The Excess section is announced by a largish sculpture of tiny grids rising to three Alpine peaks by Sol LeWitt, whose
underlying irrationality and obsessive repetition was first noted by the critic Rosalind Krauss in a 1978 essay on the artist that was Ms. Baum's original inspiration.
The Europeans brought shame to the tropics, and from the conflict between the refusal and acceptance of imposed traditions, a society was born whose biggest feast is that one which celebrates bodies in ecstasy: the carnival with its contradictions, catharsis,
irrationality, radiance and libido; a carnival that somehow rules the country and
underlies the recent paintings of Lannes.