Sentences with phrase «undeniable success for»

With Real Living, what you see is what you get and that philosophy has translated into undeniable success for me and my company.

While the charter sector is not perfect, it is an undeniable success for tens of thousands of students in New Jersey.

Not exact matches

Amazon, for all of its undeniable success under founder and CEO Jeff Bezos, has gained a reputation as a very tough place to work.

His council's self - defined benchmark for success is unusually precise and an undeniable stretch: devise measures big enough to lift the median household's income to $ 105,000 in 2030, way up from about $ 80,000 today, and well above the mere $ 90,000 expected if Canada fails to adopt new ways of generating wealth.

All honor to President Bush for the messy but undeniable Iraq success described by Doug Ollivant.

Rich Azzopardi, a spokesman for Gov. Andrew M. Cuomo, called the court's decision a «victory» for taxpayers and said the tax cap was «an undeniable success that reigned in out - of - control property tax increases and delivered real relief to overburdened taxpayers.»

Tabitha Decker, Deputy Executive Director for TransitCenter, noted that Mayor Bill de Blasio has been expanding Select Bus Service on several routes, which she called «an undeniable success.»

Despite its somewhat naive simplicity, the method of the local molecular field has had undeniable success in satisfactorily explaining a large number of previously known facts and in opening the way for the discovery of new facts.

Although the technical skill of Pixar's work is undeniable, much of their success stems from the ability to craft stories that engage audiences young and old.Whether telling tales of animated insects (A Bug's Life), superhero families (The Incredibles), talking automobiles (Cars) or lonely robots (WALL - E), their features connect with both children and adults, making for a cinema experience the whole family can enjoy.

It's undeniable that amiibo have been a success story for Nintendo, with the collectible figures setting the internet abuzz every time a new wave is announced.

Due to Walker Elementary School's undeniable success, the school quickly became an example for other NextGen schools worldwide, including the multi-school Assessment for Learning Project (ALP) NG2 awarded to the New Hampshire Learning Initiative.

As the first portable outing for the franchise, the experience is an undeniable success.

It is undeniable that the Switch has been a massive success, with over four million units sold as of July 2017 there can only be an upward progression for the company.

After the title's undeniable success with its September 2013 launch in past generation consoles PS3 and Xbox 360, Take - Two is reportedly considering a title release for next gen consoles PS4 and Xbox One.

Adam Pendleton has been included in significant exhibitions in America and Europe including the Palais de Tokyo's La Triennale (2012), where his video installation BAND was presented following its premiere at The Kitchen, New York (2010); Ecstatic Alphabets / Heaps of Language, MoMA, New York (2012); Greater New York, MoMA PS1, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, ICA, London (2007); Resistance Is, The Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

Other important exhibitions include Adventure of the Black Square: Abstract Art and Society 1915 — 2015 (2015), Whitechapel Gallery, London; The Disappearance of the Fireflies, Collection Lambert, Avignon, France, 2014; Love Story - Anne and Wolfgang Titze Collection, 21er Haus and Winter Palace, Vienna, Austria, 2014; Radical Presence: Black Performance in Contemporary Art, Walker Art Center, Minneapolis, 2014; Joan Jonas & Adam Pendleton, Galeria Pedro Cera, Lisbon, 2014; We Love Video This Summer, Pace Gallery, Beijing, China, 2014; Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum, Houston (2013); Ecstatic Alphabets / Heaps of Language, The Museum of Modern Art, New York (2012); Greater New York, P.S. 1 Contemporary Art Center, Long Island City, New York (2010); The Generational: Younger Than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, Institute of Contemporary Art, London (2007); Resistance Is, Whitney Museum of American Art, New York (2007); Frequency, Studio Museum of Harlem, New York (2005 - 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

Pendleton has been included in significant exhibitions in America and Europe, including Love Story — The Anne & Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere, Vienna (2014); La Triennale, Palais de Tokyo, Paris (2012); Ecstatic Alphabets / Heaps of Language, MoMA, New York (2012); Greater New York 2010, MoMA PS1, New York (2010); The Generational: Younger than Jesus, New Museum, New York (2010); Afro - Modernism: Journeys through the Black Atlantic, Tate Liverpool (2010); Manifesta 7, Trentino - South Tyrol, Italy (2008); After 1968: Contemporary Artists and the Civil Rights Legacy, High Museum of Art, Atlanta (2008); Object, The Undeniable Success of Operations, Stedelijk Museum, Amsterdam (2008); Manifesto Marathon, The Serpentine Gallery, London (2008); Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (2007); Performa 07, New York (2007); Talk Show, ICA, London (2007); Resistance Is, Whitney Museum of American Art, New York (2007); Frequency, The Studio Museum of Harlem (2005 — 06); and Double Consciousness: Black Conceptual Art Since the 1970s, Contemporary Arts Museum, Houston (2005).

Although they praise some aspects of the bill, overall it «undermines the cause and pursuit of fair and equal justice for all, largely ignores the interests of victims of crime, and puts at risk the undeniable strides and unparalleled success of Massachusetts» approach to public safety and criminal justice for at least the last 25 years,» the DAs wrote.

The undeniable success and innovation of high - profile social media campaigns — from such brands as Old Spice, Google Chrome and Starbucks — have inspired this ongoing push for companies to hire people with social media skills.

Widespread popularity may not be in the cards for Krystal, but its niche success is undeniable.

It's undeniable that women entrepreneurs hold tremendous potential for success and the American economy.