By drawing simple geometric
untitled face parts on paper and linen Mark began his Face Paintings and Untitled series.
Not exact matches
Meanwhile, Victor Frankenstein is moving from October 2 to November 25, where it'll
face off against Pixar's The Good Dinosaur, the Rocky spinoff Creed, Jeff Nichols» Midnight Special, Jonathan Levine's still -
untitled Christmas movie, and (perhaps most intimidating of all) the second weekend of The Hunger Games: Mockingjay —
Part 2.
Additional fine art highlights include: Ruth Asawa's
Untitled, S. 750 (Hanging Open Form with Four Fluted Edges)(c. 1960s) sculpture which realized $ 93,750; Pablo Picasso's glazed ceramic,
Face in Profile (1953), reached $ 93,750; a relief by Robert Graham from 1989 fetched $ 68,750; John Baldessari's photographic suite National City Portfolio (1996) brought $ 62,500; and a diptych by Roger Brown, Just Around the Corner (
Part I &
Part II)(1975), realized $ 56,250.
Jennifer Bartlett — Rhapsody Sherrie Levine — After Walker Evans Barbara Kruger — your gaze hits the side of my
face Jenny Holzer — truisms Pat Steir — The Brueghel Series (A Vanitas of Style) Anne Truitt — Knights Heritage Georgia O'Keefe — Abstraction Blue Susan Rothenberg — Butterfly Judy Pfaff — Painted Forms: Recent Metal Sculpture, Installation, Whitney 1978 Lee Krasner — white squares Joan Mitchell — Chord IIV Magdalena Abakanowicz — Four on a bench Alice Aycock — Low Building with Dirt Roof Nancy Holt — Sun Tunnels Cindy Sherman —
Untitled Film Stills Gorilla girls — Do women have to be naked... Maya Lin — Vietnam Memorial Alice Neal — Portrait of Andy Laurie Anderson — America
Parts I — IV Rachel Whiteread — House Diane Arbus — Twins Nan Goldin — The Ballad of Sexual Dependency Sally Mann — Immediate Family Agnes Martin —
Untitled Kiki Smith — Standing Linda Benglis — Artforum Advertisement Kara Walker — My Complement, My Oppressor, My Enemy, My Love Louise Bourgeois — spider Helen Frankenthaler — Mountains and Sea Jo Baer — Rook Jackie Winsor — Burnt Piece Eva Hesse — Repetition Nineteen
Cindy Sherman paints herself into (and out of) any number of fictional roles in her classic
Untitled Film Stills —
part performance,
part painting with make - up — in a sustained essay on the relationship between character and appearance; while a feminist like Lynn Hershman paints her
face by numbers in Revlon and Max Factor to illustrate the tyranny of make - up.