The reason is Cine Effect, which at its heart is a collection of 15 filters for video, made to replicate
typical movie genres.
I know, not
my typical movie genre, but I might have mentioned I am expanding my movie tastes.
Not exact matches
Soderbergh inverts the
typical action
movie genre score by ratcheting up the score during the non-fight sequences, applying that retro - 1970s jazzy horn and percussion score by David Holmes (Code 46, Analyze That) during the dialogue and chases, while turning the music completely off when the film gets explosive for the highly brutal moments of close - quarter, melee combat.
Most likely sticking with an adult oriented tone of the film, with its foul language and violence and sex, Kingsman: The Secret Service will indeed be a spy
movie lightheartedly taking elements from the spy
genre while adding Vaughn's
typical blend of herbs and spices.
This is not your
typical Hollywood
movie — a feature marginally in the horror
genre with emphasis on psychological terror.
Cultural insensitivity aside, «The Forest» looks like your
typical supernatural horror film circa 2005, when retooling Asian
genre movies for American audiences was all the rave.
An equally ill - conceived, sequel - ready ending, all too
typical of commercially minded horror directors and
movie studios, also links Annihilation to less ambitious
genre entries.
The cornerstones of the
genre — snappy dialogue, near - unintelligible accents, and dark humor — are all present, and though the film offers only a slight variation on the
genre itself, the differences do provide enough of a fresh take on the
typical crime
movie to set it apart from the rest.
Though the
movie's supernatural elements aren't as prominent as the marketing campaign would lead you to believe, «Crimson Peak» is a sumptuously designed
genre flick that delivers a different kind of horror from the
typical ghosts - and - ghouls haunted house story.
My take: Personally, I don't gravitate toward school - shooting
movies, but everything I've heard about this one says that it's far from your
typical take on the
genre, instead focusing on the parents in a way that almost turns the film into psychological horror.
That's not to say that the
movie is any better than the
typical underdog sports drama, but it's a refreshing change of pace for Kevin Costner and the
genre itself.
Aziza has a title being released in the fall of 2011, Shadow Precinct, that doesn't easily fit into a
typical genre, but Levy's first thought upon finishing the manuscript: «This has to be a
movie!»
Much like the rise of the zombie -
genre kaijū
movies have seen some unique twists, e.g., The Host (2006), Cloverfield (2008), Monsters (2010), and Pacific Rim (2013) that have moved the category beyond just the
typical Godzilla franchise.