Highlights include works by: Darren Almond (British, b. 1971) works in a variety of media, including video, drawing, photography, and sculpture to explore themes of how time and
universal symbolism effect the human experience.
In her delicate union of geometric formality and biomorphic energy, Bogat proves that bodily references and
universal symbolism can coexist with purity of form.
Does it share the same
universal symbolism that it did in the days of Jesus and the apostles?
Not exact matches
Buber's I - Thou philosophy implies a radical reversal of the idealist and mystical attitude toward
symbolism which sees the symbol as the concrete manifestation of some
universal if not directly knowable reality.
A symbol is not a concrete medium for the knowledge of some
universal, if not directly knowable reality — though this is the way in which most writers on
symbolism from Plato and Plotinus to Urban, Coomaraswamy, and Jung have treated it.
You discuss looking at burial rituals to consider new ways to present the
symbolism of baptism, but regardless of how a society buries it's dead you will never find a society on earth that isn't familiar with the concept of drowning; thus death by water has a
universal power not limited to any culture.
Religious
symbolism strives to retrieve a
universal dimension of importance that can not be articulated with mathematical rigor.
If, however, we accept Whitehead's conception of the relative actual world — then how can we explain even just the genesis of the
symbolism of a
universal, fully accessible world, and furthermore, how can we presuppose a nonsymbolic transindividual unity of the world?
It comes in countless shapes, sizes, and flavors yet it is almost
universal in its
symbolism of celebration.
Pickett's work includes
symbolism that references
universal truths embedded within archetypes that transcend the boundaries of language, time and form.
Like many of his friends and contemporaries in post-war New York, Scharf tapped into
universal ideas of mythology and
symbolism to access foundational principles of visual experience.
Very often left open for discussion, and through clever use of
universal metaphors and delicate color
symbolism, they provide a mixed view at both artist's intimate world and associations of shared experiences of everyday moments and recognizable human conditions.
The resulting imagery speaks to a
universal human condition through a narrative style encrypted with
symbolism, text, and decorative elements.
And believing that the only way to serve the people was through the
universal language of abstraction, Popova and Rodchenko rejected even the barest of
symbolism, filling the world with their geometric constructivism and its legacy of concentric circles.