Make no mistake: This movie is as violent as it is funny, and its action sequences are as inventive and
unexpected as the comedy beats.
Not exact matches
The encounter that follows will reveal
unexpected depths in both characters, and new layers of moral complexity in Sean Baker's unmissable Tangerine, a sneaky slice - of - life indie that comes on all casual and cinéma - verité in the early scenes, then slowly coalesces into a romantic
comedy as intricately constructed
as any door - slamming stage farce.
The film's outcome hinges on a big race, with the circus» dancing horse
as a contestant; this scene includes an
unexpected moment of high
comedy, at once relieving and compounding the tension!
Sally Potter's «The Party» is an atmospheric, rapid - fire dark
comedy about a celebratory dinner party where
unexpected revelations come
as quickly
as bon mots.
This 1980s - set Los Angeles
comedy series stars Alison Brie (Mad Men, Community)
as Ruth Wilder, an out - of - work actress who finds herself with the
unexpected role of a lifetime after being invited to audition with a group of eccentric women for the first - ever women's wrestling TV show — GLOW.
Framed by a boisterous dinner scene between playwright friends, alarm bells ring early in Melinda and Melinda when conversation turns to whether a random scenario, the arrival of an
unexpected stranger at a dinner party, would work best
as the premise for tragic drama or
comedy.
What starts out
as a high flying
comedy soon turns into
unexpected drama about alcoholism.
Official Premise: «Birdman: Or (The
Unexpected Virtue of Ignorance)» is a black
comedy that tells the story of an actor (Michael Keaton)-- famous for portraying an iconic superhero —
as he struggles to mount a Broadway play.
Mistress America's generic context
as screwball
comedy frames Brooke's quarter - life crisis, and Tracy's coming of age, in a manner of
unexpected honesty: behind the frenzied dialogue, so keenly written by Gerwig and Noah Baumbach, is the destruction of ambition and the construction of a self.
BIRDMAN: BIRDMAN or The
Unexpected Virtue of Ignorance is a black
comedy that tells the story of an actor (Michael Keaton)-- famous for portraying an iconic superhero —
as he struggles to mount a Broadway play.
It is, of course, dark
comedy, but it's
comedy nonetheless, and it's about
as far on the other side of the spectrum from No Country
as they could get while still maintaining everything that is uniquely Coen: twists,
unexpected carnage, and a cast that elevates a really good movie into being a really great movie.
The official synopsis: BIRDMAN or The
Unexpected Virtue of Ignorance is a black
comedy that tells the story of an actor (Michael Keaton)-- famous for portraying an iconic superhero —
as he struggles to mount a Broadway play.
The film has the same
unexpected, unabashed tenderness
as SUPERBAD, but in the absolute last place anyone would ever think of looking: a fast - paced and extremely bloody crime
comedy.
In «Toni Erdmann,» a very good and peculiar
comedy from Germany's Maren Ade, a father subjects his high - strung adult daughter to a kind of
unexpected — and clearly unwanted — shock therapy, using joke - shop fake teeth, a fright wig and a freakish sense of humor
as tools of enlightenment.
This whip smart horror
comedy from scribes Drew Goddard (also making his impressive directorial debut) and Joss Whedon features one of the most fiendishly
unexpected plot turns in recent cinema in what I've frequently described to the uninitiated
as «the Matrix meets the Monster Squad.»
BIRDMAN (aka The
Unexpected Virtue of Ignorance) is a black
comedy following the story of an actor (Michael Keaton)-- famous for portraying an iconic superhero —
as he struggles to mount a Broadway play.
Scarlett Johansson is no stranger to the world of
comedy — she is a member of the so - called Five - Timers Club, an enviable group of stars who have hosted «Saturday Night Live» at least five times — and she's managed to emerge
as an
unexpected comedic MVP without ever toplining an outright
comedy.
Of course, that focus also turns out to be a problem for Birdman or (The
Unexpected Virtue of Ignorance), but the film still works
as a technically exciting, laser - focused
comedy of dueling egos.
The
comedy of their initial awkwardness gives way to drama
as they break down each others» identities, followed by the uplift of their
unexpected bonding.
But
as you can imagine, a series of
unexpected occurrences and misadventures spice things up, turning a potentially straightforward trip into an on - the - road buddy
comedy where the bound - for - bonding odd couple are father and daughter.
BIRDMAN or The
Unexpected Virtue of Ignorance is a black
comedy that tells the story of an actor (Michael Keaton)-- famous for portraying an iconic superhero —
as he struggles to mount a Broadway play.
Starring Jean - Claude Van Damme
as the titular Jean - Claude Van Damme (alias Jean - Claude Van Johnson), this action
comedy series sees the retired martial artist and actor sucked back into the game after an
unexpected encounter with a lost love.
Notable group exhibitions include «The Importance of Being», Museo de Arte Contemporáneo, Buenos Aires, Brazil (2015); «Contemporary Art in Dokolo Collection Sindika - You Love Me, You Love Me Not», Almeida Garrett Municipal Library, Porto, Portugal (2015); «The Divine
Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Frankfurt, Germany; touring to SCAD Museum of Art, Georgia, USA; Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2015 - 2014); «Slow Future», Centrum Sztuki Współczesnej Zamek, Poland (2014); «INSERT 2014: a cultural exploration of Delhi
as a landscape for creativity and transformation», Indira Gandhi National Centre for the Arts, India (2014); «Ruffneck Constructivists», ICA, Philadelphia, Pennsylvania, USA (2014); «The Divine
Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «My Joburg», La Maison Rouge, Paris, France (2013); «Artificial Amsterdam», de Appel Arts Centre, Amsterdam, The Netherlands (2013); «Sex, Money and Power», Maison Particulière, Brussels, Belgium (2013); «The Progress of Love», The Menil Collection, Texas, USA (2013 - 2012); «Mexico: Expected /
Unexpected», Katzen Arts Centre, Washington D.C., USA (2012); «No Government No Cry», a project by Kendell Geers, CIAP Actuele Kunst, Hasselt, Belgium (2011); «Contemplating the Void», Guggenheim Museum, New York, USA (2010) and «Wall Rockets: Contemporary Artists and Ed Ruscha», The FLAG Art Foundation, New York, USA (2008).