Not exact matches
Color areas are never solid; each contains within it lines, smudges, or strokes of
underlying hues.
By covering only portions of the fabric's pattern, Barrow uses the
underlying colored fibers to shift the paint's
hue, often using only two or three grey tones to create entire compositions.
The broad swathes of
color have a transparency to them which allowing the
underlying layers to bleed through on top of each other, creating varying densities and
hues.