While portraiture is a traditional, time - honoured genre, this exhibition offers a new perspective by bringing together iconic portrait paintings by artists such as Max Beckmann, Lucian Freud and Frank Auerbach with more
unconventional works by artists such as Lara Favaretto and John Bock.
Not exact matches
The first large - scale exhibition at the Southbank Centre of
work by Jeremy Deller, innovative and
unconventional social artist, will certainly illustrate his instinctively introspective «joy in people».
Prof. Kolk believes companies need to be more flexible and take a «braver approach» to CSR
by publishing more
unconventional, even exploratory
work.
Maine laboratories are finding
unconventional ways to fund science and technology, touted
by politicians and economists alike as a key economic and educational driver in the state, as the federal government again threatens to cut money for their
work.
This largely comes from the
unconventional pairing of Robert De Niro and Anne Hathaway in the leading roles, an unusual duo who bring a surprisingly wonderful chemistry to the table in this light comedy about
working in the modern age, seen from two unique viewpoints — the modern
working woman who is looked down on
by misogynistic men, and the older male seen
by many as past his usefulness simply due to his age.
This new documentary
by acclaimed filmmaker Wim Wenders sheds more light on today's Pope and on why he has taken a more
unconventional approach to his
work.
His
works are discerned
by a pioneering,
unconventional directing viewpoint, and moreover, his distinct cinematographic techniques have resulted in numerous visually stunning movies and countless breathtaking scenes.
«An
Unconventional Love Story» (25:55, HD) covers the filmmakers» approach to the story, conceptualization of time travel, and details of the design
work done
by various departments, along with plenty of behind - the - scenes footage and interviews with director Robert Schwentke, producer Nick Wechsler, producer Dede Gardner, Rachel McAdams, Eric Bana, Alex Ferris, Michelle Nolden, production designer Jon Hutman, location manager Don Cornelius, props master Vic Rigler, Ron Livingston, music composer Mychael Danna, and screenwriter Bruce Joel Rubin.
A highly
unconventional romance that came on the spike heels of Almodóvar's international sensation Women on the Verge of a Nervous Breakdown, this is a splashy, sexy central
work in the career of one of the world's most beloved and provocative auteurs, radiantly shot
by the director's great cinematographer, José Luis Alcaine.
Unconventional designers like me are carving out our niche in this industry
by working with clients who have never considered what they do eLearning, and have never contemplated
working with an eLearning designer.
His Cardboards 1971 - 2 — a wry comment on the forces of globalisation — and his sumptuous fabric
works such as the Jammers 1975 - 6 — inspired
by his visit to the Indian textile centre of Ahmedabad — demonstrate his skilful play with
unconventional materials.
Dickinson presents another exceptional collection, with a salon - style display of
works on paper
by Picasso, Henri Matisse, Georges Braque, Paul Cézanne and Amedeo Modigliani, alongside an interesting and
unconventional Vincent van Gogh watercolour, The Windmill (1887).
Characterized
by a relentlessly experimental and inquisitive approach to a wide variety of styles and subject matter, the artist's
work engages
unconventional materials and techniques, and playfully defies social, political, and aesthetic conventions.
Ceysson & Bénétière will present
works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945), whose
unconventional artistic methods challenged cultural production within the context of political and social unrest in France during the late 1960s.
Julian Schnabel provides a major entry into
work created
by the painter celebrated for a visual language that brings together unexpected materials and radically
unconventional techniques.
This show affords an intimate and focused look at Lee's rarely seen
works derived from paper and stones created in the 1970s and early 1980s, offering new insights into an oeuvre defined
by its elegant and
unconventional approach to the lyricism and malleability of form.
With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated
by Jason Andrew, that features
work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised
by others, and Alice Neel, an
unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.
LAND supports dynamic and
unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific
works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission
by a single mid-career or established artist, and LAND 3.0 projects feature new
work by lesser known or emerging artists
The
unconventional design is a nod to the
unconventional nature of the Summer Exhibition, which remains the world's oldest art show, and this year received about 12,000 submission from professionals and amateurs alike — exhaustingly narrowed down
by a panel to a final 1,200
works.
While the major artists of the movement produced different kinds of
work, they were united
by an interest in
unconventional — typically everyday — materials, evidenced in Mario Merz's Cone (1967), made from willow, and Mario Ceroli's Io (1968), an iron and coal sphere.
Sited in south London's
unconventional Cartel gallery (a single corrugated iron shipping container situated in the concrete garden of a disused New Cross police station), new
works by Adam Chodzko, Côme Ciment, Anthea Hamilton and Jacopo Miliani are contained in the gallery's compact 6 × 3 metre interior.
It's a beautiful, intimate, and complex showcase of
works made from 1969 to the present day that makes one wonder if Hammons is better served
by these more
unconventional alternatives.
Perhaps the most inventive
work was produced
by the so - called Light and Space group, whose members, including James Turrell, John McCracken, Larry Bell, Craig Kauffman and Robert Irwin, embraced
unconventional materials such as plastic and fluorescent lights.
, 1976 is a solo exhibition of early
works by the
unconventional writer, poet, performance, video and conceptual artist, and designer / architect.
These
works are united
by artists seeking to re-imagine and push the limitations of painting through
unconventional means using everything from a blowtorch to Kool - Aid to chocolate.
Inspired
by the rawness of his surroundings and the urban landscape, McCloud's process is instinctive and physical; he literally tames his
unconventional materials,
working on the floor, sanding, hammering and torching their surfaces, subduing their toughness into something approaching delicacy.
They will be accompanied
by a series of
works from the Arte Povera period, which are mostly made out of
unconventional materials and found objects, set out to challenge the notion of high art.
The artist's use of
unconventional materials and his central position in early British Conceptual Art is further informed
by displays of contemporary material from the Estate archive, including examples of the artist's concrete poetry,
working drawings, logbooks and photographs.
Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring
works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the
unconventional way Dr. Barnes displayed his collection.
Dubuffet (1901 - 1985) first started collecting
works by untrained and
unconventional art makers in 1945 and coined the phrase, art brut, more commonly known now as Outsider Art.
On display are 14
works that trace the transformation of the art object from static image to fluid light projection within two artistic lineages: the
unconventional optical techniques of the 1920s Neue Optik (New Vision) generation of artists, among them El Lissitzky, László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced
by Robert Irwin, Gordon Matta - Clark, Robert Smithson, and Anthony McCall in the 1970s.
The gallery was founded in Los Angeles
by Eva Maria Daniels and Alexandra Canosa in 2012 with a commitment to
work with diverse, intellectually driven and
unconventional artists focused on abstract
work, paintings, mixed media and photography.
The
works push the medium's boundaries
by using
unconventional material to investigate the linguistic and visual lives of found items.
When his pieces were initially exhibited
by Castelli Gallery in the 1960s, Sonnier set a precedent for abandoning the rules of traditional sculpture, forgoing the pedestal to create wall - based
works and trading traditional media such as bronze and marble for
unconventional and psychologically loaded materials, such as cloth and latex.
With a career spanning over four decades, she has produced a rich body of
work by combining steel, bronze, and resin, with more
unconventional media.
By combining conventional sculptural materials of steel, bronze, and resin, with more
unconventional media like water, sound, and video, she creates hybrid
works of intricate energy and psychology.
By doing this, the artist set up problems in their
works which needed to be solved or incorporated (often times it brought out
unconventional approaches).
Using VHS magnetic tape and other
unconventional materials, Kempinas crafts dynamic
works that are activated
by natural phenomena such as light and the circulation of air.
Unconventional: An art show in the Boston area is featuring
work by low - income and homeless artists.
With this new body of
work, Brown strives to showcase his
unconventional techniques, abstract use of materials and collection of thoughts
by combining an urban aesthetic with solid bright colors, clean horizon - like stripes, layers, depth, abstract marking and the use of text.
Gilliam's style was further shaped
by the cultural and social experiences of African Americans in the 1960s; his bold and
unconventional works reflect the influence of jazz icons such as Miles Davis and John Coltrane.
Curated
by Yan Li of High Noon Culture Corp and Blue Mitchell of Diffusion Magazine, the show
Unconventional Photography includes
works by 10 photographers from the US, all of which are traveling together to participate in the festival.
All That Is Holy, curated
by Hall and running through April 28, features
work by Atlanta artists Rose M. Barron, Daniel Biddy, Elyse Defoor, Deborah Hutchinson, Charity Lindop and Robert Sherer, and is described as offering an
unconventional perspective on spirituality — a statement that, given my knowledge of the previous
work of these artists, I am prepared to take on faith.
Interested in the painterly potential of sculpture, he built his
works by welding together found objects, machine parts and forged metal — all virtually
unconventional artistic materials at the time [1].
Curated
by Klaus Biesenbach, the current director of MoMA PS1, the solo exhibition focuses on the early
works of the
unconventional writer, poet, performance, conceptual artist, and architect.
My most recent encounter with his
works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help
works was during his two simultaneous exhibits:
Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help
Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper
works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help
works made of
unconventional materials in serial forms; and Lost Objects (curated
by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video
work May I Help You?
Featuring 20
works by Nuvolo (né Giorgio Ascani; 1926 - 2008) alongside his European and American peers who also used
unconventional techniques and materials, the exhibition showcases Nuvolo's role in radically redefining traditional notions of painting and sculpture.
Inspired
by iconic images from art history and pop culture, her
works deal with subjects as delicate and personal as erotic pleasure and love, and offer an
unconventional view of women in art.
BRIC is pleased to present Look up here, I'm in heaven, a group exhibition of
unconventional portraits featuring paintings,
works on paper, and mixed - media
work by David Antonio Cruz, Yashua Klos, Tschabalala Self, and Yoon Ji Seon.
Her
work is also textural, defined
by commanding shapes and
unconventional combinations of media — oil paint with acrylic, pencil, or dirt, for example.