Sentences with phrase «upon layer between»

This cake starts by making classic french crepes in a skillet, and then stacking them layer upon layer between light and fluffy raspberry coconut cream.

Not exact matches

It packs in the apples, too, leaving you with layer upon layer of apple slices without an air pocket between the filling and the crust.

Creation «s power lies in its layers, in the way it makes distinctions between religion and faith, and how it beautifully (save for one clunky bit of overexplanation) lays out the similarities between religion and science, from the healing power of water to the «curses» issued even upon true believers.

Upon exploring the stained surfaces of Krone's Screen Paintings, one is made aware of the causality occurring between the artist's systematic layering process and its entirely arbitrary result.

Layers upon layers of gel build up a translucent image between a lattice of cord and situate the painting in the aforementioned constructed painting movLayers upon layers of gel build up a translucent image between a lattice of cord and situate the painting in the aforementioned constructed painting movlayers of gel build up a translucent image between a lattice of cord and situate the painting in the aforementioned constructed painting movement.

Between 1959 and 1960 Polke completed a glass - painting apprenticeship, an experience that contributed to his lifelong attraction to transparency and layering, with many of his later paintings utilising see - through plastics or being painstakingly built up using strata upon strata of found imagery.

The «gossamer thin difference between illusion and the real» (Cool Memories III: Fragments, 1997) articulates itself in these works through the diaphanous, illusory layers that stack upon each other.

Layer upon layer of shapes and color are applied, creating a tension between the varied surfLayer upon layer of shapes and color are applied, creating a tension between the varied surflayer of shapes and color are applied, creating a tension between the varied surfaces.

Between 1973 and 1974, he moved from sprayed to poured and squeegeed surfaces, working the paint back and forth, up and down, layer upon layer, always in search of the perfect non-color, it seemed.

With layers upon layers of paint, Poesia is able to build a deep dialogue between fine art and graffiti.

Most paintings are underscored by a layer of graphite upon which she applies oil paint, which make them radiate a strange light through which the image gets a sort of frozen light quality, in a nearly monumental way... they balance between the fictional, the illusion and the reality of the day dream.