Not exact matches
Lye based his
techniques on those of Japanese artist Riusuke Fukahori — building
layers upon layers of resin to give the flat images unimaginable depth.
Working downward from the top of the canvas, using a limited range of colors, Wilson adds
layer upon layer of pigment, a
technique that provides extraordinary translucence and resonance.
This delicacy occurs as a result of
layers upon layers of mark - making - a time - intensive
technique that Messenger has developed throughout his career, yet no two works are identical.