Sentences with phrase «untitled nude figure»

Art for every body on display at Color of Energy gallery By Brittany Erwin Photo: Parrish's untitled nude figure calls viewers to confront the female form Is the ideal female body tall and long - limbed?

Not exact matches

What appears to be a humorous canine in Sniff Drawing also recalls the sinuous 1952 Blue Nude by Matisse and, while the semi-reclining figure of Hold On reaches for an ambiguous, pink snake - like form, it is difficult to mistake the identity of the blue guitar in Untitled (# 9), perhaps a reference to Picasso's Blue Period masterpiece, The Old Guitarist of 1903.

Other new auction records were Lot 28, «Blind Man's Bluff,» a sensual sculpture by Louise Bourgeois (b. 1911), which sold for $ 1,439,500; Lot 10, «The American Sweetheart,» a good work by Robert Indiana (b. 1928), which sold for $ 614,500; Lot 8, «Great American Nude # 44,» by Tom Wesselmann (b. 1931), which sold for $ 944,500; Lot 35, «In the Beginning Was The Image,» a colorful and chaotic work by Asger Jorn (1914 - 1973), which sold for $ 2,099,500; Lot 46, «The Beach Series,» photographs of skinny young people of no particular distinction by Rineke Dijkstra (b. 1959), which sold for $ 405,000; Lot 40, «Figure 11.23,» a rather bloody looking work by Jenny Saville (b. 1970), which sold for $ 537,500; Lot 42, «Mailander Dom (Fassade),» a handsome church facade photograph by Thomas Struth (b. 1954), which sold for $ 317,500; Lot 45, «Wand (Mural),» by Thomas Demand (b. 1964), which sold for $ 141,500; Lot 48, «Thanksgiving,» a group of 149 photographs by Nan Goldin (b. 1953), which sold for $ 284,500; Lot 64, «Adieu Batista,» by Julian Schnabel (b. 1951), which sold for $ 361,500; Lot 68, «A Certain Lunar - Eclipse (Project for Humankind No. 2),» by Cai Guo - Qiang (b. 1957), which sold for $ 229,500; and Lot 24, «Untitled (Fragments),» by Toba Khedoori (b. 1964), which sold for $ 65,725.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

YSP's Bothy Gallery documents Price's development of the male figure and fascination with the minutiae of body language and facial expression, from the 2008 nudes Orpheus Street and Ducie Street, whose titles are taken from locations near Price's London studio; through small heads, such as Untitled (Cornrows) made in 2010; to sculptures on plinths made in 2011 — small - scale and unassuming black male figures with relaxed postures and dressed in casualwear.

Untitled (2017) depicts a green figure emerging from a reclining nude.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.