Sentences with phrase «under the painted image»

Not exact matches

David G. Roskie's compelling study Against the Apocalypse: Responses to Catastrophe in Modem Jewish Culture discusses the cross symbol's use not only in Chagall's painting, but in the literary work of Der Nister, Lamed Shapiro, Sholem Asch, S. Y. Agnon and the poet Uri Zvi Greenberg (Harvard University Press, 1984 [pp. 258 - 310]-RRB- In literature written before World War II (and under the influence of biblical criticism that had emancipated Jesus» image from its doctrinal Christian vesture), these authors used the cross symbol variously; for Asch, the crucified figure in all his Jewishness symbolized universal suffering; for Shapiro and Agnon, on the other hand, the cross remained an emblem of violence and a reminder of Christian enmity against Jews.

Filed Under: art deco, chairs, chalk paint, image transfer, Refinished Furniture, The Fab Furniture Flippin» Contest, Upholstery

It prevents the ink / paint from bleeding under the stencil and helps to create a crisp image.

A selection of stunning highlights from the full range of our African collections, perfect for Art and design projects, under the headings of Adornment, Buildings and decoration, Containers, Furniture, Human image, Painting, Sculpture, Textiles, and Tools, weapons and metalwork.

These assumed images are now under considerable threat, and in many schools and settings the paints, kilns and cameras are now actively abandoned.

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The aero parts — flush - mounted headlamps, front and rear air dams, rocket - panel extensions — sharpen Sprint's boxy image considerably, although some of the pieces feel frail under fingertip pressure and the white wheel covers might better have been painted body color or alloy silver.

Painted with heavy impasto, the protrusions of paint gush out of the surface, some following the image, some swelling under it.

From here, the theme can be traced through his Alkoholfolter [Alcohol Torture](1981 — 82), his «Magical Misery Tour» of Brazil (1985 — 86), the collection of paintings and images of the artist beaten and bandaged under the title «Dialog mit der Jugend [Dialogue with Youth]» (ex.

MAY 5 - MAY 20, 2007 Umeå Academy of Fine Arts presents an exhibition under the title Projekt ´07 Painting, drawing, digital images, photography and wall tapestries are blended with audio and video works.

A different vein in Ortega Ayala's current research project is constituted by a series of «paintings», revealing images that are hidden under paintings from various museum collections.

For MASS MoCA Gavin painted a monumental image of Bash Bish Falls under ice, paying homage to the landscapes of Caspar David Friedrich.

Ortega Ayala's works reveal images that are hidden under paintings from various museum collections.

Were a visitor to arrive at the Dulwich Picture Gallery, under the misapprehension that etching and lithography were techniques secondary to painting, whose purpose was the cheaper dissemination of an image, they would leave having had such a misconception blasted out of all being.

In Lifson's new paintings, color is used as a theatrical gel that suspends the image, like a scene trapped under ice, ceasing its animation.

Based on images of part of the large site - specific painting created directly on our walls and floor, she has created a completely new installation of printed fabric that hangs where the original used to be, now hidden under many years of layers of wall paint.

When the paintings are viewed together in the gallery, optically dense geometric patterns are seen in relation to flat monochromatic surfaces, photographic images, or faint contours disappearing under layers of luminescent diamond dust.

In other pieces — collected under the title «Pixelator» — the surfaces are instead saturated by a close - knit checkerboard pattern of black and white, always created with spray paint, as if the digital skin of the images had been examined with a microscope and expanded into an optical rendering of its makeup.

Some of his celebrity portraits were first «under - painted» by tracing simple outlines of the photographic image onto the canvas and painted in blocks of color.

He works in a variety of formats that include Paintings on canvas, wood and wall hanging sculpture called» Definism», His images portray various differences in human nature, from life's everyday dramas to humankind's quest to under - standing self.

From then until his death, in 1980, at 66, * Guston left abstraction behind and made some of the most memorable and influential paintings of the late 20th century, big and small: huge, gloppy, opaque - colored images of Ku Klux Klansmen driving around in convertibles, smoking cigars; cyclopes heads, in bed, staring at bare lightbulbs; piles of legs and shoes; figures hiding under blankets, clutching paintbrushes in bed.

Bad Painting and New Image Painting were two US schools of painting which are traditionally classified under the heading neo-expresPainting and New Image Painting were two US schools of painting which are traditionally classified under the heading neo-expresPainting were two US schools of painting which are traditionally classified under the heading neo-exprespainting which are traditionally classified under the heading neo-expressionism.

Under the painter's brush, the event — Ensslin's alleged suicide — withdraws in the corrosion of image, both having become submerged in haze as a sheet of paint covers the figure the way a blanket or a shroud would cover the body.

Also included is La Trahison des images (1952), Magritte's best known painting and one of the great propositions of Modern art; a smoking pipe rests on a wooden background under which «Ceci n'est pas une pipe» is inscribed on a plaque, posing the question: how can we really believe what we see and what role does perception play in our comprehension of reality?

Traveled to Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn, Germany; and Castello di Rivoli Museo d'Arte Contemporanea, Turin (catalogue) Innovation: American Art of Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Chiba, Japan (catalogue) The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan (catalogue) Vehicle, Paolo Baldacci Gallery, New York 1995 Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close, Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel Weinberg Gallery, San Francisco Summer Group Exhibition: Richmond Burton, Peter Cain, John Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol, Matthew Marks Gallery, New York 25 Americans: Painting in the 90s, Milwaukee Art Museum (catalogue) 1994 Desire (Visionaire / DIFFA Benefit Exhibition), Charles Cowles Gallery, New York The Institute of Cultural Anxiety, Works from the Collection, Institute of Contemporary Arts, London (catalogue) 1993 Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice (under the aegis of the Venice Biennale)(catalogue) 1993 Biennial Exhibition, National Museum of Contemporary Art, Seoul A Series of Anniversary Exhibitions: Part III, Daniel Weinberg Gallery, Santa Monica, CA Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth, FL Everyday Life, Kim Light Gallery, Los Angeles Slittamenti, Venice Biennale The Return of the Cadavre Exquis, The Drawing Center, New York.

On the Verge of an Image: Considering Marjorie Keller is a group exhibition of sculpture, painting, photography, video, and performance centered on the themes present in the work of under - recognized avant - garde filmmaker Marjorie Keller (1950 - 1994), co-curated by Los Angeles - based artists Alika Cooper and Anna Mayer.

Originally created to cover all 4 walls of the Leo Castelli gallery in New York, the painting includes separate images of a mushroom cloud under a beach umbrella, some spaghetti, a piece of cake, a Firestone tire, a swimmer, light bulbs, and a little girl under a hairdryer, all set against the backdrop of an F - 111 fighter jet.

These «oil skins» are then scraped off in sheets and draped onto canvas, revealing layers of under painting and distorting the original image.

Featuring a digitally manipulated image of J.M.W. Turner's 1840 painting Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), the original work depicts the drowning of 133 slaves by the captain of the British slave ship, Zong, to claim compensation for these «goods» under the salvage clause of the ship's insurance policy.

Found images covered in dots, masks, tape, paint - and under all of that, an artist who found herself through working with those found images.

When Murray first began making her raucous, eccentrically shaped, often multi-part paintings, during the decade under review, their burgeoning, layered shapes, sci - fi images, and, often, high - key color, made them read at once as affronts to the reductive qualities of minimalism and as aesthetic challenges to the mass - culture quotations of Pop art.

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