The Washington Color School was defined in the 1950s through the 1970s by an influential group of D.C. based artists, including Kenneth Noland, Gene Davis, Morris Louis, and Paul Reed, who were central to the Color Field movement — an abstract art movement that broke from abstract expressionism by creating formal compositions of large
unmodulated areas of color in monumental scale.
In their works they dealt with what they considered to be the fundamental formal elements of abstract painting: pure,
unmodulated areas of color; flat, two - dimensional space; monumental scale; and the varying shape of the canvas itself.
Not exact matches
A friend
of the French Intimist painters Edouard Vuillard (1868 - 1940) and Pierre Bonnard (1867 — 1947), Prendergast's personal «mosaic» style employed contrasting, jewel - like
colors, and patternlike flat
areas of unmodulated colour.