Sentences with phrase «ultramarine blue»

Eames molded fiberglass rocker in ultramarine blue with chrome and maple base, Design Within Reach, $ 600 US.
Where the projector had shown the shade of crimson Rothko had made by blending ultramarine blue with lithol red, only the blue remained.
The sculpture garden, home to Claes Oldenburg's and Coosje van Bruggen's famous Spoonbridge and Cherry, 1985 — 88, will soon have the company of a twenty - foot high ultramarine blue rooster by German artist Katharina Fritsch, titled Hahn / Cock, 2010, which was initially created for the Fourth Plinth in London's Trafalgar Square.
Also in 1985 Bidlo recreated Yves Klein's, «Anthropometries de l'epoch blue» where he wore a tuxedo and white gloves as Klein had done, directing naked women to make prints with their bodies on large sheets of paper using ultramarine blue paint.
When he returns to painting in 1958, the single color used in the tall, narrow vertical band is the same deep ultramarine blue as the one in «Uriel.»
The big surprise came when I applied a blue - gray blend of French ultramarine blue and burnt sienna.
Gradually, de Crignis came to focus on the color blue, primarily ultramarine blue, aiming to «bring the blue onto a level where it becomes totally neutral... (so that the paintings) are just catalysts to create the space and the light.»
In 1960, French conceptual artist Yves Klein officially registered his International Klein Blue (IKB), a deep, matte ultramarine blue paint that he used liberally in his work, most notably in his «Anthropometries» performance series, in which he bathed naked female models («living paintbrushes» as he called them) in the signature shade and had them roll around on canvases, leaving behind only the marks of their Smurf - ifed bodies.
A very striking deep ultramarine blue work by Yves Klein (1928 - 1962), «RE 40,» a sponge and pigment in synthetic resin on panel, 78 3/4 by 59 inches, Lot 64, sold within its estimates for $ 2,095,750, another auction record.
Commissioned by the Mayor as part of the Fourth Plinth programme, Hahn / Cock is a 4.72 m high rendition of a domestic farmyard cockerel saturated in intense ultramarine blue.
Coat of Many Color by Ward Jene Stround, Brusho and watercolor on paper; Stroud placed a water wash over the entire image as a surface for the bird, then mixed ultramarine blue and burnt sienna for the darks and shadows.
Over the dried black pupil drag ultramarine blue across the top half of the iris in a half moon shape: this represents the sky reflecting in the dog's eye.
For the apples I worked a tiny amount of neat ultramarine blue into the red, for the pears I worked raw umber into small patches.
The Walker exhibition was organized to celebrate the installation of her 23 - foot - tall, ultramarine blue Hahn / Cock (2013), which stands like an unexpected sentinel in the redesigned Minneapolis Sculpture Garden adjacent to the museum.1
Small arches of bridges, press upon buildings from either side, while a sky of deep, modulated ultramarine blue braces the buildings above.
There, the path of stars visible at the North Pole appears in reverse, which inspired Albuquerque's placement of 99 ultramarine blue spheres, their size relative to the stars they represent, amidst the drifts and planes of snow.
The fiercely - contested presidential race, energized by the Iraq debate, is bombarding us with cadmium red, titanium white, and ultramarine blue patriotic imagery: waving flags; campaign buses plastered with candidates» logos and slogans; stars and stripes on bumper stickers.
These shades are repeatedly used throughout his oeuvre; as he commented, «There are certain colors that have become my colors; they're yellow ochre, black and white, a certain ultramarine blue (in fact some people in New York call it «Motherwell blue»)».
Besides their obvious hue, each primary works in other ways: cadmium red adds warmth, ultramarine blue cools and darkens, while cadmium lemon can create warm oranges and cool greens.
The paintings are on wood panels, prepared with a traditional heated gesso, which allows an underpainting of gouache, usually ultramarine blue, to lie beneath an imprimatura layer and interact with the oil paint that covers it to varying degrees.
These included cobalt blue, viridian, cadmium yellow, and synthetic ultramarine blue, all of which were in use by the 1840s, before Impressionism.
The other side is a saturated ultramarine blue, the shade most closely associated with the morpho butterfly.
Katharina Fritsch's proposal Hahn / Cock is a giant rooster in ultramarine blue.
For the live performance at Unfold, I used ultramarine blue as a direct reference to Yves Klein's 1960 performance.
In his recent exhibition, we see intense ultramarine blue with gold leaf beside brilliant yellows over crusty earth tones, built up layer upon layer.
In order to expose the entire structure of the sunflower, I applied an initial wash using French ultramarine blue and burnt umber.
During the Renaissance, the most prized color was ultramarine blue, which was made from precious crushed lapis lazuli and usually reserved for the blue in the Virgin Mary's mantel.
These include the super white, ultramarine blue and the vermilion red.
The Signature Series is available in ultramarine blue, coral and black, as well as embroidered graphic treatments.
Colours: burnt umber, burnt sienna, ultramarine blue, turquoise, dioxazine purple, alizarin crimson, cadmium orange, cadmium red, sap green, yellow ochre, cadmium yellow, ivory black, titanium white.
Colours: titanium white, toning grey (pinkish), cobalt blue, pacific blue, ultramarine blue, cerulean blue, orange, brilliant magenta, brilliant violet, burnt umber, red black.
Colours: Titanium white, liquid white, cadmium yellow, yellow ochre, cadmium orange, alizarin crimson, cadmium red, sap green, turquoise, ultramarine blue.
Oil - white, phthalo blue, ultramarine blue, cadmium red, magenta, alizarin crimson, cadmium yellow, lemon yellow, violet.
Colours: burnt umber, ultramarine blue, cobalt blue, alizarin crimson, cadmium red light, red oxide, cadmium yellow medium, naples yellow, titanium white
Colours: titanium white, naples yellow, cadmium yellow, yellow ochre, cadmium orange, raw sienna, burnt sienna, burnt umber, toning grey pinkish (or flesh tint), pacific blue, cerulean blue, pacific blue, ultramarine blue, pthalo green, violet, red brown.
I use lamp black as a dramatic accent as well, placing the pure black in a part of the painting that is already devoted to very dark mixed blacks (alizarin crimson and phthalo green or ultramarine blue and burnt umber for example).
I still use pretty much the same palette I used when I first started painting, with a few additions over the years: Cremnitz white, raw umber, ultramarine blue, cobalt blue, quinacridone blue, burnt sienna, lemon yellow, cadmium yellow, Indian yellow, cadmium orange, cadmium or other warm green, Veronese green, vert Aubusson or pthalo green, a purple, cadmium red, alizarin crimson.
IKB or International Klein Blue is an ultramarine blue he formulated.
The colour tone was obtained by manipulating the ultramarine blue extracted from the lapis lazuli stone with certain binders to create a deep velvety blue.
I have used it quite a lot as backgrounds for portrait paintings as well, though those blacks are a combination of either ultramarine blue plus burnt sienna or Payne» gray plus sepia.
Carroll uses wax and acrylic, building up patterns of pigment in translucent layers of gray, ultramarine blue, neon lime and fuchsia.
Colors straight from the tube that are very light, such as zinc yellow, have a «high value,» while colors straight from the tube that are very dark, such as ultramarine blue, have a «low value.»
A model of a human figure covered in the ultramarine blue pigment appears to be suspended in a prone position and surrounded by a light show of stars.
My palette consists of Vasari oil paint tubes in ultramarine blue, yellow ochre, burnt umber, terra rosa and titanium white.
I worked with yellow ochre, terra rosa, ultramarine blue and white, liberally applying paint with very little medium.
was painted an ultramarine blue on one side and a bright primary yellow on another.
Self - identified as «the painter of space,» Klein sought to achieve immaterial spirituality through pure color (primarily an ultramarine blue of his own invention — International Klein Blue) and even went so far as to present galleries emptied of all artworks for his renowned 1958 exhibition of «the Void.»
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