In a career spanning more than 50 years, the sheer inventiveness of his work and use of
unconventional materials continued to astonish.
Not exact matches
Acconci's work
continued to transform during the mid-1970s, positioning him as an
unconventional architect who would go on to design structures from a wide range of
materials.
This longstanding commitment to a conscious appropriation of
unconventional materials is one that
continues to feel new and bold today.
Using
unconventional materials, multi-media installation artist Kaili Chun creates large - scale installations that often reference the impact the past
continues to have on the present day.
She uses
unconventional and aesthetically resistant
materials emerged in her paintings, and
continues to explore new modes of mark making in her diverse and ever - evolving practice.
As such, Rama
continued to exist in her own bubble outside of the popular sphere, and yet her late 1960s and early 1970s works, with their use of
unconventional art
materials and craft forms, can certainly be seen through the lens of the movement.
In contemporary practice installation art
continues to provide a fertile playground for new ideas and the use of
unconventional materials, from Martin Boyce's dystopic, futuristic staging, to Clare Barclay's manipulated
materials, Nathan Coley's cardboard constructions and Jim Lambie's psychedelic floor designs.
During the rest of the 1960s and 70s Morris
continued to explore the boundaries of process art, notably in the areas of assemblage art - in which his use of felt and other
unconventional materials downplayed the significance of the finished product.