Sentences with phrase «untitled oil on canvas»

These include a selection of the most personal pieces from the collections of Johnson and Whitney - in many cases, gifts from the artists themselves, from the untitled oil on canvas of 1971 by Jasper Johns for David Whitney to literal birthday wishes to Philip Johnson from Frank Stella and Michael Graves.
Norman Lewis Record: Two years ago, a circa 1957, untitled oil on canvas painting by Lewis sold at Swann for $ 581,000 (including fees) on Oct. 3, 2013, setting an auction record for the artist.
Untitled oil on canvas 30 ″ x 22 ″ As seen at the Emily Carr University of Art & Design Grad Show last weekend
Lot 42, an untitled oil on canvas, 69 by 42 3/4 inches, sold for $ 1,710,750, surpassing the previous world auction record of $ 1,100,000 for this very important artist.
Lot 28 is an untitled oil on canvas by Mark Rothko (1903 - 1970) that measures 69 by 64 inches.
This 47 3/4 - by - 49 1/2 - inch, untitled oil on canvas has a wonderful dynamic and was executed circa 1955.
An early untitled oil on canvas from 1966 shows an obsessive daubing of paint all over the work's surface.
These include a selection of the most personal pieces from the collections of Johnson and Whitney — in many cases, gifts from the artists themselves, from the untitled oil on canvas of 1971 by Jasper Johns for David Whitney to literal birthday wishes to Philip Johnson from Frank Stella and Michael Graves.
Proof of his growing appeal was demonstrated in the impressive sale of two untitled oil on canvases that attained results well above their auction estimates, each selling for upwards of $ 100,000 at our December 9th Capital Collections Estate sale.

Not exact matches

Joanne Greenbaum, Untitled, 2016, oil, acrylic and marker on canvas, 12 x 12 inches (courtesy of Rachel Uffner Gallery)
Willem de Kooning, Pirate (Untitled II), 1981, Oil on canvas 7 feet 4 inches x 6 feet 4 3/4 inches, The Museum of Modern Art, New York
Harriet Korman, Untitled, 2014, oil, gamsol and galkyd on canvas, 36 x 48 inches (courtesy of the Artist and Lennon, Weinberg, Inc..)
In May of that year, a buyer paid $ 275,750 for an untitled 1984 oil, collage and mixed media on canvas at Sotheby's in Milan.
David Humphrey's acrylic on canvas Heat Cycle, David Diao's acrylic and collaged on canvas Hammered Black and Blue, 2011, behindDonald Moffett's Untitled, Lot 010804, 2004/2011 oil and aluminum paint on linen with wood panel support with steel tacks, galvanized bucket, concrete, rebard, wood, sheet metal, rusted chains.
Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]
December 2013 Untitled (Fugue IX), Untitled (Fugue X), Untitled (Fugue XI), oil on canvas, 200 x 180 cm each, 2013 © Sylvie Chan - Liat
Untitled Spray Portrait with Painted Eye, Red Purple Drip, a Staple, a Rip and a BB Hole / 2011 / oil, acrylic, enamel and pastel on canvas / 72» x» 48» / $ 7,000
TOP IMAGE: BEAUFORD DELANEY (1901 - 1979), «Untitled (Fang, Crow and Fruit),» 1945 (oil on canvas).
ACQUISITION In early January, the Brooklyn Museum announces the acquisition of its first Beauford Delaney painting, «Untitled (Fang, Crow, and Fruit),» a 1945 oil on canvas still life (shown above), purchased from Michael Rosenfeld Gallery with money from the museum's African American Purchase Fund.
Lot 3: EDWARD M. BANNISTER (1828 — 1901), «Untitled (Cow Herd in Pastoral Landscape),» 1877 (oil on linen canvas).
Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv
«Keke», 2006 acrylic and oil on canvas 48 x 38 cm & Untitled # 2, 2006 ball point pen and coloured pencil on paper 84,1 x 59,4 cm installation view Galerie Daniel Buchholz, Köln 2006
Joanne Greenbaum: Untitled (Hollywood Squares # 4), 2009, oil and acrylic on canvas, 80 by 78 inches; at D'Amelio Terras.
Untitled Spray Portrait with Painted Eye, Four Color Drips, a Rip and Two BB Holes / 2007 / oil, acrylic, enamel, and spray paint on canvas / 60» x 48» / $ 6,000
Lot 11: ROBERT NEAL (1916 — 1989), «Untitled (Fisherman's House at River's Edge),» circa 1939 (oil on linen canvas).
Untitled Spray Portrait with Painted Eye and Green Drip / 2011 / Oil, acrylic, enamel and spray paint on canvas / 96» x 48» / $ 10,000
Untitled (A5) 1963 Oil and burlap on canvas 23 7/8 x 28 1/2 inches (60.5 x 72.5 cm) Signed and dated Tsuyoshi Maekawa»63 (on the reverse); signed again in Japanese (on the reverse)
This untitled Norman Lewis representation of a jazz club fom 1945 is composed of oil and sand on canvas.
Willem de Kooning (1904 - 1997) Untitled XVIII signed «de Kooning» (on the reverse) oil on canvas 59 1/2 x 55 in.
GEORG BASELITZ Untitled, 2013 India ink and watercolor on paper 26 x 19 13/16 inches (66.1 x 50.3 cm) Photo by Jochen Littkemann GEORG BASELITZ mehr ich tut ach mer willn (Barle flel wil), 2013 Oil on canvas 118 1/8 x 108 1/4 inches (300 x 275 cm) Photo by Jochen Littkemann
Included in the massive show, which goes to London's Tate Modern after MoMA, are abstractions like the ghostly, white - streaked Untitled (2007), as well as the classic 1980s piece Watchtower with Geese (1988), with its totalitarian subject matter and its use of interlocking color and patterns on fabric — one of Polke's many experiments with materials other than plain old oil on canvas.
© Laura Owens; Laura Owens, Untitled, 1995, acrylic, oil, enamel, ink, and felt - tip pen on canvas, Collection of the artist.
Marine Hugonnier and Abel Boulineau Untitled / Disguised as a Tear, 1875-1880/2008 3 framed parts: oil on canvas and two text panels painting: 48 3/8 x 33 inches (123 x 84 cm) test panels: 14 3/4 x 18 3/8 inches (37.4 x 46.6 cm) each MH - 3201
Gottfried Helnwein (Austrian) Sleep 2, 2005 Oil, acrylic and inkjet print on canvas Untitled (Portrait of a Child), 2005 Oil and acrylic on canvas
Image Credits: Hugo Robus (American, 1885 - 1964), Untitled (Men and Machines), 1919, oil on canvas.
untitled, 2002, oil on canvas, © Richard Smith Foundation, Courtesy of Flowers Gallery, London and New York
$ 40,000 I 74 Jack Whitten, Untitled, oil on canvas, 1967.
Top: Jen Mazza, Untitled (4 Apples), 2014, oil on canvas, 13 x 10 inches Bottom: Jen Mazza, Untitled (4 Apples, Gold), 2014, oil and gold leaf on canvas, 13 x 10 inches.
Image caption: Rebecca Morris, Untitled (# 07 — 16), 2016 Oil on canvas, 85 x 101 in.
Image at top: Edith Schloss, Untitled, 1973, oil on canvas, 32 x 36 inches.
TOP IMAGE: Lot 57: ALLAN FREELON (1895 — 1960), «Untitled (Gloucester Coast),» 1925 (oil on linen canvas).
Joaquin Torres - Garcia, Sin titulo (pez)[Untitled (Fish)-RSB-, 1932 Oil on canvas September 6 — November 29, 2009 Joaquin Torres - Garcia (1874 — 1949) is one of the most influential artists of the early 20th century to have emerged from Latin America.
LOT 85: Charles Alston, «Untitled (Figure Composition),» oil on canvas, circa 1974.
Rudolf Stingel, «Untitled,» 2005, oil on canvas, 118 x 118 x 2 in., based upon the Robert Mapplethorpe portrait of Paula Cooper.
Willem de Kooning (1904 - 1997) Untitled VII signed «de Kooning» (on the stretcher) oil on canvas 77 1/2 x 88 in.
However, the pairing of Novros's «Untitled» oil on canvas, (15 parts)(1969), which was shown in his last memorable exhibit at Paula Cooper last September of 2009, and Judd's «Untitled» (1989), a Douglas Fir plywood piece, was splendidly tuned, partly because it's an interesting exchange of two artists, one, a logical empiricist who aspires to be an idealist, the other, an idealist, who thinks himself a logical empiricist.
Laura Owens, Untitled, 1997, oil, acrylic, and airbrushed oil on canvas, Whitney Museum of American Art, New York; promised gift of Thea Westreich Wagner and Ethan Wagner P. 2011.274.
Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York
NICOLAS CARONE Untitled (P -2616-S), 1956 Oil on canvas 22 x 29 inches Signed recto lower right Abstract expressionist painting in black and white.
SHIRLEY GOLDFARB Untitled, 1957 Oil on canvas 7 x 5 1/2 inches Signed and dated verso: Goldfarb 57 (With directional arrow)
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