Sentences with phrase «und zur»
Also cf. W. Völker, Der Einfuß des Pseudo-Dionysius Areopagita auf Maximus Confessor, in Studien zum Neuen Testamente und zur Patristik: Festschrift Erich Klostermann, [TU 77], Berlin 1961, pp. 339 - 342.
http://www.faith.org.uk/ Not exact matches
Another contribution along these lines published more recently is E. Jüngel, Paulus und Jesus (Hermeneutische Untersuchungen zur Theologie 2 [Tülbingen: J. C. B. Mohr (Paul Siebeck), 1964]-RRB-, where the existentialism is modified by the use of the «word - event» concept of the «new hermeneutic», and the present (Kingdom of God) and future (Son of man) elements in the teaching of Jesus are interpreted in terms of the nearness and distance of God to history.
(Trüb, «Individuation, Schuld und Entscheidung,» p. 533 f.; Hans Trüb, «Vom Selbst zur Welt,» Psyche I [1947], 41 - 45.)
Weber fostered more than anybody else the investigation of the relation between economics and society, on the one hand, and religion, on the other — typologically and historically in Gesammelte Aufsätze zur Religionssoziologie and systematically in Wirtschaft und Gesellschaft.
(A. Titius, «Die Anfänge der Religion bei Ariern und Israeliten,» Studien zur systematischen Theologie, XVI [Heidelberg, 1934], 34.)
R. Otto, West - östliche Mystik, Vergleich und Unterscheidung [Gotha, 1926](English translation: Mysticism East and West); «Vishnu - Narayana,» in Texte zur indisehen Gottesmystik [Jena, 1917, 1923], Vol.
Further, a more careful attention to Grässer's argument, especially to his argument that the situation envisaged by the saying is that of the early Church and her experience rather than that of the ministry of Jesus, (E. Grässer, Das Problem der Parusieverzögerung in den synoptischen Evangelien und in der Apostelgeschickte [Beihefte zur ZNW 22 (Berlin: Alfred Töpelmann, 1957)-RSB-, p. 138.)
The statistics for the fair are independently audited by Ernst & Young AG on behalf of the Gesellschaft zur Freiwilligen Kontrolle von Messe - und Ausstellungszahlen (FKM), a society for the voluntary control of fair and exhibition statistics.
Sie im Ratgeber Tipps zur Anzeigengestaltung, Bestattungen und weiteren hilfreichen Themen.
Rebentisch's publications include Kreation und Depression: Freiheit im gegenwärtigen Kapitalismus (co-edited with Christoph Menke, Kadmos, 2010), Die Kunst der Freiheit: Zur Dialektik demokratischer Existenz (Suhrkamp, 2012), Aesthetics of Installation Art (Sternberg, 2012) and Theorien der Gegenwartskunst zur Einführung (Junius, 2013).
Publications include Jews, Germans, and Allies: Close Encounters in Occupied Germany (2007, German 2012), Wege in der Fremde: Deutsch - jüdische Begegnungsgeschichte zwischen New York, Berlin und Teheran (2012), and Reforming Sex: The German Movement for Birth Control and Abortion Reform, 1920 - 1950 (1995); co-edited volumes on Crimes of War: Guilt and Denial in the Twentieth Century (2002) and After the Nazi Racial State: Difference and Democracy in Germany and Europe (2009), as well as Shelter from the Holocaust: Rethinking Jewish Survival in the Soviet Union (with M.Edele and S. Fitzpatrick) and The JDC at 100: Essays on the 100th Anniversary of the American Jewish Joint Distribution Committee (with A Patt, L. Levi, M. Maud), both forthcoming 2017, and (with Tamar Lewinsky) the chapter on 1945 - 1949 in Geschichte der Juden in Deutschland Von 1945 bis zur Gegenwart (ed.
Im Karussell der Diakonservierung», Hamburger Kunsthalle, Hamburg 2017 «Performance lecture», Lothringer13, Munich 2017 «Artist's Books», Hamburger Kunsthalle, Hamburg 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», São Paulo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbon 2016 «Par Tibi, Roma, nihil», Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Hamburg 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Brussels 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8th Göteborg International Biennial for Contemporary Art (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Genève 2014 «T293 - in - residence», Sadie Coles HQ, London 2014 «Un Nouveau Festival», Centre Pompidou, Paris 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcelona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.
2018 Galerie Max Hetzler, Berlin Galerie Greta Meert, Brussels Aspen Art Museum, Aspen 2017 Marian Goodman Gallery, New York Nature & Politics Saint Louis Art Museum, Saint Louis Figure Ground Haus der Kunst, Munich (catalogue) Nature & Politics Moody Center for the Arts - Rice University, Houston 2016 Nature & Politics Museum Folkwang, Essen (traveled to Martin - Gropius - Bau, Berlin; High Museum, Atlanta)(catalogue) 2015 Galerie Rüdiger Schöttle, Munich Galleria Monica De Cardenas, Milan Marian Goodman, London 2014 Thomas Struth - Photographs Metropolitan Museum of Art, New York Rineke Dijkstra & Thomas Struth: Seeing Henry Art Gallery, Seattle Cristina Iglesias & Thomas Struth Ivory Press, Madrid Galerie Max Hetzler, Berlin Five Works Nederlands Fotomuseum, Rotterdam Marian Goodman Gallery, New York 2013 Stiftung zur Förderung zeitgenössischer Kunst, Weidingen / Eifel 2012 St. Petersburg Schirmer / Mosel Showroom, Munich Galleri K, Oslo 2011 Thomas Struth, Fotografien 1978 — 2010 Museu Serralves, Porto; traveled from: Whitechapel Gallery, London; K20, Düsseldorf; Kunsthaus Zürich, Zurich (catalogue) 2010 Situation Kunst, Bochum Thomas Struth, Korea 2007 — 2010 Gallery Hyundai, Seoul New Works Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York (catalogue) 2009 Paradises Frieze Art Fair 2009 - DB VIP Lounge, London Museum of Cycladic Art, Athens 2008 Galleria Monica de Cardenas, Zuoz Galerie Meert - Rihoux, Brussels Museo d'Arte Contemporanea Donna Regina — MADRe, Naples Familienleben SK Stiftung Kultur, Cologne; traveled to: De Pont Museum of Contemporary Art, Tilburg (catalogue) Family Portraits Galerie Paul Andriesse, Amsterdam 2007 Making Time Marian Goodman Gallery, New York Making Time Galerie Max Hetzler, Berlin Making Time Museo del Prado, Madrid (catalogue) 2006 Thomas Struth — Rineke Dijkstra Galerie Xippas, Athens Galerie Meert - Rihoux, Brussels 2005 Audience, Read This Like Seeing It For The First Time (Video work in collaboration with The Bern Academy of Music) Marian Goodman Gallery, New York Museum Photographs 1987 - 2004 Galleri K, Oslo Audience Galerie Paul Andriesse, Amsterdam Imágenes el Perú Museo de Arte Lima, Lima Arbeiten aus Peru Galerie Max Hetzler, Berlin Audience Galerie Rüdiger Schöttle, Munich 2004 Pergamon Museum I - VI Hamburger Bahnhof - Museum für Gegenwart, Berlin (catalogue) Une Heure: Video Portraits CAPC - Musée d' Art Contemporain de Bordeaux, Bordeaux 2003 1977-2002 Museum of Contemporary Art, Chicago Metropolitan Museum of Art, New York Cities Marian Goodmann Gallery, Paris Strassen Galleri K, Oslo Pergamon Musum I - VI Galleria Monica de Cardenas, Milan 2002 Pergamon I — IV Marian Goodman Gallery, New York 1977 - 2002 Dallas Museum of Art, Dallas; MOCA - Museum of Contemporary Art, Los Angeles (catalogue) New Pictures from Paradise Staatliche Kunstsammlungen Dresden; Centro de Fotografía, Universidad de Salamanca (catalogue) Galerie Rüdiger Schöttle, Munich 2001 Pictures from the Dandelion Room Schirmer / Mosel Showroom, Munich (catalogue) Galerie Max Hetzler, Berlin (catalogue) Galerie Meert - Rihoux, Brussels 2000 My Portrait National Museum of Modern Art, Tokyo; traveled to: National Museum of Modern Art, Kyoto; Galleri K, Oslo (catalogue) Galerie Shimada, Tokyo 1999 Galleria Monica de Cardenas, Milan Still Centre National de la Photographie, Paris Gallery Shimada, Tokyo The Berlin - Project (with Klaus vom Bruch) Hamburger Kunstverein, Hamburg New Pictures from Paradise Marian Goodman Gallery, New York; Marian Goodman Gallery, Paris 1998 The Berlin - Project (with Klaus vom Bruch) Kunstmuseum Luzern, Luzern Still Carré d'Art, Musée d'Art Contemporain, Nîmes; Stedelijk Museum, Amsterdam (catalogue) Centro Galego de Are Contemporanea, Santiago de Compostela Galerie Meert - Rihoux, Brussels Nouveau Portraits Marian Goodman Gallery, Paris 1997 Face to Face (with Luo Yongijn) Fine Arts Foundation of Beijing; International Art Palace, Peking (catalogue) Portraits Sprengel Museum, Hanover (catalogue) Achenbach Kunsthandel, Düsseldorf (with Cindy Sherman) The Berlin - Project (with Klaus vom Bruch) Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York Nieuw Werk Galerie Paul Andriesse, Amsterdam 1996 Valocuvia Fotografier Kluuvin Galleria, Helsinki (catalogue) Galerie Shimada, Tokyo 1995 Strangers and Friends Art Gallery of Ontario, Toronto (catalogue) Strassen Kunstmuseum Bonn, Bonn (catalogue) Neue Arbeiten Galerie Max Hetzler, Berlin Oeuvre récentes Galerie Marian Goodman, Paris Landschaften Galerie Shimada, Yamaguchi 1994 Strangers and Friends Institute of Contemporary Art, Boston; ICA - Institute of Contemporary Arts, London (catalogue) Marian Goodman Gallery, New York Galerie Meert - Rihoux, Brussels 1993 Museum Photographs Hamburger Kunsthalle, Hamburg (catalogue) Galleria Monica de Cardenas, Milan Photographien aus Deutschland Galerie Shimada, Yamaguchi The Saint Louis Art Museum, St. Louis Marian Goodman Gallery, New York Galerie Max Hetzler, Cologne 1992 Portrait Museum Haus Lange, Krefeld (catalogue) Directions Hirshhorn Museum and Sculpture Garden, Washington D.C. Galerie Max Hetzler, Cologne 1991 Galerie Meert - Rihoux, Brussels House - Street - Individual - Group Galerie Shimada, Yamaguchi 1990 Photographs The Renaissance Society, University of Chicago, Chicago (catalogue) Portrait and Museum Photographs Marian Goodman Gallery, New York Galerie Paul Andriesse, Amsterdam Giovanni Minelli, Paris Urbi et Orbis, Paris 1989 The Clocktower, New York (with Andreas Gursky) Halle Sud, Geneva Galerie Peter Pakesch, Vienna Neue Bilder Galerie Max Hetzler, Cologne 1988 Galerie Meert - Rihoux, Bruxelles Neapel and Tokyo Galerie Rüdiger Schöttle, Munich Portikus, Frankfurt / Main (with Siah Armajani) 1987 Unconscious Places Kunsthalle Bern, Bern; Westfälisches Landesmuseum Münster, Münster (with Siah Armajani); Prefectural Museum of Art, Yamaguchi; Fruitmarket Gallery, Edinburgh (catalogue) Tokyo und Münster Galerie Max Hetzler, Cologne 1986 Galerie Shimada, Yamaguchi 1985 Galerie Rüdiger Schöttle, Munich 1980 Galerie Rüdiger Schöttle, Munich Stadtmuseum Düsseldorf, Düsseldorf (with Roswitha Ronkholz) 1978 PS1 - Contemporary Art Center, Long Island City
His writing has appeared in magazines such as OCTOBER, Texte zur Kunst, frieze d / e, and Ilinx; and he has lectured at institutions including the University of Cambridge, the Courtauld Institute, EIKONES / Basel University, Harvard, Princeton, Oxford, Secession Wien, Stanford, University College London, the Warburg Institute and the Zentrum für Literatur - und Kulturforschung Berlin.
In 2012, when the Netzwerk freier Berliner Projekträumen und Initiativen (formed in 2009) successfully managed to agitate for a no - strings - attached funding system in the form of the Preis zur Auszeichnung künstlerischer Projekträumen und - initiativen — a significant development, since funding in the form of a prize means funding that does not require acquittal — i.e. the project space has complete autonomy over how the money is spent.
She has written numerous articles and is the author of «Kunst, Symbol und Seele: Thesen zur Kunsttherapie,» (2014, fourth edition); and «Psyche und Ästhetik.
Atelier Philip Pocock, Cologne, Germany (curated by Philip Pocock) New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince, David Reed, Peter Schuyff, Philip Taaffe, Christopher Wool, Sammlung Goetz, Munich, Germany Eight Painters: Abstractions in the Nineties, Carl Solway Gallery, Cincinnati, Ohio, USA Byron Kim, David Lasry, David Reed: Paintings, Quint Gallery, La Jolla, California, USA Panorama, Galerie Martina Detterer, Frankfurt am Main, Germany; traveled to Galerie Jousse - Seguin, Paris, France New American Abstraction: The Conscious Gesture, Marion Locks Gallery, Philadelphia, Pennsylvania, USA New Moderns, Baumgartner Galleries, Washington, D.C., USA Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting, Museumsquartier Messeplatz und Kunsthalle Wien, Vienna, Austria; traveled to Deichtorhallen, Hamburg, Germany (curated by Kasper Köing and Hans - Ulrich Obrist) Silent Echoes, Tennisport Arts, Long Island City, New York, USA (curated by Christian Haub) Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: An International Exhibition of Contemporary Art, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main, Germany (curated by Peter Weiermair) Plötzlich ist eine Zeit hereingebrochen, in der alles möglich sein sollte (Teil 2), Kunstverein Ludwigsburg, Germany, (curated by Udo Kittelmann) «I am the Enunciator», Thread Waxing Space, New York, USA (curated by Christian Leigh)
Im Karussell der Diakonservierung», Hamburger Kunsthalle, Amburgo 2017 «Performance lecture», Lothringer13, Monaco 2017 «Artist's Books», Hamburger Kunsthalle, Amburgo 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», San Paolo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbona 2016 «Par Tibi, Roma, nihil,» Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Amburgo 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Bruxelles 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8a Biennale Internazionale di Arte Contemporanea di Göteborg (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Ginevra 2014 «T293 - in - residence», Sadie Coles HQ, Londra 2014 «Un Nouveau Festival», Centre Pompidou, Parigi 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcellona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.
Beginning with early and ending with quite recent works — from the publication Gedruckte und ungedruckte Poster (Printed and Unprinted Posters, 2003 — 2008) and the sequence of poster and PowerPoint paintings (2010 ---RRB-, Vier Vorschläge zur Veränderung von Modern (Four Proposals for Changing Modern, 2007 ---RRB-, and Frieze (CMYK)(2007) to Filmed Film Trailer (2008)-- the exhibition at Schirn for the first time juxtaposes various of Riedel's work series to form a new installation, which offers an insight into the artist's manifold production methods.
The German «Fragebogen zur Erfassung von Ressourcen und Selbstmanagementfähigkeiten — Gesamtressourcen» (FERUS, Questionnaire for the Assessment of Resources and Self - Management Abilities — common resources), 51 consisting of the subscales «coping», «self - awareness», «self - efficacy», «self - verbalisation» and «hope» (44 items, 7 - point Likert scale), was applied for the assessment of personal resources.
Der HFK wurde zahlreichen Vorprüfungen unterzogen und an insgesamt N = 739 Patienten hinsichtlich seiner Eignung zur Defizitanalyse im Rahmen von Qualitätsmanagement und an N = 136 Patienten hinsichtlich der psychometrischen Güte geprüft.