Sentences with phrase «universities build housing for»
No one bats an eye if universities build housing for students, grad students and tenured professors.»
https://www.nytimes.com/ Not exact matches
That fundraising push paid for the Sobey Building, which houses the university's business school.
Buffett, notoriously thrifty, paid even less than the estimate for housing, living on the sixth floor of an apartment building across the street from the university.
The Audain family has donated in excess of $ 100 million through the Audain Foundation, including significant contributions to the University of Victoria, Presentation House Gallery's new building fund, Simon Fraser University's School for the Contemporary Arts, various arts - related endeavours at the University of British Columbia, the National Gallery of Canada, the Gordon Smith Gallery of Canadian Art, the Emily Carr University of Art + Design's new building fund, the Vancouver Art Gallery, and much more.
North Carolina State University has built a fully functioning solar house and opened it to the public for free tours.
McMahon confirmed rumors that have swirled around Syracuse for more than a week, that Mahoney's administration, Cuomo's office and Syracuse University have discussed plans to build a stadium on the site of the former Kennedy Square housing project between University Hill and the heart of downtown.
In that role, he's supported expansions by Columbia and Fordham universities in exchange for restrictions on building size and public housing contributions.
Hawkins was joined by former residents at the site of the former 400 - unit Kennedy Square low - income public housing on S. Crouse Ave.. The site is now a staging area for parking, equipment, and materials for construction workers who were busy as Hawkins spoke building upscale apartments across E. Fayette St. for the Syracuse University community with rents ranging from $ 1,400 to $ 2,500 a month.
He asked the question during a Tuesday meeting where Wauwatosa Common Council members got their first look at the $ 250 million plan to develop an 88 - acre property into housing, university research buildings and buildings for private research companies.
A new building for University at Buffalo Jacobs School of Medicine, is expected to be completed in December and will house an incoming class of students for the semester commencing January 2018.
The Lokey Stem Cell Research Building at Stanford University houses research conducted by the Ludwig Center for Cancer Stem Cell Research and Medicine.
And the National Space Science Centre, designed with the help of researchers at the University of Leicester, will house mission control for CATSAT, a satellite built partly by students under supervision from Leicester researchers.
The research team from the Centre for Photonics and Photonic Materials, and the Centre for Nanoscience and Nanotechnology at the University of Bath, used a special white - light laser built in - house and directed it through several optical components to put a twist on the beam.
This time of year can be incredibly stressful for estates departments up and down the country, as universities are struggling to house students through no fault of their own due to massive budget cuts and delays in refurbishment and new build projects.
Since it was built in 1906, Carnall Hall in Fayetteville has been the first women's dormitory on the campus of the University of Arkansas, a fraternity house and a storage space for classroom and office overflow.
2014 Julie Langsam: Revisiting Paradise, Richard & Dolly Maass Gallery, SUNY Purchase, Purchase, NY (essay / brochure) 2013 Julie Langsam: Now (here), 532 Gallery Thomas Jaeckel, New York, NY 2013 Buildings & Blueprints, Espai 8, Barcelona, Spain 2012 Floor Plan Prototypes, Reykjavik Art Gallery, Reykjavik, Iceland 2008 Of Other Spaces, Frederieke Taylor Gallery, New York, NY (catalogue) 2005 From Here to Modernity, Michael Steinberg Fine Art, New York, NY 2002 Julie Langsam: House Paintings, Cleveland Center for Contemporary Art / MOCA Cleveland, Cleveland, OH 1999 Recent Work, Acme Art Co., Columbus, OH 1997 Julie Langsam, Clementine Gallery, New York, NY 1993 Recent Work, Brownson Art Gallery, Manhattanville College, Purchase, NY 1991 Julie Langsam: Recent Work, Fairleigh Dickinson University, Rutherford, NJ
Architectural projects present utopian or science - fictional possibilities for dwellings; perhaps the most revolutionary is Contour Crafting, a process developed at the University of Southern California «that has the potential to build housing units in a single day, and at a quarter of the cost of existing manual methods» (ibid., 268).
J.B. Blunk: Curriculum Vitae Chronology 1926 Born August 28, Kansas City, MO 1946 Moved to California 1949 B.A. University of California, Los Angeles 1949 — 1950 Drafted, Korean War 1952 — 1954 Lived and worked in Japan as potter's apprentice 1954 — 1955 Artist in Residence at Palos Verdes College 1955 Moved to Northern California 1957 — 1962 Built house in Inverness, California 1962 Began working with wood 1969 — 1970 Travel to Mexico and Peru 1971 Apprenticeship Grant from Louis Comfort Tiffany Foundation 1979 Cultural Exchange Travel Grant to Indonesia, U.S.I.C.A. 1983 Travel to Japan 1986 California State Art in Public Places Program competition award for sculpture 1999 Lectured at California College of the Arts, San Francisco, CA 1990 Art Consultant to Land Studio Landscape Architects and MW Steele Group 2002 Died June 15, Inverness, CA
Sammlung Christian Kaspar Schwarm, Weserburg Museum für moderne Kunst, Bremen, Germany Children's Games, ADN Collection, Bolzano, Italy WheredoIendandyoubegin — On Secularity, 9th Göteborg International Biennial for Contemporary Art (GIBCA), Göteborg, Sweden Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok, Thailand Wither the Winds, The Malmö Art Academy, at the occasion of Lund University's 350th Jubilee, Lundskonsthal, Lund, Sweden Duett mit Künstlerin, Museum Morsbroich, Leverkusen, Germany Wherever the Wind Carries, Lunds Konsthall, Lund, Sweden Medusa — Bijoux et tabous, Musée d'Art Moderne de la Ville de Paris, France California - Pacific Triennial: Building As Ever, Orange County Museum of Art, Newport Beach, USA MIDTOWN, organized by Maccarone, Salon 94 Design, and Salon 94, Lever House, New York, USA Göteborg International Biennial of Contempoary Art (GIBCA 2017), Göteborg, Sweden Soil and Stones, Souls and Songs, Jim Thompson Art Centre, Bangkok, Thailand Duet with Artist.
SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!
It is known for temporary exhibitions in its galleries located in the MIT Media Lab building, as well as its administration of the permanent art collection distributed throughout the university campus and student housing.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Among McKim, Mead & White's most renowned works are the New York Institute for the Blind, Bronx Grit Chamber of Wards Island Water Pollution Control Plant, the Hall of Fame for Great Americans, The Gould Memorial Library, Cornelius Baker Hall of Philosophy, and the Hall of Languages in the Bronx; the Boston Public Library in Boston Massachusetts; the Morgan Library, Madison Square Gardens, the New York Herald Building, the New York Racquet Club, Pennsylvania Station, the University Club in Manhattan, New York; The Rhode Island State Capitol, the Isaac Bell House in Newport, Rhode Island; and the American Academy in Rome.
Small institutions in North Dakota, South Carolina, and Wyoming each received $ 1,000 for such purposes, among them the State Historical Society of North Dakota (for «House & Home,» about the American Dream and the representational power of objects, communities, and buildings); the Upcountry History Museum at Furman University (for «Spirited, Prohibition in America,» about the temperance movement and 1920s America); and Washakie Museum in Worland, Wyoming (for «Power of Children: Making a Difference,» about the stories of Anne Frank, Ruby Bridges, and Ryan White).
«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013
2003 «Sketches 2» Swan coach house, Atlanta, Ga 2003 «ROAR Goes Postal» Roswell Alliance for the Arts, Roswell, GA 2003 «In Flight Entertainment» Spruill Art Center, Atlanta, GA 2003 «Castleberry Tour» represented by Marcia Wood Gallery, Atlanta, GA 2003 «Tickled Pink» Marcia Wood Gallery, Atlanta, GA 2003 «SGF Project» SGF Building, Atlanta, GA 2001 «Rape Crisis Benefit» Live Auction, Asheville, NC 1998 «Sketches», Eye Drum, Atlanta, GA 1998 «Annual Erotica Show» Atlanta, GA 1997 «Masters Program Exhibition» collaboration with artist Phil Ahnen, Montana State University, Bozeman, MT 1995 Senior show, ACA Gallery, Atlanta, GA 1995 «Bakers Dozen» Old Highland Bakary, Atlanta, Ga 1995 «Juried Sculpture Exibition» University of Georgia, Athens, GA 1995 «Installations» Autry Mill Nature Preserve, Alpharetta, GA 1995 «Central Metals» City Hall, Atlanta, GA 1994 «Form Feed» Old HighLand Bakery, Atlanta, GA 1994 «Decatur Arts Festival» City Hall, Decatur, GA 1993 «19» Old Highland Bakery, Atlanta, GA 1993 «Central Metals» City Hall, Atlanta, GA 1992 «Juried Student Exhibition» Atlanta College of Art, GA 1992 Group Exhibition, Gallery 100, Atlanta, GA 1991 Group Exhibition, New Visions, Atlanta, GA 1990 «National Campaign for the Freedom of Expression» Clear Ring House Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - Salehouse, Atlanta, Ga 2003 «ROAR Goes Postal» Roswell Alliance for the Arts, Roswell, GA 2003 «In Flight Entertainment» Spruill Art Center, Atlanta, GA 2003 «Castleberry Tour» represented by Marcia Wood Gallery, Atlanta, GA 2003 «Tickled Pink» Marcia Wood Gallery, Atlanta, GA 2003 «SGF Project» SGF Building, Atlanta, GA 2001 «Rape Crisis Benefit» Live Auction, Asheville, NC 1998 «Sketches», Eye Drum, Atlanta, GA 1998 «Annual Erotica Show» Atlanta, GA 1997 «Masters Program Exhibition» collaboration with artist Phil Ahnen, Montana State University, Bozeman, MT 1995 Senior show, ACA Gallery, Atlanta, GA 1995 «Bakers Dozen» Old Highland Bakary, Atlanta, Ga 1995 «Juried Sculpture Exibition» University of Georgia, Athens, GA 1995 «Installations» Autry Mill Nature Preserve, Alpharetta, GA 1995 «Central Metals» City Hall, Atlanta, GA 1994 «Form Feed» Old HighLand Bakery, Atlanta, GA 1994 «Decatur Arts Festival» City Hall, Decatur, GA 1993 «19» Old Highland Bakery, Atlanta, GA 1993 «Central Metals» City Hall, Atlanta, GA 1992 «Juried Student Exhibition» Atlanta College of Art, GA 1992 Group Exhibition, Gallery 100, Atlanta, GA 1991 Group Exhibition, New Visions, Atlanta, GA 1990 «National Campaign for the Freedom of Expression» Clear Ring House Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - SaleHouse Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - SaleHouse Gallery, Winston - Salem, NC
He has since moved onto larger, multi-million projects, creating affordable housing, cafes, the restoration of a major bank building, and successfully pushing through his vision for an Arts Incubator at the University of Chicago.
2011 Have a Nice Day, Pittsburgh Center for the Arts, Pittsburgh, PA HERE Pennsylvania Academy of the Fine Arts, Philadelphia, PA Construct Icebox Gallery, Crane Arts Building, Philadelphia, PA This is the House You'll Live In Tomorrow University of the Arts Sculpture Gallery, Philadelphia, PA (Two - person, with Stephanie Koenig) Introduction 2011 Widener Gallery, Moore College of Art, Philadelphia, PA
Tiny House Crafters is made up of a triad of Northeastern University graduates with a passion for building and creating.
This month Santa Clara University's Tiny House got a big celebration at Santa Clara University where hundreds of students, faculty and staff, stopped by to congratulate the team for winning the SMUD Tiny House Competition, a new competition challenging collegiate teams to design and build net - zero, tiny solar houses.
Completed early this year, the new Centre for Medicine at the University of Leicester is by far the largest single building in the UK to meet the passive house standard — and not surprisingly, its design and construction posed tough new challenges for how to meet the rigorous low energy standard on such a large, complicated building.
Leading passive house rooflight supplier DVS recently designed, supplied and installed two large Passive House Institute - certified glass roofs for the University of Leicester's Centre for Medicine, the largest non-residential building built to the passive house standard in thhouse rooflight supplier DVS recently designed, supplied and installed two large Passive House Institute - certified glass roofs for the University of Leicester's Centre for Medicine, the largest non-residential building built to the passive house standard in thHouse Institute - certified glass roofs for the University of Leicester's Centre for Medicine, the largest non-residential building built to the passive house standard in thhouse standard in the UK.
Which is a shame, because the Solcer House, designed by The Welsh School of Architecture's Ester Coma at Cardiff University and built for the Low Carbon Research Institute, was a prototype for a carbon positive house that could be built at an affordable pHouse, designed by The Welsh School of Architecture's Ester Coma at Cardiff University and built for the Low Carbon Research Institute, was a prototype for a carbon positive house that could be built at an affordable phouse that could be built at an affordable price.
Terrell Wong of Stone's Throw Design, winner of the 2006 Archetype Sustainable House competition (built at Kortright Centre), Martin Liefhebber of Breathe Architects, winner of the 1991 Canadian Mortgage and Housing Corporation's Healthy House competition (built in Riverdale), in TreeHugger here: How To Make A Tiny Shed Feel Like A Luxury Addition: TreeHugger How To Make A Tiny Shed Feel Like A Luxury Addition Paul Dowsett of sustainable.TO, winner of a recent web competition to design a low - cost, low - energy house for New Orleans (pre-construction), Passive House Design from Canada Wins Competition For New Orleans Gerry Lang, senior architect at Diamond + Schmitt and University of Toronto sustainable instructor, Lloyd Alter, past president of the Architectural Conservancy of Ontario and TreeHugger.com wrHouse competition (built at Kortright Centre), Martin Liefhebber of Breathe Architects, winner of the 1991 Canadian Mortgage and Housing Corporation's Healthy House competition (built in Riverdale), in TreeHugger here: How To Make A Tiny Shed Feel Like A Luxury Addition: TreeHugger How To Make A Tiny Shed Feel Like A Luxury Addition Paul Dowsett of sustainable.TO, winner of a recent web competition to design a low - cost, low - energy house for New Orleans (pre-construction), Passive House Design from Canada Wins Competition For New Orleans Gerry Lang, senior architect at Diamond + Schmitt and University of Toronto sustainable instructor, Lloyd Alter, past president of the Architectural Conservancy of Ontario and TreeHugger.com wrHouse competition (built in Riverdale), in TreeHugger here: How To Make A Tiny Shed Feel Like A Luxury Addition: TreeHugger How To Make A Tiny Shed Feel Like A Luxury Addition Paul Dowsett of sustainable.TO, winner of a recent web competition to design a low - cost, low - energy house for New Orleans (pre-construction), Passive House Design from Canada Wins Competition For New Orleans Gerry Lang, senior architect at Diamond + Schmitt and University of Toronto sustainable instructor, Lloyd Alter, past president of the Architectural Conservancy of Ontario and TreeHugger.com wrhouse for New Orleans (pre-construction), Passive House Design from Canada Wins Competition For New Orleans Gerry Lang, senior architect at Diamond + Schmitt and University of Toronto sustainable instructor, Lloyd Alter, past president of the Architectural Conservancy of Ontario and TreeHugger.com writfor New Orleans (pre-construction), Passive House Design from Canada Wins Competition For New Orleans Gerry Lang, senior architect at Diamond + Schmitt and University of Toronto sustainable instructor, Lloyd Alter, past president of the Architectural Conservancy of Ontario and TreeHugger.com wrHouse Design from Canada Wins Competition For New Orleans Gerry Lang, senior architect at Diamond + Schmitt and University of Toronto sustainable instructor, Lloyd Alter, past president of the Architectural Conservancy of Ontario and TreeHugger.com writFor New Orleans Gerry Lang, senior architect at Diamond + Schmitt and University of Toronto sustainable instructor, Lloyd Alter, past president of the Architectural Conservancy of Ontario and TreeHugger.com writer.
«They want to make a statement with that building not just to their students, that this school and the building it's housed in represent the future thinking for the university and the nation and leads the way for sustainable building designs.»
Overall, the South contains 55 percent of the nation's owner - occupied manufactured housing units, while the rest of the national manufactured - housing inventory is spread throughout the West (19 percent), Midwest (18 percent) and Northeast (9 percent), according to «An Examination of Manufactured Housing as a Community - and Asset - Building Strategy Report,» by the Neighborhood Reinvestment Corporation, in collaboration with the Joint Center for Housing Studies of Harvard Univhousing units, while the rest of the national manufactured - housing inventory is spread throughout the West (19 percent), Midwest (18 percent) and Northeast (9 percent), according to «An Examination of Manufactured Housing as a Community - and Asset - Building Strategy Report,» by the Neighborhood Reinvestment Corporation, in collaboration with the Joint Center for Housing Studies of Harvard Univhousing inventory is spread throughout the West (19 percent), Midwest (18 percent) and Northeast (9 percent), according to «An Examination of Manufactured Housing as a Community - and Asset - Building Strategy Report,» by the Neighborhood Reinvestment Corporation, in collaboration with the Joint Center for Housing Studies of Harvard UnivHousing as a Community - and Asset - Building Strategy Report,» by the Neighborhood Reinvestment Corporation, in collaboration with the Joint Center for Housing Studies of Harvard UnivHousing Studies of Harvard University.
Not far away on Raymond Boulevard, Cogswell Realty Group LLC is converting a vacant office building to residential housing for Seton Hall University and constructing 185 market - rate apartments on the top floors.
Some of the possible solutions to the housing shortage also involve commercial real estate, including using the upper floors of downtown commercial buildings for housing and creating a Core to Campus Corridor where housing would be within easy walking distance of the university, downtown and a busy shopping district.
NorthMarq, in partnership with one of its correspondent lenders, has launched an on - campus program for universities and related developers who want to borrow to build new housing.
The chapter partnered with University of California, Berkeley for the competition, which challenges college teams to build energy - efficient, solar - powered houses.
«Given the fact that West 27th Place is the only purpose - built, mixed - use student housing community located near a major university in a major CBD costal city and the buyer was Kayne Anderson, many lenders were vying for the financing,» said Tim Bradley, President of TSB Capital Advisors.
For universities seeking to build on - campus housing, Errath says Harrison Street is one of a number of firms and investors who are starting to enter into 50 - to 75 - year ground lease agreements with universities.