Sentences with phrase «up effects artist»

Chet Zar, a painter, digital animator, and make - up effects artist, brings his dark, dystopic vision to Copro Gallery with the solo exhibition «DY5TOPIA.»

Pollak, Nerdist podcast co-host Matt Mira, history professor John Putman, actress Jeri Ryan, NASA engineer Bobak Ferdowsi, and make - up effects artist Doug Drexler sat down at the Leonard Nimoy Event Horizon Theater at the Griffith Observatory in Los Angeles to talk about Trek — the documentary returns to them many times as it moves from the franchise's beginning through the last movie of the original run.

NEW 2K scan of the Inter-positive supervised and approved by director of photography Dean Cundey NEW 4.1 created from the original 70MM Six Track Dolby Stereo soundtrack NEW Audio Commentary with director of photography Dean Cundey NEW The Men of Outpost 31 — interviews with Keith David, Thomas Waites, Peter Maloney and more... NEW Assembling and Assimilation — an interview with editor Todd Ramsay NEW Behind the Chameleon — interviews with visual effects artists Peter Kuran and Susan Turner, special make - up effects artist Rob Burman and Brian Wade and more....

Make - up effects artist John Vulich weighs in on the subject in his own eight - and - a-half-minute HD interview short, «Tales from the Crawlspace with John Vulich,» where he recalls the circumstances of the shoot.

lasts eight minutes, 12 seconds and includes Spielberg, special make - up effects artist Chris Walas, and visual effects supervisor Richard Edlund.

Kicking off the all - HD video extras slate is «Landis, Baker, and Burns» (16:53), a 2011 conversation between director John Landis (An American Werewolf in London, Michael Jackson's Thriller), make - up effects artist Rick Baker, and horror aficionado Bob Burns.

Audio commentary with writer / director Adam Green, cinematographer Jan - Michael Losada, editor Matt Latham, and make - up effects artist Robert Pendergraft

«Matilda's Movie Magic» (16:14) allows DeVito and others (including Davidtz, Perlman, a make - up effects artist and a visual effects supervisor) to break down the film's illusions one at a time, with help from behind - the - scenes footage and some graphic illustrations.

Still Gallery — Behind - the - Scenes photos from special make - up effects artist Kenny Myers» personal collection

On Disc Two, there are four new interviews: Carey's Story with actress Heidi Von Palleske, Working Artist with actor Stephen Lack, Connecting Tissues with make - up effects artist Gordon Smith, and Double Vision with director of photography Peter Suschitzky.

, and make - up effects artist Matthew Mungle (13 mins.).

NEW House of Pain — a interview with make - up effects artists Bart Mixon, Gabe Bartalos, Gino Crognale and John Vulich (42 minutes)

Raimi and his competent crew, which includes composer Danny Elfman (patching up a decade - old rift with the director), cinematographer Peter Deming (The Cabin in the Woods, Mulholland Drive, and Mike Myers comedies), make - up effects artists from The Chronicles of Narnia and visual effects veterans of Marvel hits, deliver a film that is lively, polished, and picturesque,

Not exact matches

«When you feature a product on your show, it creates what has become known as «Oz Effect,» dramatically boosting sales and driving scam artists to pop up overnight using false and deceptive ads to sell questionable products,» Senator McCaskill said.

She looks up the chemical content of drinking water and checks on the effects of lead paint (her husband is a house painter and artist).

Pitoti artists used chisels to make tiny peck marks on the rock, thousands of which were lined up for the final effect.

«Look for a red with orange undertones if you have Holland Roden's coloring to spice up the effect,» says makeup artist Elle Leary.

Turn your trusty brown shadow into a quietly sexy look by wetting your brush «to deepen the color,» says makeup artist Daniel Martin, then swooshing it all around your eyes (up to your brow bone on top, and just underneath your lower lashes, like liner) for a hazy effect.

As a single artist (and no, I'm not homeless) of many mediums, I'm currently taking up freelance work in theater and video production, primarily working in set dressing and special - effects makeup.

The genius behind some of cinemas most incredible transformations, make - up artist and special - effects maestro Rick Baker is now officially among the Hollywood elite with...

Blood n Fire Memories a detailed look at the creation of the film's make - up effects with special effects artist Tom Savini

To hit that elevated goal post, Spielberg worked in concert with New Zealand - based Weta Digital, known for its boundary - expanding work on the «Lord of the Rings» and «Hobbit» trilogies, «Avatar,» the rebooted «Planet of the Apes» films and Spielberg's own «Tintin,» with a team headed up by Oscar - winning senior visual effects artist Joe Letteri.

Extras: New interviews with actors Linda Blair, Peter Barton, Vincent Van Patten, Suki Goodwin, Kevin Brophy and Jenny Neumann; commentary with Blair, director Tom DeSimone, prodcuers Irwin Yablans and Bruce Cohn Curtis; original theatrical trailer & TV spots; new interview with DeSimone; new interview with Curtis; new interview with writer Randolph Feldman; new «Anatomy of the Death Scenes» with DeSimone, Feldman, make - up artist Pam Peitzman, art director Steven G. Legler and special effects artist John Eggett; new «On Location at the Kimberly Crest House» with DeSimone; new «Gothic Design in Hell Night» with Steven G. Legler; original radio spot; photo gallery featuring rare, never - before - seen stills.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

Overall, it's standard featurette material, but it reveals a sense of humor on behalf of everyone that supports the idea that no one took this too seriously, and it's worth watching just for effects artist Alec Gillis to drop the bombshell that he went from dressing up dogs on this movie to helping come up with the dog - hybrid xenomorph from David Fincher's Alien 3.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

FEATURE - LENGTH MOTION PICTURE — BEST SPECIAL MAKE - UP EFFECTS DEADPOOL Make - Up Artists: Bill Corso, Andrew Clement DOCTOR STRANGE Make - Up Artist: Jeremy Woodhead FANTASTIC BEASTS AND WHERE TO FIND THEM Make - Up Artist: Fae Hammond STAR TREK BEYOND Make - Up Artists: Joel Harlow, Richie Alonzo SUICIDE SQUAD Make - Up Artists: Christopher Nelson, Sean Sansom, Greg NicoteUP EFFECTS DEADPOOL Make - Up Artists: Bill Corso, Andrew Clement DOCTOR STRANGE Make - Up Artist: Jeremy Woodhead FANTASTIC BEASTS AND WHERE TO FIND THEM Make - Up Artist: Fae Hammond STAR TREK BEYOND Make - Up Artists: Joel Harlow, Richie Alonzo SUICIDE SQUAD Make - Up Artists: Christopher Nelson, Sean Sansom, Greg NicoteUp Artists: Bill Corso, Andrew Clement DOCTOR STRANGE Make - Up Artist: Jeremy Woodhead FANTASTIC BEASTS AND WHERE TO FIND THEM Make - Up Artist: Fae Hammond STAR TREK BEYOND Make - Up Artists: Joel Harlow, Richie Alonzo SUICIDE SQUAD Make - Up Artists: Christopher Nelson, Sean Sansom, Greg NicoteUp Artist: Jeremy Woodhead FANTASTIC BEASTS AND WHERE TO FIND THEM Make - Up Artist: Fae Hammond STAR TREK BEYOND Make - Up Artists: Joel Harlow, Richie Alonzo SUICIDE SQUAD Make - Up Artists: Christopher Nelson, Sean Sansom, Greg NicoteUp Artist: Fae Hammond STAR TREK BEYOND Make - Up Artists: Joel Harlow, Richie Alonzo SUICIDE SQUAD Make - Up Artists: Christopher Nelson, Sean Sansom, Greg NicoteUp Artists: Joel Harlow, Richie Alonzo SUICIDE SQUAD Make - Up Artists: Christopher Nelson, Sean Sansom, Greg NicoteUp Artists: Christopher Nelson, Sean Sansom, Greg Nicotero

Face Off follows special effects make - up artists as they participate in elaborate challenges for a grand prize and the honor of being Hollywood's next great effects artist.

's Blu - ray comes with a new commentary by director Joseph Zito, plus new interviews with writer James Bruner and special effects make - up artists Tom Savini, Howard Berger and Greg Nicotero.

TV MINI SERIES OR MOVIE MADE FOR TELEVISION — BEST SPECIAL MAKE - UP EFFECTS ALL THE WAY Make - Up Artists: Bill Corso, Andrew Clement AMERICAN HORROR STORY: ROANOKE Make - Up Artists: Eryn Krueger Mekash, Michael Mekash, David Anderson BLACK MIRROR: «MEN AGAINST FIRE» Make - Up Artists: Kristyan Mallett, Tanya Lodge ROOTS Make - Up Artists: Elvis Jones, Adam Walls, Bailey Domke THE AMERICAN WEST Make - Up Artists: Amy Wadford, Fiona MifsUP EFFECTS ALL THE WAY Make - Up Artists: Bill Corso, Andrew Clement AMERICAN HORROR STORY: ROANOKE Make - Up Artists: Eryn Krueger Mekash, Michael Mekash, David Anderson BLACK MIRROR: «MEN AGAINST FIRE» Make - Up Artists: Kristyan Mallett, Tanya Lodge ROOTS Make - Up Artists: Elvis Jones, Adam Walls, Bailey Domke THE AMERICAN WEST Make - Up Artists: Amy Wadford, Fiona MifsUp Artists: Bill Corso, Andrew Clement AMERICAN HORROR STORY: ROANOKE Make - Up Artists: Eryn Krueger Mekash, Michael Mekash, David Anderson BLACK MIRROR: «MEN AGAINST FIRE» Make - Up Artists: Kristyan Mallett, Tanya Lodge ROOTS Make - Up Artists: Elvis Jones, Adam Walls, Bailey Domke THE AMERICAN WEST Make - Up Artists: Amy Wadford, Fiona MifsUp Artists: Eryn Krueger Mekash, Michael Mekash, David Anderson BLACK MIRROR: «MEN AGAINST FIRE» Make - Up Artists: Kristyan Mallett, Tanya Lodge ROOTS Make - Up Artists: Elvis Jones, Adam Walls, Bailey Domke THE AMERICAN WEST Make - Up Artists: Amy Wadford, Fiona MifsUp Artists: Kristyan Mallett, Tanya Lodge ROOTS Make - Up Artists: Elvis Jones, Adam Walls, Bailey Domke THE AMERICAN WEST Make - Up Artists: Amy Wadford, Fiona MifsUp Artists: Elvis Jones, Adam Walls, Bailey Domke THE AMERICAN WEST Make - Up Artists: Amy Wadford, Fiona MifsUp Artists: Amy Wadford, Fiona Mifsud

Rawhead FX — featurette bringing together interviews with creature effects artists Peter Mackenzie Litten and John Schroonraad, special effects supervisor Gerry Johnson, second unit cameraman Sean Corcoran and make - up artist Rosie Blackmore

SYNOPSIS: Documentarians Gilles Penso and Alexandre Poncet interview Hollywood special effects and make up artists to explore the «Frankenstein Complex» of creature design in filmmaking.

It comes as no surprise to learn that Don't Hang Up is the feature directorial debut of two visual effects artists.

Animators, cinematographers, film composers, musicians, songwriters, editors, production designers, costume designers, visual effects artists, sound editors, and make - up and hair stylists among others.

It has everything from a making - of documentary (titled «John Carpenter's The Thing: Terror Takes Shape» featuring interviews with John Carpenter, Kurt Russell, make - up designer Rob Bottin, matte artist Albert Whitlock, and other cast and crew members) to outtakes, work - in - progress special effects footage and behind - the - scenes footage.

«Secrets Professionnels: Tête - À - Tête (Professional Secrets: Face to Face)» (8:49) is an excerpt from a 1964 TV episode in which Beauty and the Beast makeup artist Hagop Arakelian waxes on his field and his career, while while making up a lady and a man to different effect.

Mendez is played in a suitably understated, steely way by Affleck (let's ignore that Mendez is, er, Hispanic), who decides to undertake this risky rescue mission using the rather ludicrous concept of a fake movie production with the help of his supervisor, Jack O'Donnell (Bryan Cranston, Drive), Hollywood producer Lester Siegel (Alan Arkin, Little Miss Sunshine), and make - up effects master John Chambers (John Goodman, The Artist), against the wishes of Presidential Chief of Staff Hamilton Jordan (Kyle Chandler, Super 8).

Whose dad was a special effects make - up artist.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

And in even more interesting news, Joy Garnett just gave me a heads up that the Warhol Foundation has actually filed an amicus brief in Cariou v. Prince, warning the courts that if Judge Batts» ruling were to stand, it would put works by other artists in jeopardy, and would cause «such uncertainty in the field as to cause a chilling effect on the creation of new works.»

Though Jack would have been very surprised that the little girl to whom he had taught the dog paddle, or the teenager he had found so rough and recalcitrant, and the young artist about whose work he had continued doubts, ended up being the one to finally shepherd his writings into print and to create in effect the autobiography he had never written as such.

Thus, for Parker's defining installation of the suspended fragments of a blown - up shed, Cold Dark Matter: An Exploded View (1991), we're given both a personal and a political context behind the piece: the effect on the artist of living in London during a period of IRA bomb threats; her initially ambivalent attitude towards the army — whom she subsequently worked with to blow up the shed — and how she felt about the event itself.

Two arts organizations have set up services to collect funds to assist artists and arts organization effected by the hurricane.

The short looped video Lesson LXXV (2017), embedded horizontally in a purple plinth, pictures the artist close up, her face and T - shirt drenched with white milk — a reference to recent footage of demonstrators using milk to counteract the effects of teargas.

Writing in 1970, Gene Youngblood advocated that artists take up the technologies of the moment — special effects, computer art, video art, multi-media environments, and holography — to expand the consciousness of their publics.

The higher - than - average number of solo booths add to the effect — Blain Southern homes in on French conceptual artist Bernar Venet; Almine Rech brings drawings by Tom Wesselmann; New York's Cheim & Read joins up with London's Thomas Dane to show feminist artist Lynda Benglis.

Instead, Untitled Film Still # 30 is the most overt appearance of a disturbing, downright horrific strand of Sherman's work that the artist will pick up and run with in future series, often to disconcerting effect.

About the Artist Born in 1917 in Snow Hill, Alabama, and raised in Birmingham, Purifoy grew up in the segregated South 50 years before the effects of civil rights were tangible.

This problem extends beyond the mash - up of art and design: treating the year of production as the primary rationale for placing things together also has a flattening effect on artists employing similar mediums.

Collaborating with makeup artist Isamaya Ffrench, Belin employs make - up applications for painterly effects.