Sentences with phrase «unbroken surfaces»

The common thread between their styles was the orientation towards monolithic imagery, flat fields of color and unbroken surfaces.

Its long and lean profile with unbroken surfaces and purposeful lines is emphasised by a very forward - positioned D - pillar and almost hatchback - like rear door arrangement.

Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

Inspired by European modernism and closely related to Abstract Expressionism, Color Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

If Tintoretto and the other old masters were «acknowledging the picture plane» or «acknowledging two dimensionality» by creating an unbroken surface skin, and modernist painting, since the breaking up of the surface, initiated by Constable (according to Heron, quoted by Robin in a recent thread), has acknowledged the picture plane through flatness of the remaining fragments / pictorial planes, then maybe one way forward would be to discover new ways of acknowledging two dimensionality that do not involve flatness.

THE UNBROKEN TEMPERATURE RECORD: Now imagine trying to twist this mess into an unbroken surface record using the same techniques as used by our own temperature record.

Not exact matches

If the gameplay remains unbroken, then you have to be a graphics whore to whine about something so surface and cosmetic.

Absent the expected emotional waves, «Unbroken» can't even muster the surface tension of still water.

Likewise, there is a tight fit between the radius and the ulna, with the curve of the coronoid process continuing in an unbroken arc forming the articular top surface of the radius.

Pollock's use of all - over composition lend a philosophical and a physical connection to the way the color field painters like Newman, Rothko and Still construct their unbroken and in Still's case broken surfaces.

Made of its own tension between codependency and autonomy, in its totality the sculpture is conceivable as an unbroken dynamic flux between voids, surfaces and geometrical antithesis.

I suppose I'm assuming that the old masters and modern painters have always been concerned to create pictures without «holes» and «bumps» but that they have maybe achieved this in two different ways — modernist with flat planes parallel to the picture surface; old masters with an unbroken «skin» across the entire picture.

Surface fuels amounts (especially grasses) and continuity, unbroken by trails, roads, etc., were critical in allowing the spread of frequent surfaceSurface fuels amounts (especially grasses) and continuity, unbroken by trails, roads, etc., were critical in allowing the spread of frequent surfacesurface fires.