In his awards ceremony welcoming speech, BFCA / BTJAPresident Joey Berlin said, «We are so happy to be able to celebrate the supremely talented, leading voices in this golden age of documentary filmmaking and nonfiction television, supporting many of the most
underappreciated artists in our business.»
«It was another great night in Brooklyn in support of many of the most
underappreciated artists in our business.»
Not exact matches
Hailing from the
underappreciated artists at Ninja Theory — known primarily for their work on the PS3 launch title Heavenly Sword and the all but forgotten Enslaved: Odyssey to the West — it is a tale of vengeance, redemption, and (it's right there
in the title) sacrifice that is well paced, breathtakingly visualized, and expertly told.
In recent years, dealers and curators have been plumbing art history and shedding new light on
underappreciated artists.
More than 150
artists are represented — from the well - known to the
underappreciated — including works by
artists not previously
in PAFA's collection such as Louise Bourgeois, Kiki Smith, Joan Brown, Viola Frey, Ana Mendieta, Christina Ramberg, and Beatrice Wood (among others), as well as complementary works by
artists already
in PAFA's collection such as Alice Neel, Louise Nevelson, Gertrude Abercrombie, Edna Andrade, Sue Coe, Janet Fish, Sarah McEneaney, Gladys Nilsson, Elizabeth Osborne, Betye Saar, and Nancy Spero.
Since 1977, Mierle Laderman Ukeles has been the New York Department of Sanitation's «
artist in residence» — a title that she alone has held — and has been organizing performances and events involving this
underappreciated workforce ever since.
Nicholas Krushenick: Electric Soup is the latest
in a series of exhibitions at the Tang that present
in - depth surveys of
underappreciated modern and contemporary
artists, including Someday is Now: The Art of Corita Kent (2013); Nancy Grossman: Tough Life Diary (2012); Tim Rollins and K.O.S.: A History (2009); Joachim Schmid Photoworks 1982 — 2007 (2007); Richard Pettibone: A Retrospective (2005); and America Starts Here: Kate Ericson and Mel Ziegler (2005); among others.
The Danish conceptual
artist Tue Greenfort has enjoyed rising success abroad, with shows at places like SculptureCenter and London's Royal Academy, but for whatever reason he remains
underappreciated in his native country, so König Galerie decided to bring a mini exhibition of his work to Code.
Now, with fresh attention focused on their work, these
underappreciated artists can assume the spotlight, overcoming obstacles and prejudices that may have stood
in their way earlier
in their careers...
Now Nicole is developing a platform for a different group of
underappreciated artists, working here
in China's backyard.
Nevertheless, the potential of this methodology to design experiences
in order to project power and influence has been consistently
underappreciated by
artists, especially when compared with contemporary designers who co-opted epistemological Conceptualism as a platform for designing the experiences of knowledge production, reception and comprehension across disciplines — often furthest from their own — affording them an expanding sphere of influence.
To date, the stronger contributions of contemporary Mexican and Latin American
artists play a largely
underappreciated role
in the collection.
The Castelli model is built around the notion that the dealer is representing a roster of
artists who are mostly undiscovered and definitely
underappreciated, looking at it from a long - term perspective — which means taking some risks
in the beginning to help their
artists build a strong foundation of interest and buzz, and then working toward recouping their investment
in the second or third or even later solo exhibitions.
This retrospective will showcase the
underappreciated New York — based
artist's work, and the fun doesn't end within the exhibition — the museum will also reconstruct You & Me, originally made for New York's High Line and featuring the words «you» and «me» arranged
in various combinations with colorful designs,
in a nearby project space.
In 2008, Darling began the program SAM Next, a series of contemporary art exhibitions presenting emerging or
underappreciated artists from around the globe.
Conceptual substance couples with visual delight
in this long -
underappreciated and nearly forgotten
artist's impressive practice.
Dorothy Iannone, «Let me squeeze your fat cunt,» 1970 - 71, acrylic and collage on canvas, 74.8 ″ x 59.1 ″
In Time Out, Howard Halle reports that the freshly resurrected career of Dorothy Iannone, born in 1933 in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raqu
In Time Out, Howard Halle reports that the freshly resurrected career of Dorothy Iannone, born
in 1933 in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raqu
in 1933
in Boston and currently living and working in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raqu
in Boston and currently living and working
in Berlin, is a good example of an older, underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»&raqu
in Berlin, is a good example of an older,
underappreciated artist who benefited from... read more... «Dorothy Iannone's career: «A long time coming»»
The current exhibition brings together many of those
underappreciated artists who interest me most these days: Steven Baris, Rob de Oude, Gabriele Evertz, Enrico Gomez, Gilbert Hsiao, Stephen Maine, Don Voisine, and (upstairs
in a related installation) Gary Petersen.
David Kordansky might not be the biggest player
in the L.A. gallery scene, but his manic enthusiasm and seemingly genuine determination to draw attention to
underappreciated artists make him the most interesting by far.
Penelope Curtis discusses the British Sculptors and Sculpture series, a series of books jointly published by Lund Humphries and the Henry Moore Foundation, beginning
in 1991 that sought to reappraise the works of a range of
underappreciated British
artists.
In a 2011 New York Times review, art critic Ken Johnson wrote that late Pop
artist Nicholas Krushenick's «marvelous,
underappreciated oeuvre cries out for a full - scale museum survey.»
Ms. Goodman, who grew up
in a liberal, intellectual Manhattan household surrounded by art, loved Europe and saw
in its studios and galleries immensely talented but vastly
underappreciated artists and a largely untapped market,
in that order.
Aaron Wong and Don Felix Cervantes founded the
artist -
in - residence program TRADES as a means of fostering wider appreciation for O`ahu's vibrant but
underappreciated and geographically remote contemporary art scene.