Sentences with phrase «unlike in the first parts»

The game's style is reminiscent of its two predecessors, in which — unlike in the first parts of the cycle — we experience the events from first - person perspective.

Not exact matches

Unite will play its part in the debate ahead and — unlike the politicians — will also be the first line of defence for millions of people in work and in the communities now facing an all - out onslaught on what remains of the welfare state and a decent society.

Also, unlike the first film, this one relies very heavily on US gags / jokes / references, which just don't translate to the UK as we don't know what's being referenced - there was stony silence through some parts of this movie - then again, there were only 8 of us in a large central London cinema.

Unlike Pirates, however, The Hangover Part II manages to make that transition with dignity intact — not that dignity was ever a big theme in the first place.

As I mentioned in the intro, Full Throttle is a bit more coherent than the first film, and unlike its predecessor, they actually construct each scene as part of the overall plot, even if it is sometimes tangential.

Parts of the game are still kind of fun to play through cooperatively with friends — though, unlike in the first game, you sometimes feel like you have to be playing in co-op to avoid being overwhelmed by awful infinite enemy spawns — but coming from the Dead Island, getting through Riptide mostly just felt like a slog that I wanted to be done with.

Perhaps part of the problem in the experience of viewing the film is that it's clear «Hardy» and Winterbottom, unlike Shandy and, to a lesser degree, Sterne, never want to «get there» in the first place.

Unlike Skinner, he had spent the first part of that life in bondage.

I say bars because, unlike the two round system we usually see, here it uses two bars of health throughout an entire match and so whatever remains in health bar one as you drain the oppositions first one, rolls over to the next part of that fight.

Next, unlike World which will at least be available to the West as part of a series - first worldwide release, XX might not be available in the West whatsoever.

Unlike the first part of the subseries, which was set in the Old World, this time the players travel to the west, where they wage a war across four continents: Ulthuan, Naggaroth, Southern Realms, and Lustria.

What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.

But this all gets one step exponentially worse when it is discovered that those particular «damaging» memo phrases were a rejected and otherwise hardly seen proposal, never part of the ICE campaign in the first place, unlike what Gore and Gelbspan said they were.

«First, unlike the Inuit in the companion case of Clyde River, the Chippewas of the Thames were given a sufficient opportunity to make submissions to the NEB as part of its independent decision - making process (consistent with Haida, at para. 44).