Sentences with phrase «umber paint»

It was usually mixed with a small amount of burnt umber paint, applied then quickly wiped off after your paint was dry.

If you just want to knock down the shine — you may want to use a clear glaze mixed with burnt umber paint.

Chromatic Patterns for Chicago are new wall paintings, with a repeating pattern in rich manganese blue, metallic copper, and florescent pink on one wall, and ultramarine blue, fluorescent red, and burnt umber paint on the other.

It was usually mixed with a small amount of burnt umber paint, applied then quickly wiped off after your paint was dry.

The Hamptons» own Lee Krasner demonstrates the expressive possibilities of the first medium in «The Umber Paintings, 1959 — 1962,» while «David Hockney: Works on Paper, 1961 — 2009» provides a close - up view of the world of the beloved British painter, who is currently the subject of a major exhibition at The Met.

Viewed within the modern monastic space of the Paul Kasmin Gallery, with its cool white walls, polished floors, and concrete ceiling, the visceral earth tones and frantic forms of Lee Krasner's «Umber Paintings» emerge as fields of boundless energy.

BASIC FACTS: «Lee Krasner: The Umber Paintings, 1959 — 1962» and «David Hockney: Works on Paper, 1961 — 2009» are on view November 9, 2017 to January 13, 2018 at Paul Kasmin Gallery, 293 Tenth Avenue and 297 Tenth Avenue; «Bosco Sodi: Caryatides» is on view November 2, 2017 to January 6, 2018 at 515 W. 27th Street, New York, NY 10001.

The Umber Paintings were rendered during one of her most ambitious periods of creative production following the sudden and tragic loss of her husband, Jackson Pollock.

Reflecting on the Umber Paintings in 1973, Krasner remarked: «My painting is so biographical, if anyone can take the trouble to read it.»

Painted between 1959 and 1962, Krasner's Umber Paintings on display at the Paul Kasmin Gallery in NYC are incredibly emotional exercises.

The historical and biographical arena in which the Umber paintings were made palpably yields a theme of combat, of an urgent effort at artistic and personal rebirth.

Under a skylight, other Umber paintings glower down from three sides of the gallery with a tremendous visual as well as emotional power.

Lee Krasner's «Umber Paintings» at Paul Kasmin Gallery November 9, 2017 — January 13, 2018 This exhibition of work by Lee Krasner focuses on the artist's «Umber Paintings,» made from 1959 to 1962 in her barn on Long Island's East End and in her New York studio.

In collaboration with the Pollock - Krasner Foundation, Paul Kasmin Gallery will present «Lee Krasner: The Umber Paintings, 1959 - 1962,» an inaugural solo exhibition at the gallery of paintings by the late artist.

The exhibition will feature works from Lee Krasner's «Umber Paintings,» a series of 24 paintings made during one of her most ambitious periods of creative production.

This November Paul Kasmin Gallery has joined forces with the Pollock — Krasner Foundation to represent five pieces of «The Umber Paintings, 1959 - 1962» a series that originally consists of twenty four items.

Paul Kasmin Gallery, in collaboration with the Pollock - Krasner Foundation, is pleased to announce an inaugural solo exhibition of paintings by Lee Krasner, which will focus on her iconic Umber Paintings.

Not exact matches

Umber Cloud by Porter Paints coats the walls.

I also painted in the letters and then added a little dry brush shading around the pumpkins and letters with burnt umber.

Just wondering if you painted the cane in your bed w / your special burnt umber glaze.

This all - new package features unique 10 - spoke 19 - inch magnetic metallic - painted wheels, a magnetic metallic - painted grille surround, magnetic metallic - painted mirror caps, a magnetic metallic - painted rear spoiler, magnetic metallic - painted front and rear skid plates, blacked - out headlamp bezels, blacked - out side window trims, Mayan gray fabric seat coverings with umber - colored Miko sueded cloth perforated inserts and umber contrast stitching, a custom copper sands textured applique throughout the interior and carpets custom - embroidered with an umber Edge logo.

Making sure I have plenty of the burnt umber on my number 12 round brush, I apply it to the wooden areas of the porch, the fascia and the wooden beams; I also paint flower tubs to give them a terracotta feel.

Last but not least I drop in the shadow mixture and allow the pigments to blend; I then take the rigger and begin to paint in the branches using the mixture of burnt umber and cobalt blue.

I use a q tip to remove areas of wet paint in the lighter areas, and darken the shadow areas by reducing the amount of fluid retarder mixed with the burnt umber: with an under painting you begin with the lighter shades and gradually work your way up to the darkest darks.

Then, using a light wash of burnt umber, I begin the under painting: the aim of the under painting is to create an entire portrait in one colour.

Müller's Faust is now quite clearly a painter, his umber cloak streaked with paint, but he is less human.

I use lamp black as a dramatic accent as well, placing the pure black in a part of the painting that is already devoted to very dark mixed blacks (alizarin crimson and phthalo green or ultramarine blue and burnt umber for example).

I still use pretty much the same palette I used when I first started painting, with a few additions over the years: Cremnitz white, raw umber, ultramarine blue, cobalt blue, quinacridone blue, burnt sienna, lemon yellow, cadmium yellow, Indian yellow, cadmium orange, cadmium or other warm green, Veronese green, vert Aubusson or pthalo green, a purple, cadmium red, alizarin crimson.

The Incendiary Nocturne paintings lean heavily on earlier masterworks of this era, especially the Romanticist paintings of J.M.Turner (1775 - 1851) whose The Eruption of the Souffrier Mountains looks as though it was painted on an adjacent easel with the same palette of burnt umber and cadmium yellow.

His paintings employ a traditional technique used in the Chosun Dynasty (1392 — 1897) in which the pigments — in Ha's work, the ochres and dark umbers — are pushed through the weave of the burlap and eventually linen from the opposite side, and then trowelled with a palette knife on the frontal surface.

These earlier paintings contain overlapping black and umber brushwork at vertical, horizontal, and diagonal angles, holding forth shimmers of light — discreet underpinnings of ochre and yellow — peering between constructed sections.

As Simon Schama so splendidly demonstrated in his study of Rembrandt, the eye of the artist is a vital motif, a psychological and symbolic focal point that recurs subtly at the Robert Miller Gallery in Krasner's haunting series of «Umber» paintings that are the climax of the show.

Suddenly, as with a good Ad Reinhardt painting, the seeming monochrome gives way to an iridescent array of greens, blues, umbers and other tones that will elude the visitor who stops at the door and looks at the work from a distance.

«Whirlwind» is an abstract oil and graphite on canvas painting executed in subtle shades of black, cream, burnt umber and rusty peach by Post War arti...

Mangold's woodcuts premiering for the first time are also presented in conversation with works such as Movement in White, Umber, and Cobalt Green (1950) by early American modernist John Marin (1870 — 1953), known for his abstract landscapes, and with Duet and Murmur (2014), New York — based contemporary artist Cheonae Kim's (1952 ---RRB- paintings from her linear black - and - white series.

Using a restricted palette of ultramarine and umber, Yun created his distinctive compositions by adding layer upon layer of paint onto raw canvas or linen, often applying the next coat before the last one had dried.

The works are encrusted with impasto scumbling and layers of opulent glazes, and because Kuo mixes most of his paints using natural pigments, his palette is earthy and composed of ochers, siennas, and umbers.

Calcago isn't just dividing the picture plane - you'd have to posit some effect of Frank Stella here - but segmenting three distinct shapes of the painting, descending in color from lemon yellow, to tangerine, red, purple, umber, blue to black, black back to yellow.

My palette consists of Vasari oil paint tubes in ultramarine blue, yellow ochre, burnt umber, terra rosa and titanium white.

This abstract painting foregrounds a large form in cadmium with umber stain that gives focus and movement to this piece.

La Rue Noire (the road at Night,) 77 x 40 inches, oil on canvas is painted in a heavy, impasto method of mark making, in beautiful bronze, umber, yellow, orange and plum.

I started with Burnt Umber to define the shadows and after adding the background I let the under - painting dry until the next day.

But Gober's presentation underscores something beyond Bess's distinctive use of paint, simultaneously sumptuous and kooky, and resplendent palette, ranging from neon - lit primaries to caveman umbers.

His recent exhibition included drawings and subtly modulated umber and sienna paintings of trees, skulls, and mountains, in which underlying grids are left visible.

In this painting, as well as others of the same year such as Listen and Sun Woman I, Krasner's actual signature, scribbled in umber, is woven throughout the body of the painting.

Yun Hyong - Keun's «Umber Blue» (1979) is among Korean abstract paintings that fetched high prices in spring sales by K Auction and Seoul Auction.

«Whirlwind» is an abstract oil and graphite on canvas painting executed in subtle shades of black, cream, burnt umber and rusty peach by Post War artist William Baziotes.

His mature style is narrow but intense: water and dirt are invoked through washes of ultramarine blue and burnt umber which combine to form a glowering near - black and bleed out at the edge of geometric forms, generating a trembling beauty due to the differential absorption of the various layers of thinned paint.

Phong Bui (Rail): It must have been in late May of 1988, just a few days before Meyer and Lillian Schapiro left for South Londonderry, Vermont, where they had gone every summer ever since in the late 1930s, that they showed me a small abstract painting, with a loosely painted grid and rather somber palette of burnt sienna, raw umber, sap green, and deep blue, which, I was told, you had given them.

There were body parts, a la de Kooning, but the signature was one of the things that I found — particularly in the paintings of the «Earth Green Series,» done in sepia or umber tone, is her own signature and that certainly took me back to John Graham.