Joannou is also, however, on the museum's board of trustees, having funded the fourth floor of the museum's gallery spaces (strategically, the departure point for the exhibition) and is
an unapologetic champion of large, aggressive, (and if Skin Fruit is any indicator), primarily male - driven work.
She's even employed in the picture as a punitive, apolitical,
unapologetic champion of order who limits her victims to drug - dealers and gangsters, those disturbers of civilization.