Sentences with phrase «up girl her character»

Meanwhile, Hayley Atwell looks every inch the pin - up girl her character resembles but isn't; she's fine in the role, but I can't say the romance between Peggy and Steve particularly clicked for me.

Not exact matches

Through the pen name Charles Moulton, Marston combined his and Elizabeth and Olive's feminist ideals to create a superhero character that young girls could look up to.

If you start disrupting books, especially about what little girls can be when they grow up, and if you start putting different characters in those stories, you're able to disrupt power in a very important way.

Claire, the scheming character played by Robin Wright, rose 14 percent — as did Robin (up 12 percent for girls) and Wright (up an impressive 65 percent for boys).

For girls aged three and up, this Christmas character is highly recommended.

The girls celebrated Dr. Suess Day at school with a week long celebration that included wearing PJs to school one day and dressing up like their favorite book character.

I love to see strong empowered female characters that young girls can look up to.

Author Ann M. Martin has said she based Mary Anne's character on herself, so it's no wonder she hooked the character up with a Southern hunk who embodies every pre-teen girl's dream date.

Girls choose between one of four different male cartoon characters they want to hook up with upon registration.

From the girls: If you were to dress up as a pop culture character / personality, who would you be most likely to dress up as?

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It's the grand opening day of the new amusement park in town, but trouble rises when you find yourself trapped inside along with a cast of Date up to eight different characters (7 guys, 1 girl) 4 of them like unlock - able though.

With director Mark Waters at the helm (no stranger to these high concept «comedies», with the actually - pretty - decent «Freaky Friday» remake and «The Spiderwick Chronicles», as well as crowning achievement «Mean Girls» under his belt), «Penguins» barrels down to one of most asinine climaxes in recent memory, culminating with a press announcement that unites all the major and minor characters, and involves plot twists that ring of desperation to wrap up on a self - congratulatory note.

Maïwenn brings up the dirty and dark side of Paris with the help of an excellent team of child actors - Malonn Lévana, the lovely little girl of «Tomboy» (where she plays the sister of the leading character) is someone to keep an eye on - and the best known actors of the French cinema of today: Marina Foïs, Sandrine Kiberlain, Nicolas Duvauchelle, Frédéric Pierrot, Karin Viard, Louis - Do de Lencquesaing, Alice de Lencquesaing (L'heure d'été, Le père de mes enfants), Jérémie Elkaïm (La guerre est déclarée), Karole Rocher, and others.

While the Man in the Mask (Damian Maffei, «Closed for the Season»), Pin - up Girl (Lea Enslin) and Dollface (Emma Bellomy) characters have returned, they're not even played by the same actors from the original film.

Annihilation isn't set up as any kind of «go girl,» «strong female character» message movie, but there is some feminist triumph in seeing this kind of story told from an entirely female perspective.

It seems like I have to make up for 150 character for It's a crapy «documentary» about a crappy «band», that is only getting positive reviews for 12 year old girls that discovered metacritic.

Good points, it also irked me that the girls and boys split up in the Wakanda fight — it happens a lot in action movies (good girl fights bad girl sidekick while male character fights head villain), hopefully Danvers will be an equal opportunity ass kicker.

In her acceptance speech Dern continued the conversation because her character is «the most outrageous, complicated woman and terrified mother, terrified because her little girl was being abused and bullied and she was too afraid to speak up.»

Goldthwait, on screenwriting and directing duty for the fourth time, ups the ante of precocious C - bomb dropping teenage girls (an alarming number of these characters seem to be popping up, from Hit Girl to Boltie) with Roxy (Tara Lynn Barr) who might not have the best aim with a handgun, but does a mean Jeff Foxworthy impression and has an impressively long list of grievances (and Star Trek trivia) for one so young.

Guilty Pleasure about a girl who gives up the «cool life» in Manhattan & returns to her rural roots so she can be a singer / songwriter in the tradition of gals from the last generation like Joni Mitchell (represented here by the Katey Sagal character «Lee Ann»).

The Danish Girl will almost certainly not reverse this trend, for despite compelling performances and a fascinating concept, the film fails to develop its characters, and plods along at a pace that almost dares the viewer to give up on the story.

If you've seen Slums of Beverly Hills or Drop Dead Gorgeous, you are familiar with the whip - smart teen girl character who is clumsily navigating the whole «growing up» predicament.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppeup, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a MuppeUp in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

One of the most striking elements about this film was the way it was shot, which gave it a voyeuristic sensibility reminiscent of North by Northwest (1959) in particular — especially in terms of the way the character of Héctor 1 was set - up and the power dynamic between the multiple Héctor sequels and the young girl.

Rodriguez will conveniently voice the character of Gina, a girl on Missy (Jenny Slate) and Jessi's (Jessi Klein) soccer team who shakes up the social dynamics of the school — which is bound to bring some drama to the fold.

Many other cultural critics have since picked up on the trope of the Manic Pixie Dream Girl, including Anita Sarkeesian who explored the issue in her Tropes vs. Women: # 1 The Manic Pixie Dream Girl video where she concludes the such characters have little of their own purpose or autonomy:

Following up on this past summer's «Wonder Woman», which is a wondrous example for all young girls everywhere, this third installment of the Norse Super Hero by Marvel illustrates just how powerful and popular these characters are.

One of them - a particularly malleable, emotionally unstable girl — has gone so into character she's even picked up a limp, and a fondness for glass unicorns.

The Manic Pixie Dream Girl is a term coined by Nathan Rabin to describe the female character whose written to help the usually white, and definitely straight male hero loosen up and enjoy life.

«Lady Bird» is broken up into extended segments, portraying the title character's relationships with her misfit best friend, a new boyfriend, the pretty and popular girl who becomes her ally and daily verbal combat with her family.

«In the updated take, Heathers picks up 20 years later, with Veronica (Ryder's character) returning home to Sherwood with her teenage daughter, who must contend with the next generation of mean girls: the Ashleys: the daughters of the surviving Heathers,» writes THR.

Marina de Van The main character in Marina de Van's Dark Touch is Niamh (Missy Keating), an 11 - year - old girl who discovers she has supernatural powers when said powers go a little haywire and end up killing her abusive parents.

Last month it was announced that Warner Bros. has enlisted up and coming filmmaker Cathy Yan (Dead Pigs) to direct Birds of Prey, a «girl gang» movie featuring Margot Robbie's Harley Quinn alongside other prominent female DC characters, thought to include the likes of Batgirl, Black Canary and the Huntress.

Disney tries a few new tricks with an African American cast of characters (the first time since 1947's Song of the South), a contemporary setting (New Orleans in the 20's), and a «princess» in the form of a working class girl with a dream, but more than that, an actual willingness to roll up her sleeves and do something about it.

Zach Braff's hyphenate debut Garden State seizes on that wilful misreading, offering up a Girl, Interrupted for boys featuring a lead character fresh from The Bell Jar: an over-medicated, under - emoted man who just wants to feel something, damnit.

Just when things were hotting up between Christopher Abbott's character Charlie and Allison Williams» Marnie on HBO series Girls, the actor has...

This origin movie spends a lot of time introducing characters — including the girl (Kaya Scodelario) who shows up in the elevator one day.

But unlike other dark comedies to make the jump («Mean Girls» director Mark Waters» «The House of Yes» comes to mind), Finley displays a natural cinematic instinct, treating the baroque, marble - lined mansion where the film principally unfolds not as a closed - in set, but a kind of tiger sanctuary, prowling the location in long, restless takes — whether it's stalking an SUV up the gravel driveway or lurking behind a door jam, carving knife in hand, while two characters stare each other down in the adjacent room.

To freshen up familiar characters, producers are re-imagining relationships between girls.

It takes a good 30 minutes to pick up the kind of momentum needed to drive a depressing character like Largeman through the finish line, but once Portman pops up as the cheerful love interest (reminiscent of her earlier work in «Beautiful Girls»), the film glides to its conclusion.

, buttoned - up Becca (Ellie Kemper, The Office) and brash Megan (Melissa McCarthy, Gilmore Girls) make up this winning ensemble, working together wonderfully, bringing their experience of stand - up and TV situation comedies to these oddball, yet affectionately crafted, characters.

Best Bear Attack: The Revenant Best Mosasaur Attack: Jurassic World Best Blind, Flamethrowing Guitar Player: Mad Max: Fury Road The Winklevi Award for Excellence in Playing Twins: Tom Hardy, Legend Worst Romantic Chemistry: Dakota Johnson and Jamie Dornan, 50 Shades of Grey (Runner - up: Nicole Kidman and Chiwetel Ejiofor, The Secret in their Eyes)(Honorable Mentions: Mila Kunis and Channing Tatum, Jupiter Ascending; Chris Hemsworth and Tang Wei, Blackhat) Best Fake Soap Opera: Joy Best Fake Magazine: Trainwreck («S'Nuff») The Gay Panic Award: Get Hard (Runner - up: The D Train) Best Alec Guinness Impression: Max von Sydow, Star Wars: The Force Awakens Worst Liam Neeson Impression: Sean Penn, The Gunman Best Turn - of - the - Century Reference to The Atlantic: Crimson Peak The Unbroken Award for a Portrait of Endurance that Gradually Becomes an Exercise in Endurance: The Revenant Best Use of «Smells Like Teen Spirit»: Pan Best Use of «Freebird»: Kingsman: The Secret Service Best Use of «Girls Just Want To Have Fun»: Anomalisa Least Convincing Hacker: Chris Hemsworth, Blackhat Least Responsible First Responder: Dwayne Johnson, San Andreas Person You'd Least Want in Charge of National Intelligence: Andrew Scott (Sherlock's Moriarty), Spectre Most Comprehensive Annihilation of an Intended Franchise: Josh Trank, Fantastic Four Best Driver: Ben Kingsley, Learning to Drive (Runner - up: Robert DeNiro, The Intern) Worst Total Box Office: Confession of a Child of the Century, $ 74 (Runner - up: Paranoid Girls, $ 78) Most Disturbing Sex Scenes (Human Category): Love Most Disturbing Sex Scenes (Puppet Category): Anomalisa Best Performance Playing a Character Named «Toussaint»: Jimmy Jean - Louis, Joy (Runner - up: Fabrice Adde, The Revenant) The «Marry Me and I'll Buy You a Piano» Award: Far from the Madding Crowd The «That Was Beautiful; What Happened?»

Also, framing the entire film around Blythe Danner's side character — a girl who Paul met and abandoned as a child, only to grow up bitter and isolated as a result — shows a level of emotional depth that might not have been present had Paul been written by anyone else.