Sentences with phrase «unlike early film»

The most widely - used solution, however, has proven to be electronic paper displays that show color by combining traditional black and white screens with different types of color filters; this is not unlike early film's Technicolor process, which simultaneously exposed two frames of a single strip of black and white film, one behind a green filter and one behind a red filter, to show a movie in color.
The most viable solution on the market has proven to be electronic paper displays that show color by combining a black and white screen with a color filter, not unlike early film's Technicolor process.
Unlike those earlier films, each of which operates in some way as a satellite of Shoah, The Last of the Unjust is not contained and compact but vast in scope.
But unlike those earlier films with their hard undercurrent of nihilism, Pulp Fiction delivered the possibility of a way out of the malaise — through spiritual awakening, of all things.
Unlike the earlier films, however, the new movie requires the viewer to adjust to Majidi's rhythms, which are slow and meditative.

Not exact matches

But unlike earlier Bond films in which this all might play out in an uninterrupted stream of stuntery, here we cut back to rainy London, where Bond's boss M (Judi Dench) is tensely following the mission's progress.
Unlike series co-star Biel, Mitchell remained with the program throughout its run, and through many character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn in the fantasy - action thriller The Crow: City of Angels, and continued intermittent film appearances (such as a supporting role in 2005's slasher movie Saw II), she made no secret of her real passion: performing country music as a guitarist and vocalist.
But unlike his previous work, Leone eschews the pervasive amorality that gave his earlier films their groundbreaking vitality, choosing not to overhaul western clichés, but to incorporate them into essential components of his majestic mise - en - scène.
The early 1970s to the late 1980s was a unique moment in Australian cinema history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry of exploitation films — sex comedies, horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.
Unlike his earlier works, these films have to compete with the darkest corners of the Internet.
Certainly when dealing with a subject who is not only alive but still serving in office (unlike Stone's earlier films about Nixon and Kennedy), it would be impossible to create a political piece that passes everyone's test of objectivity.
But unlike the director's earlier films, Stone no longer starts with characters and shrouds them in issues of cultural significance, but has acquiesced to being a director who conceals his primary interest in issues with thinly - veiled stories and characters that are ciphers for, again, expository revelations or political screeds.
Unlike the earlier Thor films, Thor: Ragnarok largely avoids Earth, apart from a brief though very enjoyable sequence featuring Doctor Strange (Benedict Cumberbatch, «Black Mass»).
It's certainly more of a comedy than his last two films, but the bizarre laughs are rooted in absurdity in a way unlike his early works.
Unlike all of the earlier, foreign - import DVD iterations, one of which was circulated heavily online, Olive's new transfer captures the film's many reds, blues, and yellows in all their original richness and clarity, which makes the film all the more astonishing to behold.
The film spins its wheels in standard action - movie form until it reaches an end that feels, in retrospect, entirely unlike the one the story, with its early anger, was surely heading toward.
«Fahrenheit 9/11» opens on a note not unlike Moore's earlier films, such as «Roger & Me» and «Bowling For Columbine.»
Unlike those other earlier films which often featured good men making some bad decisions, for sale the...
Unlike those other earlier films which often featured good men making some bad decisions, for sale the main character here is one of the most monstrous men of the past three decades.
The result won't satisfy everyone but unlike the remake of, say, The Day the Earth Stood Still (2008), no one can argue they were merely ripping off the reputation of the earlier film.
Unlike earlier shows, where Waters focused on narrative collaged film stills and a fascination with cinematic history, he began to move towards the sculptural realm and the themes of celebrity and contemporary life, with increasing success.
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