Sentences with phrase «typical movie characters»

To compensate, Petersen (The Perfect Storm, Air Force One) and adapter David Benioff (The 25th Hour) play up the characters, infusing them making them a little more complex than typical movie characters.

Not exact matches

The Tree of Life does not contain your run - of - the - mill movie plot, with typical characters, and typical situations.

When the main character in this movie finds out that he has been diagnosed with cancer he goes through the typical stages of depression and finally embarks on a mission to find out what's important to him in life.

But, Black Panther is not your typical male - dominated comic book - based movie, practically every other strong character in this film is a female.

The characters were paper - thin, and served only as typical movie stereotypes (wise - ass, babe, «mysterious» Ph.D., and two attendents that are conveniently taken out of the picture early on).

It's just the lines and behaviors of the characters that make it so cheesy and typical for a zombie - apocalypse movie.

This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped characters, the abuse of the same song for several times, the glamorization of the dance scenes has no limits provalmente this is the most pointless

The characters made choices that weren't always neat and typical «movie» choices, but the type of choices people really make.

This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped characters, the abuse of the same song for several times, the glamorization of the dance scenes has no limits provalmente this is the most pointless films already made.

While a typical Hollywood movie depicting first contact would invariably lead to a massive technicolour fight across all seven continents as skyscrapers collapse into fiery abysses while heroic characters battle vicious aliens, Arrival couldn't be further from the trope.

Captain America: Winter Soldier artfully dodges nearly every typical superhero movie problem (as well as general sequel problems) with a stunning grasp of mood, total commitment to a «square» character, a smart choice of villain, and thrilling action scenes that feel authentically dangerous (a complete rarity in blockbusters) rather than like stop - and - gawk «setpieces» with no actual stakes.

he shouts at the curb, the line typical of a movie in which characters self - identify more reflexively than Pokémon but never manage to hear themselves speak.

So in this new era of comic book movies that are mostly dominated by MCU movies, as well as their success vs Batman v Superman, has there been a change of the typical iconic comic book movie characters?

Rather than gore, Wan goes for a more old - fashioned, character - based movie here, and as a result, a treasure trove of typical haunting tricks seems fresh and terrifying once again.

Working from a screenplay credited to William Nicholson and Simon Beaufoy, Kormákur (2 Guns, Contraband) sets Everest up in the typical disaster - movie mode, establishing the characters in simplistic terms so that we learn, at most, maybe two things about any one person.

It was a great film that showcased a variety of different characters that challenged typical gender roles in superhero movies.

I also like that there was an element of humor in the characters, which I find is not typical in movies of a more serious nature.

Ultimately, Killmonger falls into the typical Marvel movie evil - alter - ego - of - the - hero, wearing an identical suit and duking it out with identical combat styles, but that doesn't go down until the tail end, allowing the character space to develop and flourish as an individual motivated by needs and deep - seated pain before stuffing him into a supervillain suit and crashing him against the hero.

But while the film may not be a typical Statham movie, he's still playing the same basic character — the military - trained badass with a heart of gold — leaving him little room to showcase his dramatic range.

He expresses this character convincingly and successfully translates his typical chest - thumping bravado into a man plagued by enigmas — making his performance easily the funniest part of the movie.

«The Fundamentals of Caring» goes through the typical motions of being a road trip movie where the characters bond.

I do think Leigh could have fit this character into an actual tale that revolves around more than just a series of driving lessons, but even without this typical movie ingredient, Happy - Go - Lucky still provides for a very entertaining film - going experience.

The characters are fairly typical for a movie of this sort, with the main protagonist being the underdog, while he is surrounded by characters meant for comic relief.

Although it's structured as a rather traditional hero's journey, the movie sets itself apart thanks to more progressive characters that break from the typical Disney stereotypes.

For all its character - driven touches, the majority of the movie plays out too much like a typical biopic with episodic scenes highlighting the major events of the subject's life and occasionally touching upon glimpses into the man's psyche.

Other than that, the other characters fill out typical roles in this kind of «spaceship in despair» movie.

Ingrid Thorburn, Plaza's character, isn't given a definitive onscreen diagnosis in the movie, and Ingrid Goes West isn't a typical illness chronicle like Still Alice or The Theory Of Everything.

San Andreas suffers from that typical big - disaster movie syndrome where there's so much going on it's difficult to take it all in, while on the other hand focusses in on such a small group of characters that we're totally uncaring for the rest of the population who are succumbing to this epic disaster.

People went hoping that this vengeance tale would be Chan's version of «Taken» and were likely surprised to see that it's much talkier movie than they were expecting, and the action scenes don't have that typical Chan energy as he's too often leaning into the age of his character (although there are a couple of neat stunts).

Additionally, in typical Sondheim fashion, the songs aren't catchy and melodic in the manner of most movie musicals... instead the lyrics propel the story and help shape the characters.