Sentences with phrase «typeface designed for»

Not only are they unveiling Bookerly, the first typeface designed for the Kindle for scratch, but they're finally solving the Kindle's typesetting problems with an all - new layout engine that introduces better text justification, kerning, drop caps, image positioning, and more.

The company has made a big step towards better typography with the advent of Bookerly, the first typeface designed for the Kindle for scratch.

It is the first typeface designed for the Kindle for scratch and solves a longstanding problems with text justification, kerning, drop caps, image positioning, and more.

It's easy to see why Comic Sans was a typeface designed for use in comic books, and would certainly look out of place in Vogue.

Not exact matches

Tiny or hard - to - read typefaces or harsh colors may look great from a design standpoint, but if you're not designing for the people who buy from you, you could be losing their business, Graceffa says.

The difference between designing for B2B and B2C has nothing to do with color, information hierarchies or typefaces.

The design of the feature was hailed for its effective use of typeface, color, layout and images.

«Mopar's branding since 1937 looks like design ideas run through a blender at max speed,» said my friend, Angela Riechers, who teaches typography at New York's School of Visual Arts and writes a weekly column on typefaces for Eye on Design, the American Institute of Graphic Artists»design ideas run through a blender at max speed,» said my friend, Angela Riechers, who teaches typography at New York's School of Visual Arts and writes a weekly column on typefaces for Eye on Design, the American Institute of Graphic Artists»Design, the American Institute of Graphic Artists» blog.

The last example is a typeface in which each letter is a work of art in itself, making the title hard to read, yet it might be effective for a historic or Gothic book cover design.

When choosing a typeface for a book cover design, care should be taken to make sure the title will be readable when the cover is reduced to a tiny thumbnail image for a website.

Since Guttenburg launched the book printing revolution, type designers have created a wide range of typefaces to improve readability but also to create headline and display type for billboards, flyers and other uses that are designed to get the reader's attention.

InDesign comes with several typefaces suitable for book design, and in Book Design Made Simple we walk you through the process of setting up your pages and book cover using typefaces that are already available to you in InDdesign, and in Book Design Made Simple we walk you through the process of setting up your pages and book cover using typefaces that are already available to you in InDDesign Made Simple we walk you through the process of setting up your pages and book cover using typefaces that are already available to you in InDesign.

5 Favorite Fonts for Interior Design 5 Great Fonts for Book Covers 3 Great Typeface Combinations You Can Use in Your Book

He is a sucker for well - designed serif typefaces and likes reading thrillers in his spare time.

Although there are thousands of fonts available online, very few of these typefaces are appropriate choices for book covers or interior book design, as they tend to be tailored for use by artists and graphic designers.

Most of the typefaces we use for books are classic typefaces, either oldstyle or transitional designs.

However, occasionally I need to purchase a typeface — a necessity for a quality design.

Book Design for Self - Publishers: Workflow, Interior Design Stage including creating page elements, selecting typefaces to use in the book, and more

Erik also designed exclusive typefaces for Nokia and Mozilla, as well as designing the reading app Blloon from his own design agency Edenspiekermann.

The process of typesetting an e-book includes selecting typefaces, setting rules for normal body text (such as alignment, line spacing, and handling of breaks, widows and orphans), and visually designing special text such as headers or block quotes.

New fonts designed for e-reading are all the rage at present, with Amazon launching bespoke slab serif Bookerly and now, surprisingly, Google Play Books springing specially designed Literata as the default typeface on its app.

Most font - specific trademarks use typefaces that have been specifically designed for a company to use.

The new font was designed by Type Together who had a brief for a new book typeface that would provide an outstanding reading experience on a whole range of devices and high - resolution screens running different rendering technologies.

He also designed notable typefaces, including Cheltenham and Merrymount for the Merrymount Press.

Taking an unusual mix of typefaces, an original approach to layout and a striking colour palette of bright green, black and white; theses designs for the Vilnius City Opera give a rather traditional art form a very contemporary twist.

Josef Albers, Design for a Universal Typeface, c. 1926.

A full - dress retrospective for the Hungarian artist revealed the Bauhaus professor as a jack - of - all - trades, as comfortable designing Tube posters as typefaces.

The title of this exhibition, «Transport Medium» refers to a typeface designed in 1961 that is used exclusively for all road signs in Britain.

This course is for anyone who has always wanted to design their own typeface, but is unsure where to start.

We also offer individual courses and Certificates for professionals in Typeface Design, a centuries - old art form that now also employs cutting - edge technology and in Digital Fabrication.

Using her instantly recognizable white - on - red Futura typeface, the project will include an installation for the popular Lower East Side skate park located beneath the Manhattan Bridge, created in partnership with NYC Parks and skate park designer Steve Rodriguez; the design of a billboard on 17th Street and 10th Avenue in Chelsea; and a full wrap of a classic school bus that will serve as a mobile site for community engagement.

Famira designed a custom - made typeface for Céline, another major fashion house, by interpreting metal type specimens of a 1931 font called Semplicità to create a digital font that the company uses for print and screen.

He has designed the logotype for Helmut Lang — a heavy sans serif typeface that was the result of painstaking study at Cooper Union's Herb Lubalin Study Center of Design and Typography where he researched early versions of typefaces with similar qualities.

Design director by day, modern - day Renaissance man by night Andrew Bellamy has just released the beautiful new book Analogue Photography: A Reference Manual for Shooting Film, a volume he wrote, designed and illustrated, finishing it off with a custom typeface.

He is both a graduate and consultant for the Type@Cooper typeface design program at Cooper Union.

Levée has designed over a hundred typefaces for industry, moving pictures, fashion and publishing.

Fiona Banner has designed her own typeface for the first time, used across Ikon print and signage for the duration of her exhibition.

TAREK ATRISSI (MFA 2003 Design) Designer; creative director and founder Tarek Atrissi Design, the Netherlands; formerly creative director for Meta Design; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign) Designer; creative director and founder Tarek Atrissi Design, the Netherlands; formerly creative director for Meta Design; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign, the Netherlands; formerly creative director for Meta Design; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in Ldesign collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in Ldesign published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in London.

In honor of the first typeface acquired for MoMA's collection, the installation presents posters, signage, and other graphic material demonstrating the variety of uses and enduring beauty of this design classic.

Via Autobloggreen More Prius Hybrid The 2010 Toyota Prius Hybrid Got a Bladderectomy Toyota to Lease 500 Lithium - Ion Plug - in Prius Hybrids, But Don't Hold Your Breath... More Toyota Articles Toyota Might Not Make a Yaris - Based Hybrid After All... For Now Toyota to Sell a Yaris - Based Hybrid for Around $ 15.7 k in Late 2011 Belgian Ad Agency Designs Typeface Using a Moving 55 MPG Toyota iQ MicroFor Now Toyota to Sell a Yaris - Based Hybrid for Around $ 15.7 k in Late 2011 Belgian Ad Agency Designs Typeface Using a Moving 55 MPG Toyota iQ Microfor Around $ 15.7 k in Late 2011 Belgian Ad Agency Designs Typeface Using a Moving 55 MPG Toyota iQ Microcar

It lists for only $ 70, has the same trendy exposed - metal - backplate design of the larger BlackWidow X, and sports a discreet typeface on its keys.

Fresh free fonts download, new collection of handwritten, script fonts typefaces for logotype, website header, fashion design, wedding card design, stationery, presentations and many more.

The following typefaces and fonts are ideal to make an attractive design and fit for any artwork.

This is collection of script fonts, handwritten fonts, sans serif typefaces and they are perfect for web and graphic design.

The following typefaces and fonts are ideal to make an attractive design and fit for any web or graphic project.

Bad Homburg, Germany About Blog Linotype is the source for original typeface design and font software.

We work with brand leaders in every sector, developing original typefaces for print, web, and mobile environments, and licensing fonts from our library of more than one thousand designs.