Whitehead did not speculate on the precise location of memory within the animal organism, but the most plausible extension of his theory suggests rather that memories are maintained for the soul by other occasions, thereby freeing the soul for its adventure into novelty.2 The way in which the conscious ego draws upon the ocean of
unconscious feeling which sustains it may well reflect the way the soul draws upon other living occasions.
As the living person draws upon a wider bodily experience, so the conscious ego, if there should be one at a particular moment, draws upon a vast ocean of
unconscious feeling which sustains it.
Not exact matches
He
feels that it's important to make sure that employees are aware of their
unconscious biases
which, left untreated, can lead to breakdowns in effective communication.
It is, then, these
unconscious valuations of pure conceptual possibilities
which rise to consciousness in God's propositional
feelings about the world.
This
unconscious feeling would have to retain the experience in all of the richness and individuality with
which it is now recalled.
In fact, in spite of his insisting that most actual occasions are
unconscious (and that there is much that is
unconscious even in that series of actual occasions
which constitute our successive mental states), his talk of their experience or
feeling of themselves, the influence of their predecessors, and their subjective immediacy seems pointless unless each of them is supposed to
feel its own being, in some genuine sense, however dimly, so that there is a truth as to what - it - is - like - being - it.
When we follow Whitehead in thinking of prehensions of noncontiguous occasions — mediated or not — then the number of physical
feelings of
which I am blankly
unconscious is staggering.
Although
unconscious feeling is the stuff of nature for Whitehead, his theory of «appearance» is one of the things
which brings home the splendor of his philosophy — and that even as this theory emphasizes the fusion of conceptual
feeling with physical nature.
Whitehead's fundamental relation of prehension is something broader and more elemental, the generally
unconscious emotional
feeling by
which one bit of life responds to other realities.
Propositions are quasi-physical, in that they are «lures for
feeling» at the
unconscious physical level, lures
which always involve valuation.
Few today would argue that the emotions of
which we are conscious exhaust our emotional life or can be explained without reference to the ebb and flow of
unconscious feeling.
Her problem was rooted in repressed hostile
feelings toward her deceased husband concerning
which feelings she
felt intense
unconscious guilt.
Given his panpsychism or «psychicalism,» Hartshorne holds that the ultimate units of reality are, in the broadest sense,
feelings, or that
feeling is a «cosmic variable»
which can range from the most primitive,
unconscious aesthetic reactions of subatomic particles to their environment to the most elaborate conscious experiences of God's.
Finally, by means of past experiences and
unconscious memories «the instinctive apprehension of a tone of
feeling in ordinary social intercourse» to
which Whitehead also appeals is explicable without reference to unmediated
feelings.
We can trace the problems of describing LSD as consciousness - expanding to the Cartesian tradition,
which conceives consciousness (and its modern partner, the
unconscious) as a substance that contains our thoughts, perceptions, and
feelings.
7 Interpretation of the
unconscious in terms of Whitehead's doctrine of physical
feeling affords a means whereby one might reconcile the apparent conflict between the Freudian individual
unconscious and the Jungian collective
unconscious: the inheritance ingredient in the human event comprises both idiosyncratic elements immediately relevant to the thread of personal identity and universal elements
which have lower grades of relevance.
Sodium thiopental was chosen to render the person deeply
unconscious and unable to
feel the paralysis brought on by the pancuronium bromide,
which causes the person to lose the ability to breathe.
Body language is defined as the conscious and
unconscious movements and postures by
which attitudes and
feelings are communicated1.
The paintings were completely abstract and they expressed big themes and emotions — tragedy, despair, the
unconscious, angst of every description;
feelings that were embodied not through imagery, but the intensity with
which the painter got the paint on to the canvas.
The rest of Hibid's display, however, is less convincing: a series of pages of the Guardian newspaper in
which areas are painted out to reveal what she appears to see as
unconscious racism, specifically — in the way images of black people are used —
feels rather dated, if not in its racial paranoia, then certainly in the way Hibid has chosen to express it.
One can divide painting abstracted into two groups: - on the one hand the geometric abstraction characterized at the beginning by the suprematism of Malévitch in Russia and the constructivism of Piet Mondrian in Holland, - and on the other hand, the abstracted expressionnism in
which form and color are often posed arbitrarily while expressing the
unconscious feelings and emotions of the painter.
The
felt necessities of the time, the prevalent moral and political theories, intuitions of public policy, avowed or
unconscious, even the prejudices
which judges share with their fellow - men, have had a good deal more to do than the syllogism in determining the rules by
which men should be governed.»
The purpose in this short paper is to question the Collaborative Couple Therapy notion of leading - edge
feeling — the idea that at a given moment there's a single such
feeling rather than a nexus of
feelings or, in psychodynamic terms, conscious
feelings underneath
which lurk hierarchies of
unconscious feelings.
To complicate matters, these associations are happening on an
unconscious level — meaning your «
feeling memories» are disembodied from the original trauma from way back when,
which makes it easy to wrongly assume that the mountain of emotions you're experiencing is the result of whatever your partner just said or did.
Therefore, instead of seeing this resistance to the «all - bad» parent as intentional parental alienation or abuse
which justifies a child
feeling estranged from a parent, the driving force appears to be much more of an
unconscious outgrowth of insecure or disorganized attachments
which the child is trying to resolve based on the most fundamental biological drives for survival.
The goal of Imago Relationship Therapy is to align our conscious mind (
which usually wants happiness and good
feelings) with the agenda of the
unconscious mind (
which wants healing and growth).
Reflecting on triggers (our own thoughts and
feelings — in a gentle way) will eventually help you understand the true source of your trigger,
which are
unconscious seeds based on conditioning.
Imago Relationship Theory teaches that romantic love,
which you experience at the beginning of your relationship, is the way our
unconscious seeks to restore the
feeling of joyful aliveness we
felt as a young child.