Though science has reached phenomenal heights in our time, it has at no point invalidated anything basic to Christian faith, and at no time in human history has the revelation of God in Christ shone
upon the human scene with greater clarity and power.
Just as the Virgin Birth, and the physical Resurrection of Christ are and were requirements of his literal Divinity and uniqueness
upon the human scene, so also this type of development to which we appeal can not take place, except in a Church which claims the infallible magisterium on earth of the same Jesus in the name of his Divinity, and can manifest a line of consistent and coherent, definition because she has done so.
The incongruities themselves illustrate the manner in which through trial and error men came to apprehend the truth; and the defects and limitations of which we are aware serve as background to the growing light which, as if evoked by them, shone
upon the human scene.
Shafts of divine light, of truths not discoverable by «scientific» means, have broken through
upon the human scene through poets, philosophers and sages, as well as through the founders of various religions.
Not exact matches
The imposition of Word
upon king is sharply attested again in that brilliant
scene immediately preceding the death of Ahab in the middle of the ninth century (I Kings 22) The Word through Micaiah works its radical historical effects, and another prophet is instrumental in the efficacious juxtaposition of divine life and will
upon human events.
For moral standards ultimately depend
upon something transcending the
human scene.
If positive values tend to confirm relationships and negative values to fracture them, then the particular ways in which changes take place in the
human scene will depend
upon the systems of value which pertain.
In brief, social change — this rapid, turbulent, accelerating
scene — is more than a professional challenge; it is a total
human challenge, and to deal with it as
human beings, be we professionals or nonprofessionals, we must unashamedly call
upon the full range of our
human capacities and interests — scientific, artistic, and religious.
The parables disclose with what pleasure and tolerance he surveyed the broad
scene of
human activity: the merchant seeking pearls; the farmer sowing his fields; the real - estate man trying to buy a piece of land in which he had secret reason to believe a treasure lay buried; the dishonest secretary, who had been given notice, making friends against the evil day among his employer's debtors by reducing their obligations; the five young women sleeping with lamps burning while the bridegroom tarried and unable to attend the marriage because their sisters who had had foresight enough to bring additional oil refused to lend them any; the rich man whose guests for dinner all made excuses; the man comfortably in bed with his children who gets up at midnight to help his importunate neighbor only because he despairs of getting rid of him otherwise; the king who is out to capture a city; the man who built his house
upon the sand and lost it in the first storm of wind and rain; the queer employer who pays all of his men the same wage whether they have worked the whole day or a single hour; the great lord who going to a distant land entrusts his property to his three servants and judges them by the success of their investments when he returns; the shepherd whose sheep falls into a ditch; the woman with ten pieces of silver who, losing one, lights the candle and sweeps diligently till she finds it, and makes the finding of it the occasion of a celebration in which all of her neighbors are invited to share — and how long such a list might be!
The impact of Wieman in the American
scene has sometimes been compared with that of Barth
upon Continental theology, 17 and a parallel does exist at the point at which both men direct attention away from humanity and
human values to the work of God which is understood as prior to and sovereign over
human endeavors.
In turning men away from the mythological concepts of the gods to the YHWH who was known through His Word, Israel seized
upon the most important phenomenon in the
human scene — language — to become the metaphor for faith «The Word became flesh.»
God manifests Himself
upon the
scene of our daily living as the Lord and Giver of life: interpreting the divine will to our
human hearts, comforting us in our sore bereavements, awakening within us a hunger for the eternal, quickening our souls to repentance for sin, witnessing with our spirits that we are the children of God.
Their study looked at whether having the potential to act
upon objects influences how
humans allocate attention to different objects in a
scene.
From heart warming moments to tear - jerking
scenes, the film touches
upon what
humans value through the eyes of a dog.
This is the
scene that many people come
upon BEFORE
humans intervene in a feral cat «colony».
However, unlike traditional Chinese landscapes, Lam builds
upon the
scene by adding objects such as rocks, houses and
human figurines, inviting viewers to take a closer look at the details.
Through this introspective yet performance - oriented approach, Linwood often depicts
scenes of everyday life, deploying cross-referencing techniques to investigate different kinds of narrative while highlighting the effects of time and politics
upon artifacts, social practices and
human bodies.