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Not exact matches
Remember Voltron, the «80s re-dubbed anime about robot
lion vehicles that transform into a giant robot dude with a sword that defends the
universe (or parts
of it, anyway)?
The teens become pilots for five robotic
lions and become part
of a crusade to protect the
universe from evil.
The primary benefit
of moving the action forward «millions
of years» after the asteroid near - miss is having Arlo interact with Spot; otherwise, Pixar could've basically told the exact same story — which echoes The
Lion King more than once — without setting it in an alternate
universe.
On the planet Arrakis, an aging tyrant sits on the Golden
Lion Throne and rules all
of the known
universe, while his son grows dangerously impatient for the crown.
The
lions are resting and relaxed; she is helped by the bird above her, and the symbol
of the god Shiva, the transformer
of the
universe.
Set to a spoken - word narrative about the creation
of the
universe, Grosse Fatigue, among the first time - based works one encounters in curator Massimiliano Gioni's Arsenale (and the winner
of the Fifty - Fifth Venice Biennale's Silver
Lion), tracks the range
of such research agendas with an expanding field
of images that pop up, roil, collide, and implode across a computer screen, a digital tabula rasa that itself perpetually reinvents the world.
In an alternate
universe, the soundtrack to Disney's blockbuster movie The
Lion King is sung by the Swedish band ABBA — but in our
universe, where some members
of ABBA had other engagements, Elton John was enlisted for the task and, together with lyricist Tim Rice, created original songs like «Circle
of Life» and «Can You Feel The Love Tonight».