Mounting Frustration also examines some of the probing debates
undertaken by black artists in the 1960s and»70s about the coherence (both political and aesthetic) of the rubric of «black art» given that artists worked across so many different styles and had divergent relationships to their own identifications around blackness.
In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute
black - and - white film Theda British
artist Georgina Starr, best known for her series of works inspired
by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and
undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.