cit., pp. 201 ff., 222 - 226; Heim, Glaube
und Denken, pp. 342 - 349; Will Herberg, Judaism and Modern Man [New York: Farrar, Straus & Young, 1951], pp. 63 - 66, 72 - 79, 96, 101 f. Herberg writes: «The dominion of sin can only be broken by a power not our own, the power of divine grace» [p. 77], and «In the last analysis, the choice is only between love of God and love of self, between a God - centred and self - centred existence» [p. 96].
Ars Futura Galerie, Zurich, Switzerland An Schlaf ist nicht zu
denken, Lab of Gravity, Hamburg, Germany Wespennest, (Wasp's Nest) Anton Kern Gallery, New York, NY 1999 Amerika verschwindet nur das Lächeln bleibt (America Disappears Only the Smile Remains), Anton Kern Gallery, New York, NY KAPUTT
und die Folgen (Kaputt and the Consequences), Robert Prime, London, UK Videos, Centre Saint Gervais, Geneva, Switzerland 1998 Ein Sandstrand voll Glas (A Beach Full of Glass), Galerie Daniel Buchholz, Cologne, Germany Kunstschnee will schmelzen, Bureau Amsterdam, Stedelijk Museum, Amsterdam, Netherlands 1997 Samstag Morgen, Zuckersumpf, Robert Prime, London, UK This Bittersweet Disaster, Anton Kern Gallery, New York, NY 1996 Strom, Anton Kern Gallery, New York, NY The Bienenkorb Times, Galerie Daniel Buchholz, Cologne, Germany FRAC Languedoc Roussillon, Montpellier, France 1994 LOW, Artistbooth, Cologne Art Fair, Cologne, Germany LA BOUM, with Thorsten Slama, New Reality Mix, Stockholm, Sweden OMRON, six videos by Lothar Hempel, Preview Theatre Wardour Street, London, UK Bewegungslehre (No Future), Buchholz
und Buchholz, Cologne, Germany 1992 240 Minuten, with George Graw, Galerie Esther Schipper, Cologne, Germany