentalism of the unexpected vision that obscures reality.
The rest of the canvas is densely filled with bold, instinctual marks like the harsh black lines of German Expressionist woodcuts in the first decades of the twentieth century.
The twentieth - century British printmaking is much defined by diversity, originality and technical expertise, marking a notable shift in style and technique from earlier modes of representation.
Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections
Today, Kohn Gallery boasts not only works by important late twentieth - century artists, but also a roster of emerging and mid-career artists as well, such as Simmons & Burke, Ryan McGinness, Rosa Loy, Dennis Hollingsworth, Mark Ryden, Eddie Martinez, Tom LaDuke and Troika.
Considering the making and shaping of Modernism in St Ives, and marking the breakthroughs, revivals and continuities of artistic ideas which emerged throughout the twentieth century, the exhibition focuses on some of the international meeting points which feed into the story of St Ives and British Art.
The complexities of pictorial representation which characterize the Still Life 1976 paintings mark a definitive step in Warhol's acknowledgment of the history of twentieth century painting and of his role in that history.
Reflecting a range of current approaches to abstraction, the artists carry over lessons from twentieth century pluralism that they utilize to reinterpret, reanimate, quote, remix, mash - up, and morph a variety of genres, historical movements, and traditions of mark making.
This powerful survey show offers the rare chance to see works by some of the greatest American photographers of the twentieth century brought together — including Diane Arbus, Dawoud Bey, William Eggleston, Jim Goldberg, Mary Ellen Mark and many more.
For me, landscape painting extends beyond observation and formal concerns, drawing on bodily sensations, energy from the nervous system, time awareness, muscle memory, an education in twentieth - century art, and the performative act of mark - making.
07.00 Mark: On creating one's own luck: The one thing the great minds of the Twentieth Century all seem to have in common was: a very petit - bourgeoise work ethic.
CLAIRE FALKENSTEIN: Well, as I told you, I think there are two great innovators in the Twentieth Century, one for structure and one for space, and that's [Mark] Tobey and Clyfford Still.
Reflecting a range of current approaches to abstraction, the artists carry over lessons from twentieth century pluralism that they utilize to reinterpret, reanimate, quote, remix, mash - up and morph a variety of genres, historical movements and traditions of mark - making.
The Tantric Way highlights the parallels between Tantric art and the early twentieth - century modernist abstractions of Paul Klee, Piet Mondrian, Constantin Brancusi and Robert Delaunay, as well as the affinities between the post-war American painters Ad Reinhardt, Mark Rothko and Barnett Newman and the work of Indian artist Biren De.22 The latter was one of the leading members of a group of «neo-Tantric» artists newly promoted by New Delhi gallerist Virendra Kumar Jain, the older brother of Tantra Art's publisher, Ravi Kumar.23
Early in the twentieth century in Berlin, a German caricaturist and political cartoonist named Rudolf Bauer began to make his mark.
In celebration of the publication of Judith E. Stein's Eye of the Sixties, Richard Bellamy and the Transformation of Modern Art, the first - ever biography of one of the twentieth century's most influential and enigmatic art dealers, and of Miles Bellamy's Serious Bidness, a selection of his dad's hitherto unpublished letters, artists Mark di Suvero, Alfred Leslie, Richard Nonas and Rosalyn Drexler join the authors in a conversation about the legacy of Dick Bellamy.
Foregrounding their conditions of presentation, ownership, reception, and provenance, artworks, artifacts, and their passage through time and narrative discourses are played off the figure of the cloud chamber — an early twentieth century device that used water vapor to mark the movement of subatomic particles, and which laid the ground for the study of particle physics by photographing the patterns these movements produced.
, Tracey Moffatt: Free - Falling (Dia Center for the Arts), pp.9 - 21 Isaac Julien and Mark Nash, Frantz Fanon: Peau Noire, Masque Blanc (K Films Editions) Richard J. Powell, Black Art and Culture in the Twentieth Century (Thames and Hudson), pp.212 - 213
The museum also has acquired, by donation or purchase, significant holdings of works by twentieth - century masters Gertrude Käsebier, Eugène Atget, Francis Bruguière, Imogen Cunningham, Edward Weston, Man Ray, Paul Strand, André Kertész, Dorothea Lange, László Moholy - Nagy, Josef Sudek, Margaret Bourke - White, Minor White, Harry Callahan, Robert Frank, Garry Winogrand, and Lee Friedlander — among many others — as well as more contemporary artists such as Robert Heinecken, Mary Ellen Mark, Danny Lyon, Larry Clark, Lewis Baltz, Nicholas Nixon, and Stephen Shore.
1991 Telekinesis, curated by Patrick Painter, Mincher / Wilcox Gallery, San Francisco, California, US 20th Century Collage, Margo Leavin Gallery, Los Angeles, California, US Children in Crisis, Lorence Monk Gallery, New York, US The Readymade Boomerang (Print Portfolio), DAAD Galerie, Berlin, DE L'Art Se Porte Bien, Confort Moderne, Poitiers, FR Metamemphis 1991, Galerie Tanit, Cologne, DE Arte Fiera» 91, Mostra Mercato Internazionale d'Arte Contemporanea Bologna, IT Saga 91, Eric Linard Editions, Grand Palais, Paris, FR The Political Arm, John Weber Gallery, New York, US The Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, US Group Show, Daniel Newburg Gallery, New York, US Poet's Walk (public sculpture), Citicorp Plaza, Los Angeles, California, US The Fetish of Knowledge, Real Art Ways, Hartford, Conneticut, US Artists» Sketchbooks, Matthew Marks, New York, US Solaris, Mai 36 Galerie, Lucerne, CH Tokyo Art Expo, Harumi New Hall, Tokyo International Trade Center, Tokyo, JP Audio Arts, Wiens Laden & Verlag, Berlin, DE Blast Art Benefit, The X-Art Foundation Inc., New York, US Designated Space, Museum Dhondt - Dhaenens, Deurle, BE Franklin Furnace's 15th Anniversary Art Sale, Marian Goodman Gallery, New York, US This Land..., Marian Goodman Gallery, New York, US Tre Opera / 1965 -1975, Primo Piano, Rome, IT Inheritance and Transformation, The Irish Museum of Modern Art, Dublin, IR Tabula Rasa, Biel / Bienne, CH Für die Stimme, Wiens Laden & Verlag, Berlin, DE Group Show, Galerie Edouard Merino, Palais Albany, Monte Carlo, FR Learn to Read Art - An Exhibition of Artists» Books and Multiples From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York, US
His groundbreaking internationalist aesthetic marks him as a key figure of twentieth - century transculturalism.
The crackling, pentimenti, and blushed varnishes that Purdy has created on the surface of the paintings may be seen to be formal elements in the pictorial language, referring to the role of surface and mark in twentieth - century abstract painting.
Displayed on heavy steel tables, they draw not only on the tradition of twentieth - century figurative sculpture — marks of artists as diverse as Aristide Maillol to Henry Moore are alive in these robust works — but also on the history of female representation in general.
, Matthew Marks Gallery, New York 2013 The Living, Kunstverein München e.V., Munich 2012 Galerie Max Hetzler, Berlin Museum Dhondt - Dhaenens, Ghent, Belgium 2011 Come Helga, This Is No Place For Us II, Maureen Paley, London 2010 The Renaissance Society at the University of Chicago Art Institute of Chicago 2009 Feelings, Matthew Marks Gallery, New York Serpentine Gallery, London (catalogue) 2007 Large Concretised Monument to the Twentieth Century, Chiswick Business Park, London (Permanent installation) Come Helga, This Is No Place For Us, Galerie Max Hetzler, Berlin Matthew Marks Gallery, New York 2005 Zoo Story: An exhibition of animals in art — for the young and young at heart, Fisher Landau Center for Art, New York Pas de Deux, Matthew Marks Gallery, New York Galerie Daniel Buchholz, Cologne 2004 Dark Passage, Kunsthalle Zürich (catalogue) Family Badge, Antiquariat Buchholz, Galerie Buchholz, Cologne 2003 Donald Young Gallery, Chicago The Boiler Room, The Saatchi Gallery, London SHE, Maureen Paley, London 2002 Fleischvater, Modern Art, London 2000 The Agony and the Ecstasy, Maureen Paley, London 1995 Manliness without Ostentation..., the Agency, London 1993 I Have Every Vice in the World, Dolphin Gallery, Oxford Selected Group Exhibitions: 2018 Anna Fasshauer Michail Pirgelis Rebecca Warren, Kunstverein Reutlingen, Germany Virginia Woolf: An Exhibition Inspired by her Writings, Tate St Ives, UK.
Roberto Matta's exile in New York during the chaotic and destructive years of World War II marked a seminal shift in the art world of the twentieth century, one that is regularly termed a «catalytic» moment in the story of Modernism.
In this way, the exhibition makes the case for a discursive history of mark making, while mapping an alternative project of drawing in the twentieth century.