Sentences with phrase «unique film like»

It's refreshing to witness a unique film like The Lobster.

Not exact matches

Films series — the 2nd step was defining unique structures, based on the new formulations, for co-extruded films to create films with similar mechanical, optical and barrier properties to conventional plastics like polypropylene or polyethylene.

Pre-applied zipper film is not without its unique challenges, like all kinds of packaging.

It still has really unique prints including some new ones like the adorable «Sprinkles» print, which excited me so much that I went against all my best maternal instincts and let my one year old chow down on a half dozen donuts while I filmed her for the video review.

The team realised that they could create films with unique optical properties by combining layers with different refractive qualities - creating a non-metallic, mirror - like film that can be more than 90 per cent reflective.

«The pleasure of this unique film comes in watching superb actors dine on Mamet's pungent language like the feast it is.»

Along the way, players will interact with characters made popular by the films, like Jack Sparrow, Will Turner and Elizabeth Swann, and will also encounter a host of new characters and enemies unique to the game.

Based, like its 2005 predecessor, on Miller's graphic novels, stylized noir thriller A Dame to Kill For is divided into four chapters, two of them original stories unique to the film; the result is both a prequel and a sequel to Sin City.

Films like 127 Hours that work unique visuals in, in order to tell the story, are remarkable, but films like Free Fire just don't have enough substance to sustain its 90 minute run time.

Playing through Detective Pikachu, it became readily apparent why the title will be the basis for the upcoming live action film: the game offers up a unique take on the Pokémon world, while simultaneously providing something that feels familiar, much like Pokémon Snap once did on Nintendo 64.

Like [Burshtein's] first film, Fill the Void, this new one is an improbable and unique love story, touched with humor and heart.

Even if the main story seems oddly familiar, it's the unique vision at the heart of the film that keeps this like the pies made daily at Joe's Diner — innovative, always fresh, and made from personal inspiration.

Phil and Chris are there to bring what they bring to their films, their very unique vision, their perspective on story and they asked me to come bring what I bring, and so just for that it won't feel like any of the other films.

Korean director Park Chan - wook's English - language debut plays like one giant homage to Alfred Hitchcock (particularly his 1943 film «Shadow of a Doubt»), but with a decidedly unique and erotic twist that's every bit as perverse as his previous work — the kind of movie that gets under your skin and stays there for days.

However as a whole, this is a satisfying, and truly unique viewing experience, and we get to see a director who is at ease with such grand ideas of storytelling, and in the end, we get an experience like no other, and for true film lovers, we couldn't ask for any more.

We're going to be seeing films of all kinds and genres within this shared universe, and more so than any of the other MCU films, Black Panther feels like an invitation for everyone to take part — to tell stories from unique perspectives and world views, and to bring cultural, ideological, and social ideals to these comic book heroes.

Go into this one expecting something decent, but be prepared to see that the film needed more depth to really make this one a unique monster movie like the original.

There's a unique experience I have every time with Anderson's work: I watch with a smile on my face the entire time, until the final moments, when the film's emotional undercurrent hits me like a ton of bricks and I watch the end credits roll with tears streaming down my face.

With Krieps on board, it also somehow feels like the Hitchcock movie Audrey Hepburn didn't get to make but clearly channeled through the unique mind of Anderson, a film - savvy writer - director responsible for such fever dreams as Boogie Nights, Magnolia, Inherent Vice, and of course There Will Be Blood, his previous adventure with Day - Lewis that also felt like a movie stitched together out of something not easily explained on first viewing.

Last but not least, Universal's U-CONTROL feature offers three unique pop - up video displays for each film: «Setups & Payoffs,» for those who never picked up on stuff like the Twin Pines Mall / Lone Pine Mall gag — though often this track resorts to simple factoids, as if bored; «Storyboard Picture - in - Picture Comparisons,» which is, I hope, self - explanatory; and a reconfiguring of the DVD's «Trivia Track.»

But it really takes unique talents to make a film like this, which doesn't rely upon hullabaloo or history to bore its way into your heart and tickle your soul.

In the end, what the film doesn't have in heart it makes up for in action and creative animation (I still get a kick out of seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your face.

His films formative stylistic rigor and a unique visual style that has influenced filmmakers like Martin Scorsese, Quentin Tarantino, William Friedkin, Tim Burton, Dario Argento, John Carpenter, Joe Dante, Sean Cunningham and many more.

It's a unique film and there's nothing like it out there now.

In a 1995 essay for Screen, Northwestern professor film critic Jeffrey Sconce observed that «Wood is now seen, like Godard, as a unique talent improvising outside the constrictive environment of traditional Hollywood.»

The trailers have certainly played up the violence, and the movie moved from a rather dull October spot to a highly touted Thanksgiving weekend position; an odd move considering families probably won't want to celebrate the holiday with a violent film like this, but enhances the possibility that Lee has something unique to offer.

While a teaser trailer gave everyone a taste of what to expect earlier today, at Cannes we got a lot more footage from the film which again looks like another unique, cinematic world conjured by Paul Thomas Anderson.

Meanwhile, sound editors Christopher S. Aud and Aaron Glascock discuss their unique approach to foley on the film, which involved creating effects in locations that acoustically mimicked the environments depicted on screen — an ethos Kaufman says carried over into leaving in the imperfections of the dialogue recording (like breathing) that animation studios normally edit out.

Unique in its presentation of fully rendered individuals who have gravitated by choice, chance, or necessity to this particular sector of the postindustrial subsistence economy, Foreign Parts, like many of the early SEL films, is a beautifully shot observational film.

Additionally, he offered some brief insights into the work he did to prepare the character for future installments, and discussed the often unique costumes that character have to wear when they're part of secret, supernatural societies like the one in the film.

A haunting scene involving Rudd interacting with an elderly woman searching the burned remains of her home sticks out like a sore thumb (in a good way) and gives the film a unique shape that distinguishes it even more from Green's studio work.

Like Stand by Me, another great film adapted from a King story, this film is interested in its» unique journey into adulthood.

Westrate's delivery does not sound like a forced impression of the way actors talked in those films, but instead comes across rather naturally, while capturing all the elements which made the speed and style of speaking unique during the screwball comedy era.

The Spierigs» vision of Winchester seemed like a great idea: a unique snapshot of a life story, told as a genre film rather than a typical A-to-B-to-C biopic.

Whilst I can't imagine a quasi - documentary / fiction film like this has much to offer in a second viewing, it's a unique experience — a must for Hitchcock fans and anyone interested in the blurring of fact and fiction.

All of these criticisms were entirely speculative however, as director Paul Feig and the hilarious female cast deliver a comical and unique spin on a beloved franchise, yet still manage to pay the appropriate respect to the original films without it feeling like a copy.

His startling «We Are Still Here» announced a director who was willing to do things a little differently from the rest of the indie horror scene, and this film really makes his unique voice clear in that it doesn't feel like anything else that came out last year.

As artistic director Peter von Bagh writes, the aim is «to make film screenings shimmer like live performances — through our efforts to guarantee the original format, the best technical care...» (1) And indeed thanks to that care, which includes live accompaniment by great musicians or the use of a large orchestra for new commissioned scores, or again the availability of new and recently restored prints within the walking space of four close venues, the experience of watching a film becomes something unique, a concert - like event.

It's details like this that make his films so unique, and much like a piece of art, you'll likely only grow to admire «The Grand Budapest Hotel» more with every viewing.

People like to put things in boxes, and I think is a really unique film.

The filmmakers will discuss the production process as well as the unique inspiration for this incredibly personal film that features superheroes like you've never seen them before.

The title is Three Billboards Outside Ebbing, Missouri, which is quite an impressive title for a film, but I like it because it is so unique.

Even though everything Marvel is always top - secret, when I got some time to chat with the incredibly versatile actor at the FX portion of the TCA Press Tour, I did get some tidbits and wanted to share his enthusiasm for what sounds like it will be a unique film about a scientist (Michael Douglas) who enlists a thief (Paul Rudd) to safeguard his size - changing technology and create a superhero with the astonishing ability to shrink in scale but increase in strength.

Kore - eda seems determined to denude a scenario of blatant sentimental tendencies by remaining vague on the exact details causing this unique formation, yet the film often plays like a warm yet inescapably modest account of emotions often hyperbolized.

If anything, it fits neatly into the recent run of oddball, psychedelic sci - fi films like «Beyond The Black Rainbow» and «Upstream Color «-- from its opening moments, the film is packed to the gills with unique, unsettling images, and strikes an ominous, unsettling tone.

Scheinfeld said he «casts» his features «like a narrative film,» finding «unique voices» who don't duplicate what others say.

Overall, The Limey has numerous pleasures (not the least of which are supporting roles including Leslie Ann Warren, Luis Guzman and a lizard - like Peter Fonda), but the constant displacement of the dialogue across the visual and temporal space give the film a wholly unique style and feel.

It Follows A perfect blend of new ideas and genre respect, It Follows looks like a John Carpenter film but tells a unique tale.

Like most of Linklater's films, it's largely made up of people talking, but with the added interest of the unique ever - shifting, never - solid animation style (which he'd reuse with a slightly more standard sci - fi story in A Scanner Darkly).

Tatum even talked about the project yesterday, saying that it's still very much in the cards and that the success of distinct and unique movies like Deadpool and Logan, which both opened while Gambit was in limbo, has changed their approach to the film.