Not exact matches
According to FWM, his «theological concepts, at times rendered through
text, diagrams, and architectural elements — such as altars, church pews, and in this exhibition, a pulpit — create
unexpected encounters through his
use of unique materials.»
Camille Henrot told us about the thinking behind her unique alchemy
of the Internet and myth, Margaret Lee explained how the aesthetics
of Chinatown helped her crack the code on contemporary experience, Jordan Wolfson spoke about
using «anger as a frequency» in his hypnotically engrossing videos, Amy Sillman was both hilarious and incisive on the subject
of what it means to be a painter today, and Paul Chan offered up a
text interview that was totally
unexpected, amazing, and an artwork in its own right.
Meeting Duchamp when the Pasadena Art Museum hosted the French conceptual artist's first U.S. show, Ruscha was especially affected by his
use of «readymade» objects and imagery, rendered unfamiliar through
unexpected titles or
text.
Unlike the tautologies generated from the early Conceptualist's
use of language where the image only reinforced the meaning
of the word, Johnson's
unexpected conflation
of text and image suggests new readings to the viewer.