Sentences with phrase «untreated canvas»

He creates his Submersion Paintings, in intense blues and saturated magentas, by staining untreated canvases with rich washes of acrylic paint before applying a thick layer of gesso.

Heinz Mack Das Klavierkonzert, 1962 polyester resin on untreated canvas 55 1/8 x 78 3/4 inches (140 x 200 cm) 55 1/2 x 79 inches (141 x 200,7 cm) frame SW 09133 Private Collection

A prominent figure in the Abstract Expressionist movement in New York during the 1950s, Frankenthaler developed a method of pouring paint over untreated canvas to allow pigments to soak into the fabric.

If you peer at one from the side, you don't see poor attempts at stretching or folding the canvas over the frame or any areas of untreated canvas.

Also, we had Leon Golub, who did his large, partially untreated canvases, and then we went from Arnulf Rainer to [Gérard] Gasiorowski, to Raoul De Keyser, who was then still alive and making these amazing abstract paintings, to Robert Ryman, to Malcolm Morley — from conceptual to abstract to figurative — to On Kawara, to Gerhard Richter, who reunites all these dimensions, to Dick Bengtsson, a tricky forgotten Swedish artist who died young, to Ed Ruscha, to Niele Toroni.

Using raw untreated canvas the artist paints in the manner and function of an automatic writer, Rosa forms a journey through visual narratives of form and line, each canvas must be exacting or the equation would fall apart.

The painting is one of the more striking on view in the Norman Lewis retrospective, a 1953 abstract on untreated canvas, the title is unknown (shown above).

On the afternoon of Oct. 29, back in New York, she tacked a large — roughly 7 - by -10-foot — piece of untreated canvas to the floor of her studio to begin the largest painting she had ever undertaken.

Metz's Pillar is just that — a freestanding, cube - like sculpture comprised of individual sections also rendered in blue dye against an untreated canvas.

Can these frontiers include such a rough, untreated canvas on wood?

With the untreated canvas spread over the ground, Pollock poured and splattered his pigments with surprising control, creating labyrinths that followed the rhythm of his body and suggested both a kind of mental script and muscular release.

Other artists, such as Helen Frankenthaler were well known for the technique of soaking the paint into the untreated canvas.

That year, they visited New York and saw Helen Frankenthaler's «Mountains and Sea,» in which she had poured thin washes of paint over an untreated canvas.

Frankenthaler's invention of soak - stain, which involved pouring turpentine - thinned oil paint (and later, watered - down acrylic) on a flat, untreated canvas, opened doors to the next big thing, Color Field painting.

Joyous or mournful, impassive or transcendent, Rothko's cloudy abstract paintings — made by staining the untreated canvas with multiple thin layers of pigment — can evoke a whole host of emotions in a single viewer.

After applying a thin mixture of binder and pigment onto an untreated canvas, he would add layer after layer of thinned oils to produce a dense bed of overlapping colour and shape.

(Unfortunately the soak stain technique has proven a headache for art curators, as the oil in the paint comes into direct contact with untreated canvas, and eventually rots it.)

She renders these domestic objects at actual size in a variety of media from watercolor to oil and encaustic on untreated canvas and burlap.

The artist's sparse and eloquent abstract paintings function like automatic writing, built up from individual elements on large expanses of raw, untreated canvas.