Sentences with phrase «ultramarine blue pigment»

Not exact matches

The iron - and chromium - based pigments of the surface layer correlated with the painting's current structure and its palette of mostly blues (painted with the iron - based Prussian blue and with ultramarine, Picasso's Blue Period blue of choice) and yellow - greens (painted with chromium - based yelloblue and with ultramarine, Picasso's Blue Period blue of choice) and yellow - greens (painted with chromium - based yelloBlue Period blue of choice) and yellow - greens (painted with chromium - based yelloblue of choice) and yellow - greens (painted with chromium - based yellows).

The Cooper S Seven Edition 3 - door seen in the images sports Lapisluxury Blue body colour inspired by ultramarine pigments found within the Lapis Lazuli semiprecious stone.

In 1828 a synthetic ultramarine pigment was developed, and synthetic blue dyes and pigments gradually replaced mineral pigments and vegetable dyes.

By varying the amount of cobalt or ultramarine pigment the Royal Blue Light is light green - tinged sky blue and the Royal Blue Deep is brilliant medium bBlue Light is light green - tinged sky blue and the Royal Blue Deep is brilliant medium bblue and the Royal Blue Deep is brilliant medium bBlue Deep is brilliant medium blueblue.

Carroll uses wax and acrylic, building up patterns of pigment in translucent layers of gray, ultramarine blue, neon lime and fuchsia.

A constellation of blues and grays, each work is a singular array of pigments, such as ultramarine, cobalt blue, royal blue, Scheveningen Warm Gray, and Persian red.

His exquisitely blue - and - gray paintings — no two alike — actually comprise an array of pigments — including ultramarine, cobalt blue, royal blue, Scheveningen Warm Gray, and Persian red.

A very striking deep ultramarine blue work by Yves Klein (1928 - 1962), «RE 40,» a sponge and pigment in synthetic resin on panel, 78 3/4 by 59 inches, Lot 64, sold within its estimates for $ 2,095,750, another auction record.

Klein is best known for the development of his own vivid ultramarine pigment, International Klein Blue (IKB), which became a symbolic part of his practice, a key to reaching the «infinite» and «sublime» through pure colour.

He is probably best - known for his trademark ultramarine pigment, which he patented as International Klein Blue in 1961.

This volume describes the history, characteristics, and scientific analysis of nine pigments (azurite and blue verditer; natural and artificial ultramarine blue; lead white; lead — tin yellow; smalt; verdigris and copper resinate; vermilion and cinnabar; malachite and green verditer; and calcium carbonate whites) originally discussed in articles published in Studies in Conservation between 1966 and 1974, providing updated information reflecting new developments in conservation and technical research.

It was one of the first artificial pigments and replaced the ultra expensive ultramarine, unleashing a tsunami of blue into the world.