Sentences with phrase «twisted story like»

If you're coming into this expecting a mind - bending, plot - twisted story like the previous Xenoblade title, you may be disappointed.

Not exact matches

I served this country, volunteered for war, and now am left to deal with idiots like you who want to see stories like this, read some kind of republicanized twist into everything, blame Israel and Obama for your own personal failures (to include turkey farms - which I abhor unless free range), then go ahead: you're embarrassing yourself, your family, and every good person, Jews included, that you know.

Like any family, United Pursuit's story is one full of unexpected twists that have gotten them where they are today.

You said: «Listen these people how write the news twists the story so they can make you hate muslims and like the israelis»

Listen these people how write the news twists the story so they can make you hate muslims and like the israelis

Even if we twist the success stories around to sound like they are for the benefit of those we minister to, it is still apparently misguided because that is what the disciples did: we cast out demons, healed people and got people saved in your name!

Sounds like a well thought out campfire story to me that got twisted over 3 centuries.

Like its predecessors, his new book is layered with statistical quirks and story twists, as the author crafts a compelling and ambitious argument designed to challenge and even change the reader's view of the world.

you nut jobs need to stop twisting history like you do in that story book you hold so sacred.

These cookies are the story of how my morning started with my mom saying «what do you think you're doing, twisting a Cantucci recipe like that?

Alexis doesn't like to deal with the media because they always «twist» the facts for a good story.

And that is end of the short version of the story of how I got to be twisted enough to believe that everyone the West say they don't like is automatically evil.

I've been given some CRAZY opinions and «advice» through the years, like the fact that raising my arms while pregnant would twist the umbilical cord and strangle my baby, that my son needed pants that fit him (read that story here) and that I absolutely was not complete in life because I only have sons - I NEEDED to keep trying for a daughter (and even gave me a VERY detailed description on sexual positions that guarantee that)!

Some of them allow you to put photos which are printed up into the book like a photo album, but with the twist that there's a story illustrated around them.

The Forensic Science Service is the Web site to go to next, whether you are seriously considering a career in forensic science or just like to read crime stories with a real - life twist.

Adding a final twist to the story, Dimitri Leemans of the Free University of Brussels and Egon Schulte of Northeastern University showed last year that there can be only two shapes like the 11 - cell.

As a final dizzying twist to the story, people living on the farm and CFIA investigators recently developed influenza - like illness, says Clark.

And like any good whodunit, the mTOR story wouldn't be complete without an unexpected twist.

«This is the plot twist that gives away the story,» says Sharma, because it allows scientists like him to trace the evolutionary and genetic history of this group of animals, united by their loss of a particular gene.

Sing along to a catchy tune or share in the excitement of rediscovering classic stories like Peter Rabbit told with an interactive twist.

It's a fun twist on a love story and feels like visiting Rome.

The film, which hits theaters February 16, is a modern twist on a romantic comedy (boy and girl meet, fall in love, but then break up, and are suddenly reunited, ending up in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to see onscreen as more women carve out a place for themselves in writer's rooms and director's chairs.

Like ever other movie in the M: I series, the story demands your unedified attention at every beat, and one can't help but feel that some of the countless twists are frivolous considering the basic framework of the narrative.

As the stakes escalate, Mark Perez's script still organically makes time for the characters» realities, like Max and Annie having trouble conceiving a child, without such story points feeling too forced, and plays on the expectations of thriller plot twists more than once.

45 minutes of outrageous situation comedy with hilarious consequences, 45 minutes of gut wrenching and heart felt emotional drama, 45 minutes of impeccable acting from its two leads, who's on - screen chemistry (excuse the pun) has garnered them with a total of 4 Emmy's, and 45 minutes (im about to come back full circle here) of impossible to predict story lines that make the twists and turns in shows like Lost and Fringe genuinely feel like amateur hour.

And, aside from a conclusion I won't spoil except to say that it plays exactly like the meta - film twist at the end of Altman's THE PLAYER, Spielberg can't resist to inject a Gumpian «brush with history» as then Assistant Attorney General Rehnquist, a future Justice of the Supreme Court, calls to advise Bradlee the publication of the papers is prohibited by the Espionage Act of 1917 — just a beat too late to stop the story going to print.

It's melodrama and at times far - fetched and improbable, but the story twists and spins artfully from one high - powered sequence to another while the entertainment holds like steel cable from start to finish.

It's trippier than «Ex Machina,» and Garland makes a valiant go of its concerns, but «Annihilation» feels like a short - story amount of story pulled and twisted into feature length.

Feels like a script that was written backwards, as if the twist ending occurred to [writer - director] Caleo first and he then filled out a story to get to it.

The makeup Gordon - Levitt dons to appear more like Willis, for instance, is arguably not integral to the story, but it adds a minor expressionistic twist to their conflict.

There is an attempt at some sort of twist ending, a la M. Night Shyamalan, but even this adds so very little to the story as a whole, and comes off like a gimmick just to give the film a «big reveal» even if it doesn't really merit one.

Blue Ruin is all about escalation, and while its sensibility is Coen, its plot is very much like Shotgun Stories (which is still my favorite film directed by Jeff Nichols), twisting about in the absurdity of a feud.

Story missions are always brutal but often have lots of twists, like allies showing up or a timer ticking down.

That's why I'm putting it down as essential viewing for anyone who loves rock»n' roll, anyone who ever played in a band, anyone who grew up in the»60s, or anyone who'd simply like to see how a story that starts with one kind of twist — by Joey Dee and the Starliters — can end up six years later on a desolate Hollywood Boulevard with another, leaving us to ponder where music, and we, still might be headed.

Backed by a faithful soundtrack, Green Room is expert thriller - making where each story twist turns like a knife... and the actual knife twists turn like hydraulic drills.

Twist on original: Like Maleficent, this one is conceived as «the story you don't know», so we're guessing it will deal with how the perky pixie became so jealous in the first place.

As such, your liking for the film may come down to how interesting you find the modest twists and turns in the story.

An incredible story, with such expertly executed plot reveals, twists and turns that, like the very best of page turning novels, kept me sat in front of my TV for its final few hours as I just had to know what happened next.

Its story unfolds like a thrilling TV miniseries, right down to the episodic structure that bookends each plot twist and revelation.

At a seemingly lean 105 minutes, the film feels more like 205 minutes as it chugs along to its big twist ending (ahem, Señor Shyamalan at your service), and though the story gains some momentum in the middle with the introduction of a group of ghost hunters, the random change in direction doesn't quite fit with the rest of the film's tone.

Without spoiling the story of this game, The Evil Within really questions the sanity of Castellanos, especially as he faces the horrors of the underworld as twisted human - like creatures mutilate and torture the living for their own personal pleasures.

And like Rod Serling's seminal sci - fi anthology series, this movie features a third - act twist — but this one almost torpedoes the entire story.

Cheap Thrills feels like a modern day descendant of the story, but bloodier and more twisted.

The plot twists are easy to see coming, a contrived deus ex machina rescue attempt from Edith's Dr. Alan McMichael (Charlie Hunnam) is preposterous and hard to believe — when intelligent characters behave like fools, in this case charging into the lion's den armed only with accusations, not weapons or anything useful — and the unnecessary inclusion of a twirling little papillon — seriously, such a superfluous Spielberg - like addition to the story, a cute dog, stymies an atmosphere of fright in exchange for what exactly?

For a film like this to work, the story needs a few good twists.

Shyamalan's best film, both cleverer and less twist - dependent than «The Sixth Sense», if there were any justice more people would make effects - free superhero stories like this one, and then even snooty critics could admit to liking them.

In between, there's a stupid thing involving a code delivered by an autistic guy (Mercury Rising) that smells a little like first - time screenwriter (s)- itis, as well as a gaggle of story twists that are completely uninteresting except that they're played out by Pearce, Peter Stormare, Lennie James, and Vincent Regan.

This feeling is only heightened by the film's framing device, the conversation between FBI agent Wesley Doyle (the late Powers Boothe) and Fenton, the killer's son (played by Matthew McConaughey) who narrates much of the film, with it feeling like it's going to also double as a serial killer origin story, albeit one with a big twist that we think we can see coming a mile off.

Feeling at times like a faithful pastiche of horror classics past, almost an extended episode of Dyson's former League cohorts» TV masterpiece Inside No. 9, Ghost Stories wears its inspiration on its sleeve while twisting the tried and true into something a bit fresher and horribly fun / unpleasant to watch.

It's something like a western story song with gruesome twist.