Yet Albers's engagement with modernist photography remained largely hidden until after his death, and it is only now that the entire series of
unique photocollages the artist produced at the famed art school — before he and his wife fled Nazi Germany for the US — has been published together, many for the first time.
Alongside a host of her celebrated
photocollages from the 1980s and a four - channel video work of 2004, she is for the most part presenting new installations in Bregenz that have been especially conceived for the
unique Kunsthaus architecture.