ADOLPH GOTTLIEB
Untitled aquatint in colors, 1972, on wove paper, signed and dated in pencil, inscribed «Artist's Proof», with full margins, in excellent condition S. 32 x 24in.
Although he was unable to paint in his final years, Noland produced several prints with Pace Prints, including an edition of 65
untitled aquatint etchings, priced at $ 12,000 each, and Days and Nights, an edition of 50 paper pulp prints, also priced at $ 12,000 each, according to Pace president Richard H. Solomon.
Not exact matches
«
Untitled (LA MoCA portfolio),» 1999 (hard and soft ground etching and
aquatint, on cream Japanese paper, laid down on white wove paper - chine collé).
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, drypoint, and hand coloring 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five hard ground and spit bite
aquatint 21 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire
Laylah Ali,
Untitled, 2002 etching and
aquatint 22 x 22.25 inches edition of 50 collaboration with Paul Kasmin Gallery, printed at Wingate Studio by Peter Pettengill
Untitled, 2005 set of five spit bite, sugar lift
aquatint, and embossing 21 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five soft ground, spit bite, and sugar lift
aquatint 21 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 five plate color etching,
aquatint, spit bite
aquatint, and drypoint 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, drypoint, chine collé, and hand coloring 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire
Untitled (from Daughter of the East), 2008 six plate color etching,
aquatint, spit bite
aquatint, and chine collé 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire
Untitled, 2005 set of five soft ground and spit bite
aquatint 21 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire
Untitled, 1997 set of three
aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio Purchase / Inquire
Untitled, 1997 set of three
aquatint etching plate 6.125 x 4 inches, sheet 15 x 10.75 inches edition of 15 printed by Wingate Studio
Untitled, 1997
aquatint etching plate size 4 x 6.125 inches, sheet 10.75 x 15 inches Edition of 15 printed by Wingate Studio
image: Kerry James Marshall,
Untitled (Handsome Young Man), 2010, hardground etching with
aquatint, 24.5 x 19 inches.
NICOLE EISENMAN,
Untitled, 2012, limited - edition etching and
aquatint on Hahnemühle bright white paper, 13 1/2 x 10 5/8 inches, 34.3 x 27 cm.
Brice Marden
Untitled 2012 Etching and
aquatint on Somerset paper Plate: 11 3/8 x 13 1/4 inches (28.9 x 33.7 cm) Sheet: 21 1/2 x 22 1/2 inches (55 x 57 cm) Framed: 26 x 27 inch...
Jennifer Melby Editions: Andrew Spence,
Untitled, 1996, Etching and
aquatint, Paper size: 29 x 18 in., Image size: 22 x 11 in., Edition of 25
Jasper Johns
Untitled — from the Geldzahler Portfolio, 1998
Aquatint / Etching 29-3/4 X 22 inches Edition of 75 For Sale at VFA
Louise Nevelson, (
Untitled # 1), 1973, color
aquatint and collage on paper, Smithsonian American Art Museum, Museum purchase, 1973.181
Adolph Gottlieb (1903 - 1974)
Untitled (For the Benefit of Phoenix House) Etching with
aquatint printed in black andyellow, 1972, signed and dated in pencil, numbered 78/125, published by Brooke AlexanderEditions, New York, on wove paper, with fullmargins, in good condition590 x 450 mm (23 1/4 x 17 3/4 in)
Adolph Gottlieb (1903 - 1974)
Untitled (from Prints for Phoenix House) etching and
aquatint in colors, 1972, on wove paper, signed and dated in pencil, numbered 27/125, published by Brooke Alexander Editions, with margins P. 23 1/4 x 17 1/4 in.
Sean Scully,
Untitled (print # 9), from the portfolio Ten Towers, 1999,
aquatint, spit bite and sugarlift on paper, Smithsonian American Art Museum, © 1999, Sean Scully, Gift of the artist, 2001.79.75.9
ADOLPH GOTTLIEB (1903 - 1974)
Untitled, for the Benefit of Phoenix House etching and
aquatint in colors, 1972, on wove paper, signed and dated in pencil, annotated «Artist's Proof» (the edition was 125), published by Brooke Alexander Editions, New York, with full margins, minor surface soiling, vertical and horizontal lines of staining on the reverse (not showing through), otherwise in good condition, framed P. 23 1/2 x 17 3/4 in.
CARROLL DUNHAM
Untitled, 2008 Etching and
aquatint Paper size: 25 x 20 inches; 63.5 x 50.8 cm Image size: 15 x 13 inches; 38.1 x 33 cm Edition 30 of 31
Jasper Johns
Untitled 2010 Spitbite,
aquatint, softground etching, drypoint and photogravure 19 x 21 1/2 inches Edition 38 of 50 (LBFA # 5300.38)