Sentences with phrase «underappreciated artists in»

In his awards ceremony welcoming speech, BFCA / BTJAPresident Joey Berlin said, «We are so happy to be able to celebrate the supremely talented, leading voices in this golden age of documentary filmmaking and nonfiction television, supporting many of the most underappreciated artists in our business.»
«It was another great night in Brooklyn in support of many of the most underappreciated artists in our business.»

Not exact matches

Hailing from the underappreciated artists at Ninja Theory — known primarily for their work on the PS3 launch title Heavenly Sword and the all but forgotten Enslaved: Odyssey to the West — it is a tale of vengeance, redemption, and (it's right there in the title) sacrifice that is well paced, breathtakingly visualized, and expertly told.
In recent years, dealers and curators have been plumbing art history and shedding new light on underappreciated artists.
More than 150 artists are represented — from the well - known to the underappreciated — including works by artists not previously in PAFA's collection such as Louise Bourgeois, Kiki Smith, Joan Brown, Viola Frey, Ana Mendieta, Christina Ramberg, and Beatrice Wood (among others), as well as complementary works by artists already in PAFA's collection such as Alice Neel, Louise Nevelson, Gertrude Abercrombie, Edna Andrade, Sue Coe, Janet Fish, Sarah McEneaney, Gladys Nilsson, Elizabeth Osborne, Betye Saar, and Nancy Spero.
Since 1977, Mierle Laderman Ukeles has been the New York Department of Sanitation's «artist in residence» — a title that she alone has held — and has been organizing performances and events involving this underappreciated workforce ever since.
Nicholas Krushenick: Electric Soup is the latest in a series of exhibitions at the Tang that present in - depth surveys of underappreciated modern and contemporary artists, including Someday is Now: The Art of Corita Kent (2013); Nancy Grossman: Tough Life Diary (2012); Tim Rollins and K.O.S.: A History (2009); Joachim Schmid Photoworks 1982 — 2007 (2007); Richard Pettibone: A Retrospective (2005); and America Starts Here: Kate Ericson and Mel Ziegler (2005); among others.
The Danish conceptual artist Tue Greenfort has enjoyed rising success abroad, with shows at places like SculptureCenter and London's Royal Academy, but for whatever reason he remains underappreciated in his native country, so König Galerie decided to bring a mini exhibition of his work to Code.
Now, with fresh attention focused on their work, these underappreciated artists can assume the spotlight, overcoming obstacles and prejudices that may have stood in their way earlier in their careers...
Now Nicole is developing a platform for a different group of underappreciated artists, working here in China's backyard.
Nevertheless, the potential of this methodology to design experiences in order to project power and influence has been consistently underappreciated by artists, especially when compared with contemporary designers who co-opted epistemological Conceptualism as a platform for designing the experiences of knowledge production, reception and comprehension across disciplines — often furthest from their own — affording them an expanding sphere of influence.
To date, the stronger contributions of contemporary Mexican and Latin American artists play a largely underappreciated role in the collection.
The Castelli model is built around the notion that the dealer is representing a roster of artists who are mostly undiscovered and definitely underappreciated, looking at it from a long - term perspective — which means taking some risks in the beginning to help their artists build a strong foundation of interest and buzz, and then working toward recouping their investment in the second or third or even later solo exhibitions.
This retrospective will showcase the underappreciated New York — based artist's work, and the fun doesn't end within the exhibition — the museum will also reconstruct You & Me, originally made for New York's High Line and featuring the words «you» and «me» arranged in various combinations with colorful designs, in a nearby project space.
In 2008, Darling began the program SAM Next, a series of contemporary art exhibitions presenting emerging or underappreciated artists from around the globe.
Conceptual substance couples with visual delight in this long - underappreciated and nearly forgotten artist's impressive practice.
Dorothy Iannone, «Let me squeeze your fat cunt,» 1970 - 71, acrylic and collage on canvas, 74.8 ″ x 59.1 ″ In Time Out, Howard Halle reports that the freshly resurrected career of Dorothy Iannone, born in 1933 in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raquIn Time Out, Howard Halle reports that the freshly resurrected career of Dorothy Iannone, born in 1933 in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raquin 1933 in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raquin Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raquin Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»»
The current exhibition brings together many of those underappreciated artists who interest me most these days: Steven Baris, Rob de Oude, Gabriele Evertz, Enrico Gomez, Gilbert Hsiao, Stephen Maine, Don Voisine, and (upstairs in a related installation) Gary Petersen.
David Kordansky might not be the biggest player in the L.A. gallery scene, but his manic enthusiasm and seemingly genuine determination to draw attention to underappreciated artists make him the most interesting by far.
Penelope Curtis discusses the British Sculptors and Sculpture series, a series of books jointly published by Lund Humphries and the Henry Moore Foundation, beginning in 1991 that sought to reappraise the works of a range of underappreciated British artists.
In a 2011 New York Times review, art critic Ken Johnson wrote that late Pop artist Nicholas Krushenick's «marvelous, underappreciated oeuvre cries out for a full - scale museum survey.»
Ms. Goodman, who grew up in a liberal, intellectual Manhattan household surrounded by art, loved Europe and saw in its studios and galleries immensely talented but vastly underappreciated artists and a largely untapped market, in that order.
Aaron Wong and Don Felix Cervantes founded the artist - in - residence program TRADES as a means of fostering wider appreciation for O`ahu's vibrant but underappreciated and geographically remote contemporary art scene.
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