Sentences with phrase «up gallery model»

Impressed with Condo's pop - up gallery model and its emphasis on collaboration rather than competition, dealer Simone Subal approached Carlos about the initiative hoping to bring it to New York.

Not exact matches

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After a buzzy first look book featuring Lily McMenamy last February and a rogue fashion show during Berlin Gallery Weekend (models stomped through Isabella Bortolozzi's gallery perforating cardboard with their Louboutins), the designer - stylist pair were a ring - in addition to Fashion East's usual threesome — invited by their friend Lulu Kennedy to shake up the program for Autumn / WinteGallery Weekend (models stomped through Isabella Bortolozzi's gallery perforating cardboard with their Louboutins), the designer - stylist pair were a ring - in addition to Fashion East's usual threesome — invited by their friend Lulu Kennedy to shake up the program for Autumn / Wintegallery perforating cardboard with their Louboutins), the designer - stylist pair were a ring - in addition to Fashion East's usual threesome — invited by their friend Lulu Kennedy to shake up the program for Autumn / Winter 2018.

Also is quite incredible putting up a gallery full of 340i models whereas none are sold here in Malaysia.

In the early days up until about 2002, Volkswagen provided a limited set of information about its models, but in 2003, it stepped up its game to provide a fairly complete set of data, including standard and optional equipment, a «Build Your Own» tool, a vehicle comparison tool, rebates and incentives, 360 - degree tours and photo galleries.

There's also a beefy gallery mode packed with concept art, character models and a surprising amount of lore to read up on.

The traditional art model says that artists have to find a gatekeeper (a record label, a gallery, or otherwise) who controls distribution and give up control of their work, so that they can have access to that distribution.

With that in mind, Stout says he's consciously holding up the model of the white - box gallery.

When the London - based artist's giant abstract paintings got held up in transport, leaving the gallery with little to display for the first two days of the fair, Syed staged a performance modeled after John Lennon's and Yoko Ono's 1969 bed - in in Montreal.

Visitors could curl up inside Jennifer Rubell's fibreglass sculpture Portrait of the Artist (2013; Stephen Friedman Gallery), modelled on the pregnant artist in a classical «odalisque» pose.

Tonight, join Eisenman as she opens up her own practice of drawing from live models to lead a figure - drawing class in the Museum's galleries.

While smaller and mid-sized commercial galleries struggle to find the elusive «new models» for renting and exhibiting, London's studio project spaces like ASC, Assembly Point, Cell, Cubitt and Kingsgate Workshops are taking up the slack in providing the ambitious and experimental exhibitions the city needs.

Cynthia is one of the pioneers of the pop - up exhibition scene, and today runs her gallery from her home in Wimbledon, alongside an ongoing programme of pop - up shows in central London — a business model that works brilliantly for her and that she feels is a credible model for the evolution of gallery representation in the 21st century.

A squadron of model helicopters lined up in front of a Christmas tree - wrapping machine, from which they emerge, propellers folded like resting insects, cocooned in plastic netting a trough of fine sand running the length of the gallery, along which the artist has skied, leaving the track of the skis, the pock - marks of the ski - poles.

Meanwhile, Mexico City is gearing up for its first ever edition of Condo Complex, the popular alternative to the art fair model devised by Vanessa Carlos of Carlos / Ishikawa gallery.

Eisenman is also opening up the remote practice of painting the public by hosting a public figure - drawing class of live models in the Museum's galleries.

The idea was to turn the museum's lobby gallery into both a thriving marketplace, modeled on the famous La Merced in her hometown, and a performance stage that plays up the increasingly transactional nature of the art experience in our selfie - seeking, fair - driven age.

Included in the line up are camara oscura galeria de arte (Madrid), presenting South African artist Johann Ryno de Wet; Identity Art Gallery (Hong Kong), featuring photographer Kurt Tong; OTTO ZOO (Milan) showing Dutch artist Marjolijn De Wit whose collage work explores man's impact on nature; and Art Mûr (Montreal) dedicating its booth to the installations and miniature models of Guillaume Lachapelle.

She continued: «It's pretty much a generalized sentiment of our generation: everything is changing, and many of us are not even interested in the traditional gallery model, so we need to come up with new ideas and partnerships to make things happen and find our own path.»

«It's time to change things up from the same old fair model,» Caitlin Moore, Director of Los Angeles» Mark Moore Gallery, told us yesterday during Moving Image's opening.

Eschewing the traditional gallery model in favor of a more flexible, hybrid approach, the pair pride themselves on always looking to mix things up while staying true to their goals of promoting — not representing — the artists they admire.

Goshka Macuga, Model for a Sculpture (Family), 2011, Courtesy the artist and Andrew Kreps Gallery, New York; Of what is, that it is; Of what is not, that it is not 1, 2012, Courtesy the artist and Prada Collection, Mailand; Jun Yang, Goldenes Zimmer, 2015, Eat Drink Art Business, 2015, Paris Syndrome (Indoor Plants), 2007 — ongoing, Wiener Sitzgruppe, 2015, Becoming European or How I grew up with Wiener Schnitzel, 2015, Courtesy the artist and Galerie Martin Janda, Vienna

At The Gallery at Plymouth College of Art, focus is given to the depiction of the female form, with a series of paintings (from 2002 to 2016) presenting pin - up girls, fashion models, sports players and some self - portraits.