Sentences with phrase «uncompressed audio»

Added multi-core encoding of live uncompressed audio and video streams to a DVCPro clip in real - time.
The transmitter operates in the 2.4 GHz band and uses frequency hopping to ensure an interference - free signal; its uncompressed audio is indistinguishable from a wired system.
However it won't give you the uncompressed audio that HDMI can deliver.
Apple today announced it has released a free iOS app called Music Memos that enables musicians and songwriters to record and analyze high - quality, uncompressed audio using the iPhone's built - in microphone, or an external microphone.
The Logitech UE Air Speaker will stream compressed or uncompressed audio from any iPhone 4S, iPhone 4, iPhone 3GS,... Read more
It's hard to believe, but the Hammerhead apparently comes with a custom - tuned DAC (digital - to - analog converter) that's supposed to leverage «digital audio output» so the user gets «uncompressed audio
Our upgrade pick, the Bowers & Wilkins Zeppelin Wireless, includes AirPlay and DLNA wireless, so you can go with those if you want uncompressed audio (and thus better sound quality).
I believe that a good and detailed pair of headphones shouldn't depend on fancy uncompressed audio files to show off its advantages, and the Ella are a good example of this.
The new uncompressed audio streams (Dolby True HD & DTS HD) need a HDMI connection.
HDMI is capable of delivering FULLY uncompressed audio and resolution at incredible bitrates, while component can only deliver the most basic bitrate and sometimes can not fully transfer 1080p signals.
Encoding: The process of converting your uncompressed audio files into a format more suitable for certain applications.
The uncompressed audio was a little more robust, while the visuals showed stronger definition and clarity.
June 2, 2015 • A hi - def test for your ears (and your audio equipment): Listen to these songs and see if you can tell the difference between an MP3 and an uncompressed audio file.

Not exact matches

The monaural audio, presented in uncompressed PCM, is unremarkable in terms of fidelity.
Disney was generally doing 5.1 mixes for their direct - to - video films back in 2002 and you'd think this would get one now, or at least an uncompressed two - channel DTS - HD master audio mix.
Formats: Blu - ray with new 2K restoration from original film elements, with original uncompressed mono audio.
The improvement to the audio is almost as dramatic, a richness of sound apparent in this disc's uncompressed PCM track that was missing from the DVD's thinner, treble - heavy Dolby Digital track.
As for the sound, while I couldn't sample the 24 - bit PCM uncompressed track, I found the default DD 5.1 audio exactly the same as before.
These enable 100 percent lossless audio in files half the size of uncompressed pulse - code modulation (PCM).
LIMITED EDITION CONTENTS • Limited Edition Blu - ray collection (4000 copies) • Brand new 2K restorations of all four films in the series presented on High Definition Blu - ray (1080p) and Standard Definition DVD • Original mono audio (uncompressed PCM on the Blu - rays) for all films • Optional English subtitles for all films • Double - sided fold out poster of two original artworks • Reversible sleeves for all films featuring original and newly commissioned artwork by Ian MacEwan • Booklet featuring new writing on the film by critic Chuck Stephens, a brand new interview with Toru Shinohara, creator of the original Scorpion manga and an archive interview with Meiko Kaji by Chris D. illustrated with original stills
Dubbed in post and presented here in uncompressed stereo, the audio sounds quite pristine, though voices overlap quite a bit, so complete digestion of all conversations is made quite difficult for anyone not fluent in Russian.
Special Features New 4K digital restoration, with uncompressed monaural soundtrack on the Blu - ray New interview with critic Gary Giddins about director Leo McCarey New video essay by film critic David Cairns on Cary Grant's performance Illustrated 1978 audio interview with actor Irene Dunne Lux Radio Theatre adaptation of the film from 1939, starring Grant and Claudette Colbert PLUS: An essay by film critic Molly Haskell
The DD 5.1 audio is virtually identical to what you hear on DVD despite a slightly improved bitrate — can't speak for the PCM uncompressed option, alas.
Newly restored digital transfer, supervised and approved by director Ken Loach and director of photography Chris Menges, with the filmmaker's original production soundtrack, with uncompressed monaural audio on the Blu - ray edition
The attendant uncompressed 2.0 stereo audio doesn't exhibit a lot of left - right imaging, but Angela Morley's score and Art Garfunkel's «Bright Eyes» sound as lush as they ever have or probably could.
Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning
If you have a home theater receiver that has HDMI inputs and the receiver has Dolby TrueHD and DTS - HD Master Audio decoding (check the labels on your receiver or the user manual for details), your home theater receiver would be able to accept either an undecoded or fully decoded uncompressed digital audio signal from the Blu - ray Disc player via the HDMI connection.
The Birthday Concert is presented here in 1.78:1 widescreen in stunning 1080p HD resolution, with two audio options — English DTS - HD master audio 5.1, and uncompressed PCM stereo.
The uncompressed 5.1 and Dolby Digital 5.1 audio options serve the film well.
The audio is an uncompressed PCM 7.1 mix.
Special Features New 4K digital restoration, supervised by director John Waters, with uncompressed monaural soundtrack on the Blu - ray New audio commentary featuring Waters New interviews with cast and crew members Pat Moran, Mink Stole, Susan Lowe, George Figgs, and Vincent Peranio New video essay by scholar Gary Needham Trailer PLUS: An essay by critic Linda Yablonsky
The attendant, uncompressed centre - channel mono audio is likewise free of distortions, with Maurice Jarre's cacophonous and demented carnival theme coming through with disturbing clarity.
All six titles are either 2K, 3K, or 4K digital restorations, all with uncompressed monaural or 5.1 surround DTS - HD master audio soundtracks.
The DTS audio of the standard - def DVD is again supplanted by a 24 - bit, 5.1 PCM uncompressed option inaccessible by yours truly, while the DD 5.1 mix returns at a higher bitrate of 640 kbps and sounds a lot like the aforementioned DTS track.
Not to mention, it can output any of the soundtracks as a bitstream through its 7.1 - Channel analog audio outputs, or as uncompressed PCM signal for those folks who still want the best sound possible running off of an old A / V reciever.
Special Features New 4K digital restoration, with uncompressed monaural soundtrack on the Blu - ray New audio commentary featuring film scholar Joseph McBride (Searching for John Ford: A Life) Omnibus: «John Ford,» part one: filmmaker Lindsay Anderson's profile of the life and work of director John Ford before World War II Talk show appearance by actor Henry Fonda from 1975 Audio interviews from the seventies with Ford and Fonda, conducted by the director's grandson Dan Ford Academy Award radio dramatization of the film PLUS: An essay by critic Geoffrey O'Brien and an homage to Ford by filmmaker Sergei Eisenstein
It plays a good amount of audio file formats too, including uncompressed WAV.
AC Ryan Fluxx will also play your local content supporting a large list of video codecs like AVI / MKV (uncompressed & compressed) / TS / TP / TRP / M2TS / MPG / MP4 / MOV / M4V / VOB / ISO / DVD - ISO / IFO / DAT / WMV / ASF / RM / RMVB / BD - ISO / FLV / QT, audio formats like MP3 / MP2 / WMA / AAC / FLAC / WAV / OGG Vorbis / PCM / LPCM / MS - ADPCM / LC - AAC / HE - AAC / COOK / RA - Lossless / MPEG - 1, -2, -4 and of course UPNP / DLNA support so the box will certainly make a dent in the sales of more established manufacturers.
The uncompressed remastered audio sounds excellent and again, never gave a hint that this was pulled from a PlayStation game of old.
Once connected, the system produces uncompressed 16 bit / 48 kHz CD - quality audio.
This was joined by Dolby TrueHD and much later DTS - HD Master Audio, which promised «lossless» audio quality that sounded as good as something truly uncompressed.
It includes a magnetic transmitter that'll provide you with 7.1 wireless audio channels and uncompressed... Read more
Once you complete this setup, you can stream audio at lossless quality, which means that you can listen to FLAC and AAC files uncompressed.
Even if you're not fully onboard with higher resolution, uncompressed music yet, AptX HD also supposedly enhances MP3 - quality compressed audio too.
To get AptX HD you need a compatible smartphone, and a compatible pair of Bluetooth headphones, plus — preferably — lossless (i.e., uncompressed) audio files.
The revamped TSx speaker line, as it's now known, will bring with it a whole host of audio improvements, including new voicing, with an emphasis on the accurate reproduction of high frequencies that is so critical to the uncompressed high - resolution of today's Blu - ray discs, as well as improved bass thanks to a shift from 5.25» drivers to new 6.5» specially formulated fibrous bilaminate substrate cones made of pulp infused special polymer compounds that improve stiffening without adding mass.
This is a new marketing term that essentially means they can reproduce the expanded audio spectrum available from uncompressed or lossless audio 96 kHz / 24 - bit or better.
In that sense, some ones can tell the audio quality differences between the compressed one and the uncompressed, but if up to the higher level, we can tell the difference with the external audio speakers especially Hi - Fi devices connected.
The biggest improvement eARC offers is support for full - resolution audio signal, meaning that it will support Dolby Atmos and similar uncompressed sound.
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