Sentences with phrase «untitled floor piece»
Untitled Floor Piece, 2014 glazed porcelain, glazed and painted ceramic, latex house paint, MDF, acrylic paint 3.5» x 62» x 26»
https://www.rebecabollinger.com/ Not exact matches
This is not unlike «Untitled (Floor Piece), 2006.»
The choreographed spontaneity of «Portrait of a Single Raindrop» and «Untitled (Floor Piece),» inspires a discourse of interrelation among all works, creating continuity; but, most importantly a distinctive environment.
«Untitled» (Public Opinion) takes the form of spill of cellophane wrapped black rod licorice candies and is displayed as either a corner or a floor piece; as the work traveled around the different locations, it was installed by a team of museum professionals in response to the architecture of each site.
Yet, unlike Carl Andre's relatively indestructible floor pieces or Judd's cubes, Untitled (Pins) is fragile, on the brink of falling apart at the slightest touch.
Entering the central atrium through Felix Gonzalez - Torres's golden bead curtain (Untitled [Golden], 1995), you find a quintet of Andy Warhol's soft, helium - filled Silver Clouds (1966), performing a lazy dance above a well - placed Carl Andre floor piece, which echoes in lead the marble tiles on which it lies.
After peering through the ground floor's front and side windows, I went inside to look closely at Judd's «Untitled» floor piece with iron pipe, five stainless - steel - and Plexiglas boxes affixed to a the main wall, and Carl Andre's stacked piece of eight bricks, «Manifest Destiny.»
Along with the works Untitled (Corner Piece) and Untitled (Wall / Floor Slab), presented on the Upper Floor, they were first shown by Morris in 1964 at the Green Gallery in New York as components of a seven - part group.
Onward as one arrives by elevator to the 5th floor you are greeted by the particularly interesting instillation of Barbara Kruger's untitled 1987 piece over Donald Moffett's He Kills Me, also from 1987.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches
Four wires hold this piece by Sean Kennedy high above the floor of the Untitled gallery right now, in a two - person show with Chadwick Rantanen.
Minimalist sculptor Donald Judd's Untitled Commissioned Piece (1975) is an open brass cube with an aluminum floor painted orange.
An Untitled Sierra White granite floor piece from 1978 will also be on view.
«Floor Piece Hè», by Anthony Caro, 1972; «Study for Homage to the Square: «Persistent»», by Josef Albers, 1954 — 60; and «Untitled (DJ 77 - 18)(meter box)», by Donald Judd, 1977
Two outstanding and seldom - seen untitled works by Judd at Meier, a 1965 floor box with fluorescent pink Plexiglas sides and a long red - and - violet wall piece from 1969, remind us how his sculpture frequently injects color aggressively into interior space.
Nowhere was the mysterious affinity more in evidence than on the gallery's second floor rotunda, where a super-refined Donald Judd wall piece, Untitled (Bernstein 78 - 70), 1978, was hung above a rough Andre floor work, 32 - Part Reciprocal Invention (1971), composed of lengths of steel rods used to make reinforced concrete.