Love it or hate it, «The Neon Demon» is still a haunting, ethereal,
ultimately singular experience that will not fade from memory anytime soon.
In his catalogue essay, «Unknown Pleasures,» Grachos remarks on the unique
experience of becoming immersed in Weiser's paintings, noting, «In the end, Weiser's paintings are fitting representations of the present moment: visually and conceptually dense, open - ended, and even contradictory, while
ultimately gelling into some sort of off - kilter, unified whole — the sum of all noise reducing to a
singular, magnificent drone.»