Sentences with phrase «underappreciated artists»

The phrase "underappreciated artists" refers to talented individuals who do not receive the recognition and acclaim they deserve for their work. Full definition
From a foray into virtual reality at Tate Modern's Modigliani show, to illuminating portraits of underappreciated artists at Brighton Museum and William Morris Gallery, there's plenty to delve into this month.
She has worked extensively and has been successful in exhibiting underappreciated artists who had celebrated careers in the 1950's and are in numerous museum collections.
«It was another great night in Brooklyn in support of many of the most underappreciated artists in our business.»
The museum also recently remembered its mission of giving underappreciated artists their due.
It's to be celebrated when talented, new or underappreciated artists get together and make a special film like Columbus.
In recent years, dealers and curators have been plumbing art history and shedding new light on underappreciated artists.
Alexander Gray Associates, whose program skews to overlooked historical women artists, has a lovely presentation of pieces by figures including Joan Semmel, Polly Apfelbaum, Harmony Hammond, Valeska Soares and luminary gallerist / underappreciated artist Betty Parsons.
In line with the fair's ethos «from Discovery to Rediscovery», the artistic project represents artists spanning the fair's exciting sections: from a younger generation of artists featured in DISCOVERY and unduly underappreciated artists within the REDISCOVERY section to the internationally established artists in PRIME.
David Kordansky might not be the biggest player in the L.A. gallery scene, but his manic enthusiasm and seemingly genuine determination to draw attention to underappreciated artists make him the most interesting by far.
Ms. Goodman, who grew up in a liberal, intellectual Manhattan household surrounded by art, loved Europe and saw in its studios and galleries immensely talented but vastly underappreciated artists and a largely untapped market, in that order.
Dorothy Iannone, «Let me squeeze your fat cunt,» 1970 - 71, acrylic and collage on canvas, 74.8 ″ x 59.1 ″ In Time Out, Howard Halle reports that the freshly resurrected career of Dorothy Iannone, born in 1933 in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»»
Now Nicole is developing a platform for a different group of underappreciated artists, working here in China's backyard.
Hailing from the underappreciated artists at Ninja Theory — known primarily for their work on the PS3 launch title Heavenly Sword and the all but forgotten Enslaved: Odyssey to the West — it is a tale of vengeance, redemption, and (it's right there in the title) sacrifice that Read more about A Few Reasons You Should Pick Up Hellblade Right Now -LSB-...]
Hailing from the underappreciated artists at Ninja Theory — known primarily for their work on the PS3 launch title Heavenly Sword and the all but forgotten Enslaved: Odyssey to the West — it is a tale of vengeance, redemption, and (it's right there in the title) sacrifice that is well paced, breathtakingly visualized, and expertly told.
[2] The Wall Street Journal describes her as a previously «underappreciated artist» who is more recently recognized for her «exuberant» works, noteworthy for their pattern, rhythm and color.
Dealer and specialist Howard Greenberg has significantly impacted the study and collecting of photography over the past four decades, expanding the field to include once - underappreciated artists and movements around the globe.
It's perhaps tempting, as a result of Albers's «rediscovery», to think that this is a case of today's «progressive» era finally giving an underappreciated artist her due.
Spanning his entire career, the works map out the creative development of an underappreciated artist.
In 2008, Darling began the program SAM Next, a series of contemporary art exhibitions presenting emerging or underappreciated artists from around the globe.
With more than 40 works dating from the 1930s up into the 2000s, this is an exceptional presentation of the work of an underappreciated artist.
The current exhibition brings together many of those underappreciated artists who interest me most these days: Steven Baris, Rob de Oude, Gabriele Evertz, Enrico Gomez, Gilbert Hsiao, Stephen Maine, Don Voisine, and (upstairs in a related installation) Gary Petersen.
Little - known and underappreciated artists are often made visible in new ways, though the detectable presence of Western art's major narratives, as well as a willingness to question them, allow each work to resonate on numerous critical registers.
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