Every existent is an instantiation of creativity, or, to put it another way, creativity is the category descriptive of
the universal subjectivity of reality.
The realization of» oneself as
universal subjectivity might very well be an experience of light, because it could possibly be the realization of the pure energy of becoming.
It is only through the faculty of intuition that
this universal subjectivity can be grasped, and it is this faculty which is heightened through yogic meditation.
Through intuitive perception in the pure modes of presentational immediacy and causal efficacy
this universal subjectivity could be experienced, the very heart of reality itself.
Creativity understood as
universal subjectivity is such a category.
It is creativity experienced as
universal subjectivity.
In Whiteheadian terms this «That» is understood to be the nonspecific experience of the ultimate process of reality, creativity understood as
universal subjectivity.
Not exact matches
Particular individuals are then relegated to the status of «low - level
universals» which, by virtue of this introduction of the divine as permeating all things, now possess the desired quality of «
subjectivity.»
If the reality at work is the inner creativity of God expressing himself as, among other things, the «low - level
universals» of a multiplicity of «I's» or as expressing himself in the supposed
subjectivity of psychicalized cells, how exactly does my present self - awareness derive from this?
Being an heir to the «Copernican revolution,» he has undermined the
universal claims of the Kantian transcendental
subjectivity: the historian Collingwood is fully aware of the historicity of this «transcendental»
subjectivity.
We must be cautious of trying to explain nature by explaining it away, that is, by transforming it into that which it is not (as we do when we represent nature as something
universal, or when we make it a condition of
subjectivity).
And our
subjectivity, in turn, is then burdened with the task of having to be the radical creator of all stories, rather than being, at least in part, the recipient, vehicle or reader of a
universal story.
This age, however (to keep to the example we have chosen), will not be content solely with a Catholic
universal ethics of essence which in itself does not touch the moral difficulties of the present time, nor with a purely Protestant situation ethics which is always in danger of degenerating into an empty formal ethics of mere
subjectivity of an existentialist kind.
A selection of exhibitions include: «Special Project: Mike Cloud» at P.S. 1, NY; «Agreement and
Subjectivity» at Max Protetch, NY; «Jesse Chapman / Mike Cloud» at Marianne Boesky Gallery, NY and «Bad Faith and
Universal Technique» at Thomas Erben Gallery, NY.
Since 2004, her practice has been developed under the umbrella of what she terms
Universal Research of
Subjectivity.
His work borrows its
universal language and bends it toward
subjectivity — to anxiety, masculinity, mortality, and a lifelong fascination with the figures that tell the stories.