Sentences with phrase «understanding of your artistic practice»

Not just interested in traditional demarcations of art, the pluralisation opened up discussions as to whether new media, such as television, might be included in a contemporary understanding of artistic practice.

By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.

He aimed to use Rupert as a space for discussion and critical improvement seeking for beter fenomenon of daydreaming and its relation to understanding of artistic practice.

Since Carolyn is closely involved in working with artists, she has a grasp on the larger historical understanding of artistic practice from different places.

Our perception of art photography no longer hinges on the prospect of capturing of a moment of real time, or at least we generally have a greater understanding of artistic practice as a multi-layered process with a degree of preconception and postproduction.

A well curated artist blog can supplement your website, increase your audience's understanding of your artistic practice and raise your online profile.

Not exact matches

This exhibition employs an inter-disciplinary approach to advance our understanding of the Caribbean and its artistic heritage and contemporary practices.

The fidelity of these paintings can therefore be best understood, perhaps, as a product of a particular situation, when a significant body of contemporary artistic practice was orientated to accurate observation, as opposed to the ideal.

Providing us with the first comprehensive survey of international artists who incorporate science, biology, kinetics, telecommunications, the computer, and the physical sciences, the book also incorporates the relevant art theory and personal statements of the surveyed artists, hoping for a better understanding of the new artistic practice.

It identifies this artistic practice with a new awareness of «in - between» spaces in the era of the Internet — spaces either real nor completely virtual — and a new understanding our own bodies as permeable sensors in constant osmotic exchange as they move through these spaces.

This will be followed by a performance from Lucky Dragons, an experimental music group from Los Angeles whose artistic practice aims to create a better understanding of existing ecologies through workshops, publications, and recordings.

With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»

Examining the impact of time and space on identity constructions, places, and (hi) stories, these works record, critique, and expand the understanding of the social role of artistic practice.

Artists Leah Brown, Rosemarie Chiarlone, Naomi Fisher, Jillian Mayer, Lisa Rockford and Frances Trombly expand the scope of contemporary artistic practice, working beyond the confines of the studio to improve understanding and representation of contemporary art in the region.

The book hopes to contribute to a better understanding of the role and function of the studio in contemporary artistic practice.»

The show reflects the deep understanding the curator has of the artist's work that is needed to provide an informative framework of her artistic practice and development — from Ay Tjoe's graphic influences to her beautifully colorful oil canvases.

Because there are thousands of photographers but only a few of them have really helped us understand the role of photography in artistic practice — and you are one of those people.

One of the most unique aspects of studying art history at an art school was that I was required to develop my own artistic practice through hours of drawing classes, performance art classes, photography studios, and so on, which allowed me a much more intimate understanding of the artistic process — but it was also important to be surrounded by other ambitious creators.

One of Britain's most original and inventive sculptors, Penelope Curtis, former director of Tate Britain, has described Flanagan as «a maverick figure but a maverick who was absolutely central to the artistic conversation of the 1960s and 70s».2 One of the influential generation of artists studying at St Martin's School of Art in the early to mid-1960s, Flanagan reacted against the formal rigidity of sculpture at that time, challenging the nature of the medium and contributing to a new understanding of the practice.

Disrupting the notion of the discrete art work or object, Mackie's practice proposes a creative process which emphasises an understanding of artistic meaning created by synthesising a string of ideas, associations, sentiments and sensations in a non-hierarchical and open - ended fashion.

The gallery's program is rooted in the belief that artistic and curatorial practice plays a vital role in catalyzing cultural dialogue, while shaping our understanding of individual identity and social contexts.

This period has been crucial to understanding the most up - to - date artistic practices that represent the core of our exhibition programming here at the Museo de Arte Contemporáneo de Castilla y León.

Located at 4733 McPherson Avenue in Saint Louis» Central West End, projects + gallery is a commercial art space designed to feature contemporary exhibitions and artists that blur the boundaries of traditionally understood artistic disciplines and practices.

Through public talks and intimate seminars and studio visits with UH students, internationally recognized scholars, curators, artists, and critics will investigate the idea of the contemporary as both a temporal and aesthetic framework to broaden critical understanding about how we situate current artistic practices.

Prince understands that his artistic practice must reflect the death of this sanctity — a mutually embraced tenant of his fellow artists that came of age in the early 1970s, known as the Pictures Generation.

Constantly inquiring into transitional qualities of time and space and the correlative transformation of identities, locales and (hi) stories Esther Shalev - Gerz has produced a body of work that simultaneously records, critiques, and contributes to our understandings of the societal roles and value of artistic practice.

They not only redefined artistic practice, but also altered our understanding of the process through which we perceive the world.

The aim is to offer fresh perspectives on Tibetan Buddhist images that have rarely been understood outside of their cultural and devotional contexts, and to forge new connections between different spheres of artistic practice, both traditional and modern.

Constantly inquiring into transitional qualities of time and space and correlative transformations of identities, locales and (hi) stories, Esther Shalev - Gerz has produced a body of work that simultaneously records, critiques, and contributes to our understandings of the societal roles and value of artistic practice.

To understand the richness of Georgia O'Keeffe's artistic practice, this exhibition reveals her disciplined drawing practice, dramatic color palette, and innovative sense for composition through paintings and drawings that span her career.

«For Almanza, the addition of this fluorescent scaffolding adds a new screen through which we understand a narrative of historical imbalance with regard to the artistic legacy of Rivera and his place in Latin America artistic practice.»

I understand collaboration, teaching and curating as part of my artistic practice which is centered around performance, mediated performance and installation.

Reconciling elements of Dada, Happenings, Fluxus, and European Actionism, his artistic practice can be understood through the tripartite lens of lectures, installation environments, and audience participation.

An exploration of the various ways in which sensibility is shaped, which is generated, expressed and understood in artistic practices and divergent modes of thought and reflection as arising from and in works of art, while recognizing the multiple connections that can be established between art, philosophy and politics.

His role as a social worker evoked a deep understanding of society, that can be felt in his artistic practice.

Bui told me, «It is the curator's role to amplify the artist's message, and to enhance the understanding of the public» and, drawing from the etymology of the word «curator,» he continued, «to protect the sacredness of the work of art, the spiritual dimension of artistic practice.»

Even though Matta - Clark never exercised his profession as such, his artistic practice must be understood as that of an architect, who intensively engaged in the social reality and the effects of architecture on the urban environment.

His artistic practice was galvanized by the Watts Rebellion, a moment when he understood with stark clarity how his personal and professional goals as an artist diverged from his sense of responsibility to the African American community of his adopted city.

«Nicole brings a significant understanding of contemporary art and artistic practices to McColl Center,» said Isaac Payne, Alumnus Artist and member of the Board of Directors of McColl Center for Art + Innovation.

Through her artistic practice and her teaching, both of which are very closely integrated, she rigorously explored complex issues of class, gender, health and the body; combining personal experience, political understanding and critical theory.

We encourage all residents to develop interdisciplinary investigations for a richer understanding of the subject and artistic practice; therefore, we provide access to experts in the humanities, unique archives and resources including those listed below.

We challenge conventional ideas of difference and diversity and for the past 25 years have shifted the ways in which artistic practices have been understood within wider British culture.

The seminar will explore the relations between affect and appropriation in artistic practice, with contributions that consider how an understanding of reciprocal investment reconfigures the artistic strategy of appropriation as an act that is based in connecting, acknowledging and being porous to material.

NEoN doesn't seek to be merely nostalgic about technology but to expose, through artistic practice, how new technologies are understood now and will be in the future, in the creation of shared cultural experiences.

To better understand these ghosts that haunt the landscape of contemporary artistic practice and politics, I spoke with several young artists to find out whether they felt unencumbered by the prejudices of the past, as Isaacs optimistically described, and whether feminism does indeed have something to say today.

The figures occupy their own space and could be understood as acting autonomously, in a sense this state of autonomy become a metonym for artistic practice itself.

Terris is a contemporary artist and contractor who draws much of his artistic practice from his understanding of building materials and architecture.

An assistant professor in the School of Creative Media, the City University of Hong Kong, his multi-disciplinary artistic practice ranges from photography and video to text, performance and installation, focusing on the relationship between anticipation, perception and understanding in communication, mostly in an urban context.

Hence, we have highlighted three more emerging artists to find out more about their work, as a means to develop a more coherent understanding of their contributions to new artistic directions and most importantly, the trajectory of emerging South African practice in the 21st century.

This is a bit of a discordant concept, since these days we've come to understand that anything an artist does is wrapped in the larger context of their «artistic practice» and therefore becomes art.